Vols. 2-6 include "Theological and Semitic literature for 1898-1901, a bibliographical supplement to the American journal of theology and the American journal of Semitic languages and literatures. By W. Muss-Arnolt." (Separately paged)

Vols. 2-6 include "Theological and Semitic literature for 1898- 1901, a bibliographical supplement to the American journal of theology and the American journal of Semitic languages and literatures. By W. Muss-Arnolt." (Separately paged)

Exiled in shame and wounded in battle, Caden O’Byrne accepts a mission of penance—to search for his healer’s long-lost daughter. At worst, he’ll finally get his death wish. At best, this could be God’s second chance. But the lovely minstrel Sorcha wants no part in him, his newfound God, or the rescue. In fact, she’s robbed him blind—to help finance her work of buying young captives and returning them to their families. She’s also gone into debt and promised to marry a man she doesn’t love—all for the chidlren’s sake. But before she and Caden can sort out the situation, a treacherous murder forces them to run for their lives…together. While Caden’s rekindled faith is tested, Sorcha wonders if his God is real. If so, can a thief like her dare hope for His mercy? And do the two of them have a chance of reaching home—Sorcha’s real home—alive?

How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, Goldhill demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, Goldhill addresses ideas of citizenship, nationalism, and cultural politics. And through fiction--specifically nineteenth-century novels about the Roman Empire--he discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being. With a wide range of examples and stories, Victorian Culture and Classical Antiquity demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.