A devastating story of the struggle of civilians caught up in the conflict in eastern Ukraine Chosen as one of “Six Books to Read for Context on Ukraine” by the New York Times Selected by Publishers Weekly as one of the “20 Best Books of 2021” “Powerful . . . For those who want a glimpse of what life will be like in Ukraine for years to come, The Orphanage offers a frightening glimpse.”—Bill Marx, Arts Fuse If every war needs its master chronicler, Ukraine has Serhiy Zhadan, one of Europe’s most promising novelists. Recalling the brutal landscape of The Road and the wartime storytelling of A Farewell to Arms, The Orphanage is a searing novel that excavates the human collateral damage wrought by the ongoing conflict in eastern Ukraine. When hostile soldiers invade a neighboring city, Pasha, a thirty-five-year-old Ukrainian language teacher, sets out for the orphanage where his nephew Sasha lives, now in occupied territory. Venturing into combat zones, traversing shifting borders, and forging uneasy alliances along the way, Pasha realizes where his true loyalties lie in an increasingly desperate fight to rescue Sasha and bring him home. Written with a raw intensity, this is a deeply personal account of violence that will be remembered as the definitive novel of the war in Ukraine.

How could it be wrong to save the children by starting an orphanage? Oh, in so many ways . . . Tara Winkler first arrived in Cambodia to join a tour group in 2005 and was taken to visit a small orphanage in Battambang. The children were living in extreme poverty, and Tara was determined to raise money to help them. Two years later, after fundraising in Australia, Tara returned to Battambang only to discover that the same children were in deep trouble. Her spontaneous response was to find them a new, safe, home. With a team of committed locals and support from friends, she established the Cambodian Children's Trust (CCT). With an instant family of fourteen children and three dogs, Tara had to learn a lot, very fast. And, along the way, she realised that many of the actions she took with good intentions were not at all what the children needed - or indeed, what any child needs. CCT now helps vulnerable children to escape poverty and be cared for within their families. In this compelling, poignant and funny memoir, Tara shares the many joys and the terrible lows of her journey thus far with honesty and passion. Written with co-writer, Lynda Delacey, How (Not) to Start an Orphanage is a book that will keep you thinking long after you turn the final page.

A gritty, heartbreaking story of love and hope in the darkest of times, perfect for readers of Erika Robuck and Shirley Dickson. Shilling Grange Orphanage, England, 1948: Clara Newton is the new housemother of Shilling Grange Orphanage. Many of the children have been bombed out of their homes and left without families, their lives torn apart by the war, just like Clara's. Devastated by the loss of her fiancé, a brave American pilot, Clara needs a place to start again and the orphans are in desperate need of her help. But funds are short, children cry out in the night, and the tearful girls tells Clara terrible stories about the nuns who previously ran Shilling Grange. Clara cannot bear to see them suffer, yet it soon becomes clear that she's in over her head. But Clara is not completely alone. Living next door is Ivor: war hero and handyman with deep brown eyes. Having grown up at the orphanage, he's also hesitant to trust anyone. Yet his gentle voice and bottomless patience helps him soothe the orphans better than anyone. With his help, the orphans--and Clara--have someone to give them hope. But does she dare she open her heart to love again?

A memoir of the author's years spent in an orphanage in North Carolina in the 1950s, presenting it as a place which, while lacking hugs and kisses, provides a stable home that turned out optimistic, well-adjusted young adults.

"In The Charleston Orphan House, distinguished economic historian John E. Murray uncovers a world about which previous generations of scholars knew next to nothing: the world of orphaned children in early national and antebellum America. Employing a unique cache of records, Murray offers a sensitive and sympathetic account of the history of the institution - the first public orphan house in the US - while at the same time making it clear that Charleston's beneficence toward white orphans was inextricably linked to the racial ideology of the city's leaders. In Murray's hands, the voices of poor white families in early America are heard as never before." -- Peter A Coclanis, University of North Carolina at Chapel Hill. -- Book jacket.

New York Times bestselling author Emily Winfield Martin brings a strange and wonderful place to life with her unique style of both art and writing. What do an onion-headed boy, a child-sized hedgehog, and a tattooed girl have in common? They are all orphans at Oddfellow's Orphanage! This unusual and charming chapter book tells an episodic story that follows a new orphan, Delia, as she discovers the delights of her new home. From classes in Cryptozoology and Fairy Tale Studies to trips to the circus, from Annual Hair Cutting Day to a sea monster-sighting field trip, things at Oddfellows are anything but ordinary . . . except when it comes to friendships. And in that, Oddfellows is like any other school where children discover what they mean to each other while learning how big the world really is.

Twenty years ago, the humans came for their gods. In the bloody revolution, gods were all but wiped out. Ever since, the children they left behind have been imprisoned in an orphanage, watched day and night by the ruthless Guard. Any who show signs of divine power vanish from their beds in the night, all knowledge of their existence denied. No one has ever escaped the orphanage. Until now. Seventeen-year-old Hero is finally free - but at a terrible price. Her sister has been captured by the Guard and is being held in a prison in the northern sea. Hero desperately wants to get her back, and to escape the murderous Guardsmen hunting her down. But not all the gods are dead, and the ones waiting for Hero in the north have their own plans for her - ones that will change the world forever . . . As she advances further and further into the unknown, Hero will need to decide: how far is she willing to go to do what needs to be done? ************ Praise for THE ORPHANAGE OF GODS 'A twisting story full of surprises and rich, complex characters. Helena has created a beautifully written world of injustice, bravery and friendship' - Claire North, author of THE FIRST FIFTEEN LIVES OF HARRY AUGUST 'Vivid and intense. Helena Coggan had me on the edge of my seat to the final page of this gripping new YA fantasy' - Amanda Bouchet, USA Today bestselling author of The Kingmaker Chronicles 'Helena Coggan's lyrical story of gods and humans kept me riveted to the page. The plot pulses with action and the characters are beautifully complex. This is a book that sparks with adrenaline and longing, all the way to the final page' - Rebecca Ross, author of The Queen's Rising 'If you're looking for a dark but lyrical fantasy then this is the book for you' - Lace and Dagger Books '[THE ORPHANAGE OF GODS] was entertaining while still having a lot of depth . . . I would definitely recommend it to others' - Readers Enjoy Authors Dreams 'This book. This BOOK! I loved it. Seriously. An all-encompassing total love. It's my favourite book that I've read in a long time!' - 5-STAR reader review

In 1996, America abolished its long-standing welfare system in favor of a new and largely untried public assistance program. Welfare as we knew it arose in turn from a previous generation's rejection of an even earlier system of aid. That generation introduced welfare in order to eliminate orphanages. This book examines the connection between the decline of the orphanage and the rise of welfare. Matthew Crenson argues that the prehistory of the welfare system was played out not on the stage of national politics or class conflict but in the micropolitics of institutional management. New arrangements for child welfare policy emerged gradually as superintendents, visiting agents, and charity officials responded to the difficulties that they encountered in running orphanages or creating systems that served as alternatives to institutional care. Crenson also follows the decades-long debate about the relative merits of family care or institutional care for dependent children. Leaving poor children at home with their mothers emerged as the most generally acceptable alternative to the orphanage, along with an ambitious new conception of social reform. Instead of sheltering vulnerable children in institutions designed to transform them into virtuous citizens, the reformers of the Progressive era tried to integrate poor children into the larger society, while protecting them from its perils.

After a death at The White Camellia Orphanage, young Pip Tatnall leaves Lexsy Georgia, to become a road kid, riding the rails east, west, and north. A bright, unusual boy who is disillusioned at a young age, Pip believes that he sees guilt shining in the faces of men wherever he goes. On his picaresque journey, he sweeps through society, revealing the highest and lowest in human nature and only slowly coming to self-understanding. He searches the points of the compass for what will help, groping for a place where he can feel content, certain that he has no place where he belongs and that he rides the rails through a great darkness. His difficult path to collect enough radiance to light his way home is the road of a boy struggling to come to terms with the cruel but sometimes lovely world of Depression-era America. On Marly Youmans’s prior forays into the world of the past, reviewers praised her “spellbinding force” (Bob Sumner, Orlando Sentinel), “prodigious powers of description” (Philip Gambone, The New York Times), “serious artistry,” “unobtrusively beautiful language,” and “considerable power” (Fred Chappell, The Raleigh News & Observer.), “haunting, lyrical language and fierce intelligence” (starred review, Publishers Weekly.) Howard Bahr wrote of The Wolf Pit, “Ms. Youmans is an inspiration to every writer who must compete with himself. I had thought Catherwood unsurpassable, but Ms. Youmans has done it. Her characters are ℜ they live and move in the stream of Time as if they had passed only yesterday. Her lyricism breaks my heart and fills me with envy and delight. No other writer I know of can bring the past to us so musically, so truly.”

Founded around 1700 by a group of German Lutherans known as Pietists, the Halle Orphanage became the institutional headquarters of a universal seminar that still stands largely intact today. It was the base of an educational, charitable, and scientific community and consisted of an elite school for the sons of noblemen; schools for the sons of artisans, soldiers, and preachers; a hospital; an apothecary; a bookshop; a botanical garden; and a cabinet of curiosity containing architectural models, naturalia, and scientific instruments. Yet, its reputation as a Pietist enclave inhabited largely by young people has prevented the organization from being taken seriously as a kind of scientific academy—even though, Kelly Joan Whitmer shows, this is precisely what it was. The Halle Orphanage as Scientific Community calls into question a long-standing tendency to view German Pietists as anti-science and anti-Enlightenment, arguing that these tendencies have drawn attention away from what was actually going on inside the orphanage. Whitmer shows how the orphanage’s identity as a scientific community hinged on its promotion of philosophical eclecticism as a tool for assimilating perspectives and observations and working to perfect one’s abilities to observe methodically. Because of the link between eclecticism and observation, Whitmer reveals, those teaching and training in Halle’s Orphanage contributed to the transformation of scientific observation and its related activities in this period.