"Adams was more successful as a writer than as a clergyman. As a poet, he wrote a series of generally impressive personal poems, crafted effective images, created a memorable melancholiac, composed a substantial poem in the Blackmorean mode, and translated parts of the Bible and Horace. Most of his poems were collected and published post-humously under his name in 1745. With his uncle Matthew Adams and Mather Byles, John Adams participated in Proteus Echo, the second essay series to appear in American newspapers. Franklin's Dogood papers were the first. In his essays, Adams is most important as a literary theorist, especially when addressing how much, if at all, authors should compromise their values in order to please readers. He encourages politeness and social interaction and criticizes boring ministers, thus evincing the changing social dynamics of the time. The advice to the love-lorn column might have originated in one of his contributions to Proteus Echo."--BOOK JACKET.

Touching on the wide array of people and events who have brought life to the history of the Placentia area, The Placentia Area - A Changing Mosaic offers a glimpse of the deep history that has transformed this part of Newfoundland and Labrador. The history is a collection of interconnected stories. Geological processes forged a landscape that would feature in later actions and activities. Geology created a wide expansive beach that Basque fish harvesters discovered was perfect for drying fish. This attribute, along with its deep harbour, then ensured that Placentia would go on to function in the struggles between the French and English. And from this period, the Placentia area has evolved, playing a role in the lives of well-known characters such as Pierre le Moyne d'Iberville or Roger F. Sweetman, as well as the less known, yet equally important, women and men who simply came to make a life for themselves. To the present day, the latter has remained a defining quality of the region.

An oral history of musical genres from the Palmetto State musicians who helped define the sounds From Jabbo Smith, Dizzy Gillespie, and Drink Small to Johnny Helms, Dick Goodwin, and Chris Potter, South Carolina has been home to an impressive number of regionally, nationally, and internationally known jazz and blues musicians. Through richly detailed interviews with nineteen South Carolina musicians, jazz historian and radio host Benjamin Franklin V presents an oral history of the tradition and influence of jazz and the blues in the Palmetto State. Franklin takes as his subjects a range of musicians born between 1905 and 1971, representing every decade in between, to trace the progression of these musical genres from Tommy Benford's and Jabbo Smith's first recording sessions in the summer of 1926 to the present day. Diverse not only in age but also in race, gender, instruments, and style, these musicians exemplify the breadth of South Carolina's jazz and blues performers. In their own colorful words, the musicians recall love affairs with the distinctive sounds of jazz and blues, indoctrinations into the musical world, early gigs, fans, drugs, military service, amateur night at the Apollo Theater, and influential friendships with other well-known musicians. As the story of the South Carolina musical scene is tightly interwoven with that of the nation, these narratives also include appearances by Tony Bennett, Miles Davis, Count Basie, Helen Merrill, Pharoah Sanders, Sister Rosetta Tharpe, and other significant musicians. These interviews also document the lasting value of music education. In particular they stress the importance of the famed Jenkins Orphanage in Charleston and of South Carolina State University in Orangeburg in nurturing young musicians' talent. Arranged in chronological order by the subjects' birth years, these interviews are augmented by photographs of the musicians, collectively serving as a unique record of representative jazz and blues musicians who have called South Carolina home.

With long, solitary periods at sea, far from literary and cultural centers, sailors comprise a remarkable population of readers and writers. Although their contributions have been little recognized in literary history, seamen were important figures in the nineteenth-century American literary sphere. In the first book to explore their unique contribution to literary culture, Hester Blum examines the first-person narratives of working sailors, from little-known sea tales to more famous works by Herman Melville, James Fenimore Cooper, Edgar Allan Poe, and Richard Henry Dana. In their narratives, sailors wrote about how their working lives coexisted with--indeed, mutually drove--their imaginative lives. Even at leisure, they were always on the job site. Blum analyzes seamen's libraries, Barbary captivity narratives, naval memoirs, writings about the Galapagos Islands, Melville's sea vision, and the crisis of death and burial at sea. She argues that the extent of sailors' literacy and the range of their reading were unusual for a laboring class, belying the popular image of Jack Tar as merely a swaggering, profane, or marginal figure. As Blum demonstrates, seamen's narratives propose a method for aligning labor and contemplation that has broader applications for the study of American literature and history.

Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.