The Organic School Of The Russian Avant Garde
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Author |
: Isabel Wunsche |
Publisher |
: Science and the Arts since 1750 |
Total Pages |
: 242 |
Release |
: 2018-04-25 |
ISBN-10 |
: 1138548197 |
ISBN-13 |
: 9781138548190 |
Rating |
: 4/5 (97 Downloads) |
Synopsis The Organic School of the Russian Avant-Garde by : Isabel Wunsche
The artists of the Organic School of the Russian avant-garde found inspiration as well as a model for artistic growth in the creative principles of nature. Isabel W¿nsche analyzes the artistic influences, intellectual foundations, and scientific publications that shaped the formation of these artists, the majority of whom were based in St. Petersburg. Particular emphasis is given to the holistic worldviews and organic approaches prevalent among artists of the pre-revolutionary avant-garde, specifically Jan Ci¿gli¿ski, Nikolai Kulbin, and Elena Guro, as well as the emergence of the concept of Organic Culture as developed by Mikhail Matiushin, practiced at the State Institute of Artistic Culture, and taught at the reformed Art Academy in the 1920s. Discussions of faktura and creative intuition explore the biocentric approaches that dominated the work of Pavel Filonov, Kazimir Malevich, Voldemar Matvejs, Olga Rozanova, and Vladimir Tatlin. The artistic approaches of the Organic School of the Russian avant-garde were further promoted and developed by Vladimir Sterligov and his followers between 1960 and 1990. The study examines the cultural potential as well as the utopian dimension of the artists¿ approaches to creativity and their ambitious visions for the role of art in promoting human psychophysiological development and shaping post-revolutionary culture.
Author |
: Isabel Wunsche |
Publisher |
: |
Total Pages |
: 233 |
Release |
: 2016 |
ISBN-10 |
: 1351541765 |
ISBN-13 |
: 9781351541763 |
Rating |
: 4/5 (65 Downloads) |
Synopsis The Organic School of the Russian Avant-Garde by : Isabel Wunsche
Author |
: Professor Isabel Wünsche |
Publisher |
: Ashgate Publishing, Ltd. |
Total Pages |
: 243 |
Release |
: 2015-10-28 |
ISBN-10 |
: 9781472432698 |
ISBN-13 |
: 147243269X |
Rating |
: 4/5 (98 Downloads) |
Synopsis The Organic School of the Russian Avant-Garde by : Professor Isabel Wünsche
The artists of the Organic School of the Russian avant-garde found inspiration as well as a model for artistic growth in the creative principles of nature. Isabel Wünsche analyzes the artistic influences, intellectual foundations, and scientific publications that shaped the formation of these artists. Particular emphasis is given to the holistic worldviews and organic approaches prevalent among artists of the pre-revolutionary avant-garde and the emergence of the concept of Organic Culture.
Author |
: Isabel W?nsche |
Publisher |
: Routledge |
Total Pages |
: 515 |
Release |
: 2017-07-05 |
ISBN-10 |
: 9781351541770 |
ISBN-13 |
: 1351541773 |
Rating |
: 4/5 (70 Downloads) |
Synopsis The Organic School of the Russian Avant-Garde by : Isabel W?nsche
The artists of the Organic School of the Russian avant-garde found inspiration as well as a model for artistic growth in the creative principles of nature. Isabel W?nsche analyzes the artistic influences, intellectual foundations, and scientific publications that shaped the formation of these artists, the majority of whom were based in St. Petersburg. Particular emphasis is given to the holistic worldviews and organic approaches prevalent among artists of the pre-revolutionary avant-garde, specifically Jan Ciaglinski, Nikolai Kulbin, and Elena Guro, as well as the emergence of the concept of Organic Culture as developed by Mikhail Matiushin, practiced at the State Institute of Artistic Culture, and taught at the reformed Art Academy in the 1920s. Discussions of faktura and creative intuition explore the biocentric approaches that dominated the work of Pavel Filonov, Kazimir Malevich, Voldemar Matvejs, Olga Rozanova, and Vladimir Tatlin. The artistic approaches of the Organic School of the Russian avant-garde were further promoted and developed by Vladimir Sterligov and his followers between 1960 and 1990. The study examines the cultural potential as well as the utopian dimension of the artists? approaches to creativity and their ambitious visions for the role of art in promoting human psychophysiological development and shaping post-revolutionary culture.
Author |
: Isabel W?nsche |
Publisher |
: Routledge |
Total Pages |
: 243 |
Release |
: 2017-07-05 |
ISBN-10 |
: 9781351541787 |
ISBN-13 |
: 1351541781 |
Rating |
: 4/5 (87 Downloads) |
Synopsis The Organic School of the Russian Avant-Garde by : Isabel W?nsche
The artists of the Organic School of the Russian avant-garde found inspiration as well as a model for artistic growth in the creative principles of nature. Isabel W?nsche analyzes the artistic influences, intellectual foundations, and scientific publications that shaped the formation of these artists, the majority of whom were based in St. Petersburg. Particular emphasis is given to the holistic worldviews and organic approaches prevalent among artists of the pre-revolutionary avant-garde, specifically Jan Ciaglinski, Nikolai Kulbin, and Elena Guro, as well as the emergence of the concept of Organic Culture as developed by Mikhail Matiushin, practiced at the State Institute of Artistic Culture, and taught at the reformed Art Academy in the 1920s. Discussions of faktura and creative intuition explore the biocentric approaches that dominated the work of Pavel Filonov, Kazimir Malevich, Voldemar Matvejs, Olga Rozanova, and Vladimir Tatlin. The artistic approaches of the Organic School of the Russian avant-garde were further promoted and developed by Vladimir Sterligov and his followers between 1960 and 1990. The study examines the cultural potential as well as the utopian dimension of the artists? approaches to creativity and their ambitious visions for the role of art in promoting human psychophysiological development and shaping post-revolutionary culture.
Author |
: Isabel Wünsche |
Publisher |
: |
Total Pages |
: 243 |
Release |
: 2016 |
ISBN-10 |
: 1315085666 |
ISBN-13 |
: 9781315085661 |
Rating |
: 4/5 (66 Downloads) |
Synopsis The Organic School of the Russian Avant-Garde by : Isabel Wünsche
"The artists of the Organic School of the Russian avant-garde found inspiration as well as a model for artistic growth in the creative principles of nature. Isabel W'nsche analyzes the artistic influences, intellectual foundations, and scientific publications that shaped the formation of these artists, the majority of whom were based in St. Petersburg. Particular emphasis is given to the holistic worldviews and organic approaches prevalent among artists of the pre-revolutionary avant-garde, specifically Jan Ciaglinski, Nikolai Kulbin, and Elena Guro, as well as the emergence of the concept of Organic Culture as developed by Mikhail Matiushin, practiced at the State Institute of Artistic Culture, and taught at the reformed Art Academy in the 1920s. Discussions of faktura and creative intuition explore the biocentric approaches that dominated the work of Pavel Filonov, Kazimir Malevich, Voldemar Matvejs, Olga Rozanova, and Vladimir Tatlin. The artistic approaches of the Organic School of the Russian avant-garde were further promoted and developed by Vladimir Sterligov and his followers between 1960 and 1990. The study examines the cultural potential as well as the utopian dimension of the artists' approaches to creativity and their ambitious visions for the role of art in promoting human psychophysiological development and shaping post-revolutionary culture."--Provided by publisher.
Author |
: Galerie Gmurzynska |
Publisher |
: |
Total Pages |
: 310 |
Release |
: 1999 |
ISBN-10 |
: UOM:39015049713145 |
ISBN-13 |
: |
Rating |
: 4/5 (45 Downloads) |
Synopsis Organica by : Galerie Gmurzynska
Author |
: OliverA.I. Botar |
Publisher |
: Routledge |
Total Pages |
: 318 |
Release |
: 2017-07-05 |
ISBN-10 |
: 9781351573726 |
ISBN-13 |
: 1351573721 |
Rating |
: 4/5 (26 Downloads) |
Synopsis Biocentrism and Modernism by : OliverA.I. Botar
Examining the complex intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to the development of Modernism. While many historians have framed this movement as being mechanistic and "against" nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. The essays in Biocentrism and Modernism contend that it is no accident that Modernism arose at the same time as the field of modern biology. From nineteenth-century discoveries, to the emergence of the current environmentalist movement during the 1960s, artists, architects, and urban planners have responded to currents in the scientific world. Sections of the volume treat both philosophic worldviews and their applications in theory, historiography, and urban design. This collection also features specific case studies of individual artists, including Raymond Duchamp-Villon, Paul Klee, Wassily Kandinsky, and Jackson Pollock.
Author |
: Clemena Antonova |
Publisher |
: Routledge |
Total Pages |
: 145 |
Release |
: 2019-08-30 |
ISBN-10 |
: 9780429557958 |
ISBN-13 |
: 0429557957 |
Rating |
: 4/5 (58 Downloads) |
Synopsis Visual Thought in Russian Religious Philosophy by : Clemena Antonova
This book considers a movement within Russian religious philosophy known as "full unity" (vseedinstvo), with a focus on one of its main representatives, Pavel Florensky (1882–1937). Often referred to as "the Russian Leonardo," Florensky was an important figure of the Russian religious renaissance around the beginning of the twentieth century. This book shows that his philosophy, conceptualized in his theory of the icon, brings together the problem of the "religious turn" and the "pictorial turn" in modern culture, as well as contributing to contemporary debates on religion and secularism. Organized around the themes of full unity and visuality, the book examines Florensky’s definition of the icon as "energetic symbol," drawing on St. Gregory Palamas, before offering a theological reading of Florensky’s theory of the pictorial space of the icon. It then turns to Florensky’s idea of space in the icon as Non-Euclidean. Finally, the icon is placed within wider debates provoked by Bolshevik cultural policy, which extend to current discussions concerning religion, modernity, and art. Offering an important contribution from Russian religious philosophy to issues of contemporary modernity, this book will be of interest to scholars of religious philosophy, Russian studies, theology and the arts, and the medieval icon.
Author |
: Nina Gourianova |
Publisher |
: Univ of California Press |
Total Pages |
: 356 |
Release |
: 2012-03-06 |
ISBN-10 |
: 9780520268760 |
ISBN-13 |
: 0520268768 |
Rating |
: 4/5 (60 Downloads) |
Synopsis The Aesthetics of Anarchy by : Nina Gourianova
"In this meticulously-researched, in-depth examination of anarchism and modernism, Gurianova provides a new and compelling interpretation of the early Russian avant-garde. Her study has major implications for our understanding of some of the twentieth century’s most important modernists and is an important contribution to the history and theory of radical political thought."— Allan Antliff, author of Anarchist Modernism: Art, Politics, and the First American Avant-Garde. “Gurianova is the first scholar to study the early Russian avant-garde not as a precursor to the Constructivism of the 1920s, but as a distinctive movement in its own right. In this important book, she identifies an “aesthetics of anarchy” that characterized the movement’s politics and poetics—a concept with provocative implications for our understanding of the relationship between word and image. This is a work of original and compelling scholarship that will profoundly alter our understanding of the Russian avant-garde.”— Nancy Perloff, Getty Research Institute (Los Angeles), curator of the exhibit Tango with Cows: Book Art of the Russian Avant-Garde (1910-1917).