Donald Jay Grout's widely praised edition of the work of a key figure in the history of opera provides the most reliable version of the score for each opera, appending a translation of the libretto. These volumes are "at once practical and unquestionably scholarly" in the words of Opera Journal. A tale of love and honor in the opera seria tradition, Tigrane was first performed at Naples in 1715. This edition of it will please performance groups and music historians alike.

The eighth edition of the provocative periodical offering an international perspective on contemporary nude photography Those in search of the essence of humanity will discover beauty and ugliness, light and shadow on the way toward it. For the eighth time, The Opéra, an annual magazine of nude photography, sets out to present the human body as it was created or independently formed and shaped. In their diverse works, the numerous photographers from all over the world once more share the same curiosity to explore human emotions. All of them, some reluctant and observing, others delightedly engaged and orchestrated, act out the great spectacle that is human existence. Photographers include: Ernesto Artillo, Christophe Boussamba, Marius Budu, Markus Burke, Marc van Dalen, Fabien Dettori, Charlotte Ernst, Douglas Foster, Joanna Grochowska, Martin Grothmark, Anouk van Kalmthout, Mona Kuhn, Maël G. Lagadec, Holger Maass, Jeanne Ménétrier, Mark Metzner, Elisabeth Mochner, Maximilian Motel, Pavel Odvody, Manon Ouimet, Pedro Oros, Nicola Petrara, Thomas Rusch, Henriette Sabroe Ebbesen, Julia Helene Scholl, Astrid Susanna Schulz, Laura Stevens, Daria Svertilova, Amanda Torres, Lilli Waters, Milena Wojhan and Philipp Zechner.

Opera in three acts.

THE OPÉRA is inventing itself anew?at least to some extent. After eight successful editions with alternating art direction, the editor, Matthias Straub has entrusted the design legend Mirko Borsche (ZEIT magazine, SZ magazine, and many more) with the creative re-launch of the ninth edition: A refreshing new approach to the pictures and typography will bring THE OPÉRA into its next decade. The proven structure and the artistic gaze in the selection of photographers and pictures are also central in Volume IX: THE OPÉRA embodies contemporary nude photography and stands for an unconditional commitment to art and the body.

This volume of the The New Cambridge Modern History looks specifically at the American and French Revolutions in the eighteenth century.

Federal Edition