This book demonstrates how only a small number of African writers--like Chinua Achebe, Ben Okri, Nuruddin Farah, and Wole Soyinka--have become known outside of their own continent. It also details the enormous obstacles they face within Africa to get their work published, let alone to support themselves financially from their writing. Charles R. Larson combines writers' own testimony, pen portraits of their lives, and factual investigation to explore the full dimensions of this problem.

Only a small number of African writers - Chinua Achebe, Ben Okri, Nuruddin Farah, Wole Soyinka - have become known outside their own continent. They also face enormous obstacles within Africa to get their work published, let alone to support themselves financially from their writing. Charles Larson combines writers' own testimony, pen portraits of their lives, and factual investigation to explore the dimensions of the problem. Who is the readership in Africa? How do African publishing houses treat their authors? What are the consequences of political repression? And can anything be done to build a more supportive environment for African writers?

Examines American foreign policy toward Africa in the 1960s.

Now, with a gun pointed at me, a torch light flashing into my face, I stood up and raised my arms up in surrender.'

In three powerful essays, the acclaimed, Nigerian-born novelist and author of Things Fall Apart explores the complexities of African culture and discusses the devastating impact of European cultural imperialism on the African experience. Reprint. 25,000 first printing.

This classic work of scholarship and empathy tells the story of the self-creation of the African-American people. It assesses the full impact of the Middle Passage -- "the most traumatizing mass human migration in modern history" -- and of North American slavery both on the enslaved and on those who enslaved them. It explores the ways in which a nominally free society perverted its own freedoms and denied the fact that an inhuman institution lies at the heart of the American experience. The authority and eloquence of this work make it essential reading for all who want to understand the American past and present.

African literature, like the continent itself is enormous and diverse. East Africa's literature is different from West Africa's which is quite different from South Africa's which has different influences on it than North Africa's. Africa's literature is based on a widespread heritage of oral literature, some of which has now been recorded. Arabic influence can be detected as well as European, especially French and English. Legends, myths, proverbs, riddles and folktales form the mother load of the oral literature. This book presents an overview of African literature as well as a comprehensive bibliography, primarily of English language sources. Accessed by subject, author and title indexes.

In his study of the origins of political reflection in twentieth-century African fiction, Donald Wehrs examines a neglected but important body of African texts written in colonial (English and French) and indigenous (Hausa and Yoruba) languages. He explores pioneering narrative representations of pre-colonial African history and society in seven texts: Casely Hayford's Ethiopia Unbound (1911), Alhaji Sir Abubaker Tafawa Balewa's Shaihu Umar (1934), Paul Hazoumé's Doguicimi (1938), D.O. Fagunwa's Forest of a Thousand Daemons (1938), Amos Tutuola's The Palm-Wine Drinkard (1952) and My Life in the Bush of Ghosts (1954), and Chinua Achebe's Things Fall Apart (1958). Wehrs highlights the role of pre-colonial political economies and articulations of state power on colonial-era considerations of ethical and political issues, and is attentive to the gendered implications of texts and authorial choices. By positioning Things Fall Apart as the culmination of a tradition, rather than as its inaugural work, he also reconfigures how we think of African fiction. His book supplements recent work on the importance of indigenous contexts and discourses in situating colonial-era narratives and will inspire fresh methodological strategies for studying the continent from a multiplicity of perspectives.

This literary study is an exploration and a celebration of a writer who for the last half century has been at the forefront of modern African writing. Since the publication of Things Fall Apart in 1958, Chinua Achebe has been credited with being the key progenitor of an African literary tradition and his five novels read as tracing the national narrative of Nigeria. Achebe depicts precolonial societies disturbed by British colonization, in the 1890s and the 1930s, the dog days of colonization in the 1950s, Independence in 1960 and the onset of neo-colonial problems of corruption and civil war and, in his final novel, Anthills of the Savannah (1987), the pervasive sense of postcolonial disenchantment. This study casts back over Achebe's writing career to assess his considerable contribution to postcolonial writing and criticism, including his Editorship of Heinemann's acclaimed African Writers Series which has shaped African literature for international audiences since 1962. Yousaf's examination of A

Though the world was stunned by the horrific massacres of Tutsi by the Hutu majority in Rwanda beginning in April 1994, there has been little coverage of the reprisals that occurred after the Tutsi gained political power. During this time hundreds of thousands of Hutu were systematically hunted and killed. Surviving the Slaughter: The Ordeal of a Rwandan Refugee in Zaire is the eyewitness account of Marie Béatrice Umutesi. She tells of life in the refugee camps in Zaire and her flight across 2000 kilometers on foot. During this forced march, far from the world’s cameras, many Hutu refugees were trampled and murdered. Others died from hunger, exhaustion, and sickness, or simply vanished, ignored by the international community and betrayed by humanitarian organizations. Amidst this brutality, day-to-day suffering, and desperate survival, Umutesi managed to organize the camps to improve the quality of life for women and children. In this first-hand account of inexplicable brutality, day-to-day suffering, and survival, Marie Béatrice Umutesi sheds light on a backlash of violence that targeted the Hutu refugees of Rwanda after the victory of the Rwandan Patriotic Front in 1994. Umutesi’s documentation of the flight and terror of these years provides the world a veritable account of a history that is still widely unknown. After translations from its original French into three other languages, this important book is available in English for the first time. It is more than a testimony to the lives and humanity lost; it is a call for those politicians, military personnel, and humanitarian organizations responsible for the atrocious crimes—and the devastating silence—to be held accountable.