Presents a study in 18th century English literature to give a clear and accurate description of a distinct component featuring Asian influences.

Presents a study in 18th century English literature to give a clear and accurate description of a distinct component featuring Asian influences.

First Published in 1967. Routledge is an imprint of Taylor & Francis, an informa company.

Excerpt from The Oriental Tale in England in the Eighteenth Century English in the College of the City of New York, for notes on certain oriental tales; to Dr. John S. Harrison, of the English Department of Ken yon College, for assistance in research; to Mr. S. L. Wolff, adjunct-professor of English in the University of Tennessee, for a study of oriental allusions in the eighteenth-century periodicals; to Mr. Wolff and to Dr. S. M. Tucker, Professor of English in the Florida State College for Women, for valuable suggestions. I would acknowledge also the courtesies extended by the Librarians of the British Museum, by Mr. T. J. Kiernan of the Harvard University Library, and by the authorities of the Columbia Univer sity Library, especially Mr. Frederic W. Erb. For assistance in research at the British Museum I would thank my sister, Charlotte H. Conant; for similar work at Harvard and in the Boston Libraries, Miss Mary H. Buckingham. Miss Buckingham enriched my initial bibliography by examining the entire Catalogue of Printed Books of the British Museum. Finally, to Dr. Duncan B. Macdonald and Dr. Edward Everett Hale I wish to express my appreciation of their kindness in lending me valuable books. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Srinivas Aravamudan here reveals how Oriental tales, pseudo-ethnographies, sexual fantasies, and political satires took Europe by storm during the eighteenth century. Naming this body of fiction Enlightenment Orientalism, he poses a range of urgent questions that uncovers the interdependence of Oriental tales and domestic fiction, thereby challenging standard scholarly narratives about the rise of the novel. More than mere exoticism, Oriental tales fascinated ordinary readers as well as intellectuals, taking the fancy of philosophers such as Voltaire, Montesquieu, and Diderot in France, and writers such as Defoe, Swift, and Goldsmith in Britain. Aravamudan shows that Enlightenment Orientalism was a significant movement that criticized irrational European practices even while sympathetically bridging differences among civilizations. A sophisticated reinterpretation of the history of the novel, Enlightenment Orientalism is sure to be welcomed as a landmark work in eighteenth-century studies.

Orientalism and Literature discusses a key critical concept in literary studies and how it assists our reading of literature. It reviews the concept's evolution: how it has been explored, imagined and narrated in literature. Part I considers Orientalism's origins and its geographical and multidisciplinary scope, then considers the major genres and trends Orientalism inspired in the literary-critical field such as the eighteenth-century Oriental tale, reading the Bible, and Victorian Oriental fiction. Part II recaptures specific aspects of Edward Said's Orientalism: the multidisciplinary contexts and scholarly discussions it has inspired (such as colonial discourse, race, resistance, feminism and travel writing). Part III deliberates upon recent and possible future applications of Orientalism, probing its currency and effectiveness in the twenty-first century, the role it has played and continues to play in the operation of power, and how in new forms, neo-Orientalism and Islamophobia, it feeds into various genres, from migrant writing to journalism.

A Companion to the Eighteenth-century Novel furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral contexts. An up-to-date resource for the study of the eighteenth-century novel Furnishes readers with a sophisticated vision of the eighteenth-century novel in its political, aesthetic, and moral context Foregrounds those topics of most historical and political relevance to the twenty-first century Explores formative influences on the eighteenth-century novel, its engagement with the major issues and philosophies of the period, and its lasting legacy Covers both traditional themes, such as narrative authority and print culture, and cutting-edge topics, such as globalization, nationhood, technology, and science Considers both canonical and non-canonical literature