Pop's personal failings have led him to believe he has an evil twin, the doppleganger Iggy, who controls his destiny... From his room in the Kia Ora Nursing Home, he relates the significant events of his life to his son, Ossie, an androgynous poet who has an interest in psychogeography, as well as a desire to avenge dead Mama. As he listens to the story, Ossie discovers more darkness in Pop's life than he expects... In the world outside the Home, Ossie is a Pub Poet, who performs regularly at the Portwine and Shot Tower in front of modest audiences, and hecklers. This reality collides with that of his father and doppleganger Iggy, as revealed by Pop's American correspondent, the drug addict Rockwell Lewis Jordan... Kia Ora is not all it seems, its corridors the location of occult practice - burning candles, malign effigies and geriatric games. Ossie has to interpret the signs, as well as understand the influence Iggy Pop might be exerting on his own life... Who is controlling who?

A sixty-year history of Afro–South Asian musical collaborations From Beyoncé’s South Asian music–inspired Super Bowl Halftime performance, to jazz artists like John and Alice Coltrane’s use of Indian song structures and spirituality in their work, to Jay-Z and Missy Elliott’s high-profile collaborations with diasporic South Asian artists such as the Panjabi MC and MIA, African American musicians have frequently engaged South Asian cultural productions in the development of Black music culture. Sounds from the Other Side traces such engagements through an interdisciplinary analysis of the political implications of African American musicians’ South Asian influence since the 1960s. Elliott H. Powell asks, what happens when we consider Black musicians’ South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro–South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States. The long historical arc of Afro–South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians.

In this new adventure with Tess and Max, internationally bestselling author Amy Ephron takes readers to London at Christmastime, where a new fantastical journey awaits. It's Christmas break and Tess and Max are in London, staying at the posh Sanborn House with their Aunt Evie. As they wait for their parents to arrive, there is an unusual snowstorm that makes the city seem as if it's caught in a snow globe. Perfect weather for an adventure in Hyde Park. But when Max, Tess, and Aunt Evie leave to search for a cab, they find a horse and carriage and driver curiously waiting for them at the curb. And that's just the beginning... Soon Tess is charmed by a mysterious boy named Colin who lives at the hotel all year round--on the 8th floor. But Max is sure the elevator only had 7 floors the day before. And how come everyone at the hotel seems to ignore Colin? Things seem to get stranger and stranger. There's a 1920s costume party in Colin's parents' apartment. A marble that seems to be more than it appears. And a shadow that passes mysteriously by Tess and Max's hotel window. Tess wants to figure out what's going on, but finds only more questions: Is it just a coincidence that Colin's last name is Sanborn, the same as the hotel? Why does the cat's-eye marble look eerily similar to the crystal at the top of their hotel room key? And, most importantly, what happened in that hotel one Christmas long, long ago? In this mysterious story sprinkled with holiday enchantment, Amy Ephron transports readers into the magic of London at wintertime, where it's just possible that what seems imaginary is real, and your wishes might come true. Praise for The Other Side of the Wall: "Tess especially follows in that lineage of strong, intelligent female characters – a sort of Lucy Pevensie/Hermione Granger hybrid who is a leader, who believes in magic." —Teen Vogue "Another time-bending mystery . . . nicely paced, starting slow and accelerating to breakneck speed by the end. This story is both charming and vaguely creepy." —School Library Journal “Ephron renders this magical world with such assertive beauty that readers of all ages, who are fortunate enough to believe in the power of magic, will enjoy immersing themselves in the roller-coaster fun of these stories, and come to trust, even if for a short time, that in this ‘alternate universe’ it is possible for us to come together and ‘touch the sky.’” —Jewish Journal "A very entertaining middle-grade read [that] will captivate and entice you to read more....This is a good old classic family adventure that you will want to both read and own." —Mr. Ripley's Enchanted Books

Ever since WSM-AM radio announcer David Cobb first called it the "Music City" back in 1950, Nashville has been known as the center of the country music universe. While some may also be familiar with Nashville for its gospel and CCR industry, few recognize the Music City as a hotbed of rock 'n' roll, rap, and blues music. Since the mid-1970s, when indie rock pioneer R. Stevie Moore released his self-produced Phonography album, a diverse and creative rock music scene has developed in the Music City. From Jason & the Scorchers, the White Animals, and Afrikan Dreamland to Jeff the Brotherhood and the Kings of Leon, there can be no doubt that Nashville rocks! The Other Side of Nashville is an incomplete history and discography of the Nashville rock underground circa 1976-2006. Documenting the growth and evolution of the Music City's non-country music scene, The Other Side of Nashville includes entries over 500 artists, and features over 100 interviews and album reviews, as well as comments and insight from the "Reverend of Rock 'n' Roll," Rev. Keith A. Gordon. An award-winning music journalist with decades of experience, Rev. Keith A. Gordon was there for the "big bang" moment of Nashville's fledgling rock scene, and spent 30 years documenting and championing Music City rockers in both local rags like The Metro, the Nashville Scene, and the Nashville Intelligence Report, as well as national publications like Creem, Rolling Stone, and High Times. Gordon is the author or co-author of seven books on music, is a former contributor to the All Music Guide website and book series, and is currently the Blues Guide for About.com.

"A cross between Carry On, Warrior and Everybody's Got Something, The Other Side of Yet is a powerful memoir about loss, faith, and the power of the human spirit. Starting her professional career as a producer at America's Most Wanted, Michelle Hord was no stranger to tragedy. But when the unimaginable happened in her own family, Michelle's entire life crashed down around her. As she sought out a new blueprint for how to live in this new world, The Book of Job became her anchor, with one verse in particular standing out: "Though he slay me, yet will I trust in him" Job 13:15 King James Version (KJV). For Michelle, the concept of that 'yet' became an essential part of her life--one shaped by loss, yet filled with hope. This powerful memoir takes readers on a journey about creating a life of goodness and grace in the face of loss, injustice, or hardship. Michelle isn't interested in prosecuting her marriage, dwelling on what happened to her daughter, or pointing to God as her only salvation. In the pages of The Other Side of Yet, she invites readers to share not just her story, but to draw inspiration from her strength, her will to create goodness, and her defiant faith"--

Thirteen-year-old Baylor Bosco does not like ghosts, but as a medium he sees them--including his twin sister Kristina--everywhere but Kristina disappears after a strange ghost shows up and Baylor must try to find her on his own.

This “stirring…emotionally raw” (Publishers Weekly) young adult debut novel about three teens entangled by secret love, open hatred, and the invisible societal constraints wrapped around people both Black and white is perfect for readers of All American Boys and The Hate U Give. There is an unspoken agreement between the racially divided towns of Bayside and Hamilton: no one steps over the train tracks that divide them. Or else. Not until Zach Whitman anyway, a white boy who moves in from Philly and who dreams of music. When he follows his dream across the tracks to meet his idol, the famous jazz musician who owns The Sunlight Record Shop in Hamilton, he’s flung into Capri Collins’s path. Capri has big plans: she wants to follow her late mother’s famous footsteps, dancing her way onto Broadway, and leaving this town for good, just like her older brother, Justin, is planning to do when he goes off to college next year. As sparks fly, Zach and Capri realize that they can help each other turn hope into a reality, even if it means crossing the tracks to do it. But one tragic night changes everything. When Justin’s friend, the star of Hamilton’s football team, is murdered by a white Bayside police officer, the long-standing feud between Bayside and Hamilton becomes an all-out war. And Capri, Justin, and Zach are right in the middle of it.

Love comes in many forms. A magnificent bird comforts a struggling girl; a vampire waltzes with a young lady at night; a blind girl lives with a monster of whom there is more than meets the eye. This six-story manga collection by masterful manga creator Nagabe explores fascinating relationships that refuse to be confined.

In the tradition of Edward Eager and E.L. Konigsburg, a novel about the excitement—and the dangers—of wishing. Tess and her brother, Max, are sent for the summer to their aunt’s sleepy village in the English countryside, where excitement is as rare as a good wifi signal. So when Tess stumbles upon an old brass key that unlocks an ornately carved gate, attached to a strangely invisible wall, she jumps at the chance for adventure. And the world beyond the gate doesn’t disappoint. She finds rose gardens, a maze made of hedges, and a boy named William who is just as lonely as she is. But at William’s castle, strange things begin to happen. Carnival games are paid for in wishes, dreams seem to come alive, and then there's William's eerie warning: Beware of the hawthorn trees. A warning that chills Tess to the bone. In a magical, fantasy world that blurs the line between reality and imagination, readers are left to wonder exactly what they’d wish for if wishes could come true. Perfect for fans of Half Magic and The Secret Garden—and for anyone who's ever wondered if magic is real. For the further adventures of Tess and Max, be sure to check out Amy Ephron's Carnival Magic! Praise for The Castle in the Mist: “Bursting with imagination and warmth, Amy Ephron’s first novel for young people is a magical book in all ways.”—Holly Goldberg Sloan, New York Times bestselling author of Counting by 7s "This beautiful story’s quiet, peaceful tone nicely evokes both the serenity of country life and the haunting magic of the castle, and the emotional heft of Tess and Max’s separation from their parents, as well as their strong bond, keeps the tale firmly grounded in reality. Perfect for middle-graders who love classic fantasy."—Booklist "Rich description of the castle along with an elaborate map at the book's beginning and an illustration at the end enhance the fantasy world....A sequel is suggested; beguiled readers will hope it happens."—Kirkus Reviews "There are scenes...that are transcendent in their beautiful, ethereal descriptions [in this] uplifting novel about family and connection."—BCCB "A slightly darker, updated take on magical realism classics such as Edward Eager’s Half Magic and E. Nesbit’s The Enchanted Castle."—School Library Journal "A near-perfect 9....This book defies gravity because it’s hard to put down!"—Time for Kids, kid reporter "Ephron renders this magical world with such assertive beauty that readers of all ages, who are fortunate enough to believe in the power of magic, will enjoy immersing themselves in the roller-coaster fun of these stories, and come to trust, even if for a short time, that in this 'alternate universe' it is possible for us to come together and 'touch the sky.'"—Jewish Journal

Girl Online meets Wild in this emotionally charged story of girl who takes to the wilderness to rediscover herself and escape the superficial persona she created on social media. Mari Turner’s life is perfect. That is, at least, to her thousands of followers who have helped her become an internet starlet. But when she breaks down and posts a video confessing she’s been living a lie—that she isn’t the happy, in love, inspirational online personality she’s been trying so hard to portray—it goes viral and she receives a major backlash. To get away from it all, she makes an impulsive decision: to hike the entire John Muir Trail. Mari and her late cousin Bri were supposed to do it together, to celebrate their shared eighteenth birthday. But that was before Mari got so wrapped up in her online world that she shut anyone out who questioned its worth—like Bri. With Bri’s boots and trail diary, a heart full of regret, and a group of strangers that she meets along the way, Mari tries to navigate the difficult terrain of the hike. But the true challenge lies within, as she searches for the way back from to the girl she fears may be too lost to find: herself.