Those who have traveled know the experience of extended time and sharpened perception. Muriel Rukeyser's account of Puck Fair - the last existing pagan festival of the goat - captures just that state of consciousness. Set in County Kerry, Ireland, The Orgy evokes this great American poet's journey of sensual and psychological transformation in the midst of a lush account of Irish culture and tradition.

‘Nora Ephron can write about anything better than anybody else can write about anything’ New York Times A bitingly funny, provocative and revealing look at our foibles, passions and pastimes – from the much-missed, bestselling author of I Feel Bad About My Neck and I Remember Nothing. From her Academy Award-nominated screenplays (When Harry Met Sally, Sleepless in Seattle, Julie & Julia) to her bestselling fiction and essays, Nora Ephron was one of the most gifted, prolific and versatile writers of our time. In this classic collection of magazine articles, Ephron does what she does best: embrace culture with love, cynicism and unmatched wit. From tracking down the beginnings of the self-help movement, to dressing down the fashion world’s most powerful publication, to capturing a glimpse of a legendary movie in the making, these timeless pieces tap into our enduring obsessions with celebrity, food, romance, clothes, entertainment and sex. Whether casting her ingenious eye on public figures or herself, Ephron deftly weaves her journalistic skill with the intimate style of an essayist and the incomparable talent of a great storyteller.

Writing the Orgy provides an innovative, highly persuasive interpretation of eroticism in the Marqui de Sade's writing. Combining literary theory with methodologies borrowed from anthropology, history, and psychoanalysis, the book is a brilliant feminist reading of a text—The Story of Julliete—often characterized as brutally aggressive and pornographic.

Applying Jean Baudrillard's question "What are you doing after the orgy?" to the postmillennial climate that informs our contemporary cultural moment, this book argues that the imagination of apocalyptic endings has been an obsessive theme in post-Enlightenment culture. Dominic Pettman identifies and examines the dynamic tensions of various apocalyptic discourses, from the fin-de-siècle decadents of the 1890s to the fin-de-millènnium cyberpunks of the 1990s, in order to highlight the complex constellation of exhaustion, anticipation, panic, and ecstasy in contemporary culture. Through analyses of rapturous cults, cyberpunk literature, post-apocalyptic cinema, techno-paganism, death fashion, and the Y2K prophecy, After the Orgy explores why the twentieth century swung so violently between the poles of anticipation and anticlimax. In the process, the book raises pressing questions concerning the relevance of such ideas in our new millennium and points out alternatives to the monotonous horror of traditional narratives.

A bitingly funny, provocative, and revealing look at our foibles, passions, and pasttimes—from one of the most creative minds of our time. “Nora Ephron can write about anything better than anybody else can write about anything.”—The New York Times From her Academy Award–nominated screenplays to her bestselling fiction and essays, Nora Ephron is one of America’s most gifted, prolific, and versatile writers. In this classic collection of magazine articles, Ephron does what she does best: embrace American culture with love, cynicism, and unmatched wit. From tracking down the beginnings of the self-help movement to dressing down the fashion world’s most powerful publication to capturing a glimpse of a legendary movie in the making, these timeless pieces tap into our enduring obsessions with celebrity, food, romance, clothes, entertainment, and sex. Whether casting her ingenious eye on renowned director Mike Nichols, Cosmopolitan magazine founder Helen Gurley Brown—or herself, as she chronicles her own beauty makeover—Ephron deftly weaves her journalistic skill with the intimate style of an essayist and the incomparable talent of a great storyteller.

It: Chapter Two—now a major motion picture! Stephen King’s terrifying, classic #1 New York Times bestseller, “a landmark in American literature” (Chicago Sun-Times)—about seven adults who return to their hometown to confront a nightmare they had first stumbled on as teenagers…an evil without a name: It. Welcome to Derry, Maine. It’s a small city, a place as hauntingly familiar as your own hometown. Only in Derry the haunting is real. They were seven teenagers when they first stumbled upon the horror. Now they are grown-up men and women who have gone out into the big world to gain success and happiness. But the promise they made twenty-eight years ago calls them reunite in the same place where, as teenagers, they battled an evil creature that preyed on the city’s children. Now, children are being murdered again and their repressed memories of that terrifying summer return as they prepare to once again battle the monster lurking in Derry’s sewers. Readers of Stephen King know that Derry, Maine, is a place with a deep, dark hold on the author. It reappears in many of his books, including Bag of Bones, Hearts in Atlantis, and 11/22/63. But it all starts with It. “Stephen King’s most mature work” (St. Petersburg Times), “It will overwhelm you…to be read in a well-lit room only” (Los Angeles Times).

An orgy, the dictionary tells us, is “a wild gathering, marked by promiscuous sexual activity, excessive drinking, etc.” Burgo Partridge tells us precisely what that has meant down through the ages. He begins with the Greeks, who celebrated sexuality at Dionysian festivals, and the Romans, who imported unwholesome brutalities into their orgiastic celebrations. We then learn of the penchant for group sex displayed by medieval popes, the junketings of Restoration England, the aristocratic hedonists of the Hellfire Club and Scotland’s notorious Wig Club, the orgiastic tastes of Casanova and the Marquis de Sade, right into the 20th century and the bizarre excesses of Aleister Crowley.

A brilliant and utterly original new novel from Mark Leyner about a father and his intense and devout relationship with his daughter and with alcohol. An anthropologist and his daughter travel to Kermunkachunk, the capitol of Chalazia, to conduct research for an ethnography on the Chalazian Mafia Faction (a splinter group of the Chalazian Children's Theater). The book takes place over the course of a night at the Bar Pulpo, Kermunkachunk's #1 spoken-word karaoke bar, where conversations are actually being read from multiple karaoke screens arrayed around the barroom. Moreover, it's Thursday, "Father/Daughter Nite," when the bar is frequented by actual fathers and daughters as well as couples cosplaying fathers and daughters. ​ Last Orgy of the Divine Hermit is a book about the deep pleasures of reading and drinking, the tumultuous reign of a cabal of mystic mobsters, and, of course, the transcendent love of a father for his daughter.

In quest of the unpublished manuscript of a martyred Yiddish writer, the American novelist Nathan Zuckerman travels to Soviet-occupied Prague in the mid-1970s. There, in a nation straightjacketed by totalitarian Communism, he discovers a literary predicament, marked by institutionalized oppression, that is rather different from his own. He also discovers, among the oppressed writers with whom he quickly becomes embroiled in a series of bizarre and poignant adventures, an appealingly perverse kind of heroism. The Prague Orgy, consisting of entries from protagonist Nathan Zuckerman's notebooks recording his sojourn among these outcast artists, completes the trilogy and epilogue Zuckerman bound. It provides a startling ending to Roth's intricately designed magnum opus on the unforeseen consequences of art. This Vintage edition is the first paperback publication of the epilogue.

This career-spanning artist's book presents an alternate history of the photography of New York-based photographer Lucas Blalock (born 1978), featuring new images and previously unseen versions of existing artworks. Employing his signature style of unconcealed digital alterations, including erasures and drawings, and working in both color and black and white, Blalock emphasizes what is absent or obliterated in his manipulated portraits, scenes and still lives, often with a deadpan humor. In A Grocer's Orgy, the artist's layout of such images brings to the forefront the underlying themes, formal connections and art-historical reference points that are often overlooked in the context of his exhibitions.