The Story of the Longest and Largest Forced Migration of Native Americans in American History The Indian Removal Act of 1830 was the culmination of the United States' policy to force native populations to relocate west of the Mississippi River. The most well-known episode in the eviction of American Indians in the East was the notorious "Trail of Tears" along which Southeastern Indians were driven from their homes in Georgia, Alabama, and Mississippi to reservations in present-day Oklahoma. But the struggle in the South was part of a wider story that reaches back in time to the closing months of the War of 1812, back through many states--most notably Ohio--and into the lives of so many tribes, including the Delaware, Seneca, Shawnee, Ottawa, and Wyandot (Huron). They, too, were forced to depart from their homes in the Ohio Country to Kansas and Oklahoma. The Other Trail of Tears: The Removal of the Ohio Indians by award-winning historian Mary Stockwell tells the story of this region's historic tribes as they struggled following the death of Tecumseh and the unraveling of his tribal confederacy in 1813. At the peace negotiations in Ghent in 1814, Great Britain was unable to secure a permanent homeland for the tribes in Ohio setting the stage for further treaties with the United States and encroachment by settlers. Over the course of three decades the Ohio Indians were forced to move to the West, with the Wyandot people ceding their last remaining lands in Ohio to the U.S. Government in the early 1850s. The book chronicles the history of Ohio's Indians and their interactions with settlers and U.S. agents in the years leading up to their official removal, and sheds light on the complexities of the process, with both individual tribes and the United States taking advantage of opportunities at different times. It is also the story of how the native tribes tried to come to terms with the fast pace of change on America's western frontier and the inevitable loss of their traditional homelands. While the tribes often disagreed with one another, they attempted to move toward the best possible future for all their people against the relentless press of settlers and limited time.

It is June first and twelve-year-old Mary does not really understand what is happening: she does not understand the hatred and greed of the white men who are forcing her Cherokee family out of their home in New Echota, Georgia, capital of the Cherokee Nation, and trying to steal what few things they are allowed to take with them, she does not understand why a soldier killed her grandfather--and she certainly does not understand how she, her sister, and her mother, are going to survive the 1000 mile trip to the lands west of the Mississippi.

If you want to know why American Indians have the highest rates of poverty of any racial group, why suicide is the leading cause of death among Indian men, why native women are two and a half times more likely to be raped than the national average and why gang violence affects American Indian youth more than any other group, do not look to history. There is no doubt that white settlers devastated Indian communities in the 19th, and early 20th centuries. But it is our policies today—denying Indians ownership of their land, refusing them access to the free market and failing to provide the police and legal protections due to them as American citizens—that have turned reservations into small third-world countries in the middle of the richest and freest nation on earth. The tragedy of our Indian policies demands reexamination immediately—not only because they make the lives of millions of American citizens harder and more dangerous—but also because they represent a microcosm of everything that has gone wrong with modern liberalism. They are the result of decades of politicians and bureaucrats showering a victimized people with money and cultural sensitivity instead of what they truly need—the education, the legal protections and the autonomy to improve their own situation. If we are really ready to have a conversation about American Indians, it is time to stop bickering about the names of football teams and institute real reforms that will bring to an end this ongoing national shame.

Today, a fraction of the Cherokee people remains in their traditional homeland in the southern Appalachians. Most Cherokees were forcibly relocated to eastern Oklahoma in the early nineteenth century. In 1830 the U.S. government shifted its policy from one of trying to assimilate American Indians to one of relocating them and proceeded to drive seventeen thousand Cherokee people west of the Mississippi. The Cherokee Nation and the Trail of Tears recounts this moment in American history and considers its impact on the Cherokee, on U.S.-Indian relations, and on contemporary society. Guggenheim Fellowship-winning historian Theda Perdue and coauthor Michael D. Green explain the various and sometimes competing interests that resulted in the Cherokee?s expulsion, follow the exiles along the Trail of Tears, and chronicle their difficult years in the West after removal.

This powerful narrative traces the social, cultural, and political history of the Cherokee Nation during the forty-year period after its members were forcibly removed from the southern Appalachians and resettled in what is now Oklahoma. In this master work, completed just before his death, William McLoughlin not only explains how the Cherokees rebuilt their lives and society, but also recounts their fight to govern themselves as a separate nation within the borders of the United States. Long regarded by whites as one of the 'civilized' tribes, the Cherokees had their own constitution (modeled after that of the United States), elected officials, and legal system. Once re-settled, they attempted to reestablish these institutions and continued their long struggle for self-government under their own laws--an idea that met with bitter opposition from frontier politicians, settlers, ranchers, and business leaders. After an extremely divisive fight within their own nation during the Civil War, Cherokees faced internal political conflicts as well as the destructive impact of an influx of new settlers and the expansion of the railroad. McLoughlin brings the story up to 1880, when the nation's fight for the right to govern itself ended in defeat at the hands of Congress.

A sixth-generation North Carolinian, highly-acclaimed author John Ehle grew up on former Cherokee hunting grounds. His experience as an accomplished novelist, combined with his extensive, meticulous research, culminates in this moving tragedy rich with historical detail. The Cherokee are a proud, ancient civilization. For hundreds of years they believed themselves to be the "Principle People" residing at the center of the earth. But by the 18th century, some of their leaders believed it was necessary to adapt to European ways in order to survive. Those chiefs sealed the fate of their tribes in 1875 when they signed a treaty relinquishing their land east of the Mississippi in return for promises of wealth and better land. The U.S. government used the treaty to justify the eviction of the Cherokee nation in an exodus that the Cherokee will forever remember as the “trail where they cried.” The heroism and nobility of the Cherokee shine through this intricate story of American politics, ambition, and greed. B & W photographs

Sherman Alexie meets William Gibson. Louise Erdrich meets Franz Kafka. Leslie Marmon Silko meets Philip K. Dick. However you might want to put it, this is Native American fiction in a whole new world. A surrealistic revisiting of the Cherokee Removal, Riding the Trail of Tears takes us to north Georgia in the near future, into a virtual-reality tourist compound where customers ride the Trail of Tears, and into the world of Tallulah Wilson, a Cherokee woman who works there. When several tourists lose consciousness inside the ride, employees and customers at the compound come to believe, naturally, that a terrorist attack is imminent. Little does Tallulah know that Cherokee Little People have taken up residence in the virtual world and fully intend to change the ride’s programming to suit their own point of view. Told by a narrator who knows all but can hardly be trusted, in a story reflecting generations of experience while recalling the events in a single day of Tallulah’s life, this funny and poignant tale revises American history even as it offers a new way of thinking, both virtual and very real, about the past for both Native Americans and their Anglo counterparts.

Insightful, rarely told history of Indian courage in the face of White expansionism in the 19th century. Truth-telling tale of the ruthless brutality that forced the Native American population into resettlement camps and reservations, with a look at the few white Americans who fought to help them.

Set against the tragic events of the Cherokees' removal from their traditional lands in North Carolina to Indian Territory between 1835-1838, Mountain Windsong is a love story that brings to life the suffering and endurance of the Cherokee people. It is the moving tale of Waguli (Whippoorwill") and Oconeechee, a young Cherokee man and woman separated by the Trail of Tears. Just as they are about to be married, Waguli is captured be federal soldiers and, along with thousands of other Cherokees, taken west, on foot and then by steamboat, to what is now eastern Oklahoma. Though many die along the way, Waguli survives, drowning his shame and sorrow in alcohol. Oconeechee, among the few Cherokees who remain behind, hidden in the mountains, embarks on a courageous search for Waguli. Robert J. Conley makes use of song, legend, and historical documents to weave the rich texture of the story, which is told through several, sometimes contradictory, voices. The traditional narrative of the Trail of Tears is told to a young contemporary Cherokee boy by his grandfather, presented in bits and pieces as they go about their everyday chores in rural North Carolina. The telling is neiter bitter nor hostile; it is sympathetic by unsentimental. An ironic third point of view, detached and often adversarial, is provided by the historical documents interspersed through the novel, from the text of the removal treaty to Ralph Waldo Emerson's letter to the president of the United States in protest of the removal. In this layering of contradictory elements, Conley implies questions about the relationships between history and legend, storytelling and myth-making. Inspired by the lyrics of Don Grooms's song "Whippoorwill," which open many chapters in the text, Conley has written a novel both meticulously accurate and deeply moving.

Recounts how the Cherokees were forced to leave their land and travel to a new settlement in Oklahoma, a terrible journey known as the Trail of Tears.