The events that led up to dissident writer Ken Saro-Wiwa's execution in 1995 marked Nigeria's decline from a post-colonial success story to its current military dictatorship. Wole Soyinka, whose own Nigerian passport was confiscated by the Nigerian military in 1994, explores the history and future of Nigeria in a compelling jeremiad that is as intense as it is provocative, learned, and wide-ranging.

Set in Nigeria, amid the scenes of everyday racketeering and general disquiet, the police try to clear the area of undesirables, as a traditional wedding between two illustrious and ambitious families is about to take place. This play is by Nobel Prize-winner Wole Soyinka.

A member of the unique generation of African writers and intellectuals who came of age in the last days of colonialism, Wole Soyinka has witnessed the promise of independence and lived through postcolonial failure. He deeply comprehends the pressing problems of Africa, and, an irrepressible essayist and a staunch critic of the oppressive boot, he unhesitatingly speaks out.In this magnificent new work, Soyinka offers a wide-ranging inquiry into Africa's culture, religion, history, imagination, and identity. He seeks to understand how the continent's history is entwined with the histories of others, while exploring Africa's truest assets: "its humanity, the quality and valuation of its own existence, and modes of managing its environment—both physical and intangible (which includes the spiritual)."Fully grasping the extent of Africa's most challenging issues, Soyinka nevertheless refuses defeatism. With eloquence he analyzes problems ranging from the meaning of the past to the threat of theocracy. He asks hard questions about racial attitudes, inter-ethnic and religious violence, the viability of nations whose boundaries were laid out by outsiders, African identity on the continent and among displaced Africans, and more. Soyinka's exploration of Africa relocates the continent in the reader's imagination and maps a course toward an African future of peace and affirmation.

Literature Suppressed on Religious Grounds, Revised Edition profiles the censorship of many such essential works of literature. The entries new to this edition include extensive coverage of the Harry Potter series, which has been frequently banned in the United States on the grounds that it promotes witchcraft, as well as entries on two popular textbook series, The Witches by Roald Dahl, Women Without Men: A Novel of Modern Iran, and more. Also included are updates to such entries as The Satanic Verses by Salman Rushdie and On the Origin of Species by Charles Darwin.

This collection brings together Idanre and Other Poems and A Shuttle in the Crypt, two powerful and distinctive volumes of the early poetry of Nobel Prize laureate and Nigerian exile Wole Soyinka. Taken has a whole, Soyinka's early poetry may be viewed as a valiant effort to reconcile the mysterious legacy of the old with the often harsh realities of an entire continent's abrupt entry into the twentieth century.

For centuries the women of Aronsdale have lived freely among the green and misted valleys. Creatures of exotic beauty and sensuality, they possess powerful skills of enchantment…and young Allegro is no different. But her life—and Aronsdale's independence—is threatened when Jazid nomads invade, carrying Allegro into the desert as a prized trophy…or worse. Until an unexpected ally falls under her spell. From the moment feared Jazid warrior Markus Onyx sees the alluring beauty, he knows he has found his queen. But even the promise of love cannot quell Allegro's determination to save her homeland. Summoning her powers, she casts herself north—out of passion's grip—and into the dark heart of conflict.…

Nobel Laureate in Literature Wole Soyinka considers all of Africa--indeed, all the world--as he poses this question: once repression stops, is reconciliation between oppressor and victim possible? In the face of centuries-long devastation wrought on the African continent and her Diaspora by slavery, colonialism, Apartheid, and the manifold faces of racism, what form of recompense could possibly suffice? In a voice as eloquent and humane as it is forceful, Soyinka boldly challenges in these pages the notions of simple forgiveness, confession, and absolution as strategies for social healing. Ultimately, he turns to art--poetry, music, painting, etc.--as the one source that can nourish the seed of reconciliation: art is the generous vessel that can hold together the burden of memory and the hope of forgiveness. Based on Soyinka's Stewart-McMillan lectures delivered at the DuBois Institute at Harvard, The Burden of Memory speaks not only to those concerned specifically with African politics, but also to anyone seeking the path to social justice through some of history's most inhospitable terrain.

An updated and comprehensive single-volume history covering all periods from human origins to contemporary African situations.

"Black," "African," "African descendant" and "of African heritage," are just some of the ways Africans and Africans in the diaspora (both old and new) describe themselves. This volume examines concepts of race, ethnicity, and identity as they are ascribed to people of colour around the world, examining different case studies of how the process of identity formation occurred and is changing. Contributors to this volume, selected from a wide range of academic and cultural backgrounds, explore issues that encourage a deeper understanding of race, ethnicity and identity. As our notions about what it means to be black or of African heritage change as a result of globalization, it is important to reassess how these issues are currently developing, and the origins from which these issues developed. Global Africans is an important and insightful book, useful to a wide range of students and scholars, particularly of African studies, sociology, diaspora studies, and race and ethnic studies.

The Niger Delta region of Nigeria had a long standing history of crises even before the late Ken Saro-Wiwa helped to bring these crises to the attention of the world. The international community increasingly needs Nigerian oil largely because of the political dislocations and uncertainties in some of the major oil-producing regions of the world. But unfortunately the crises in the Niger Delta, which produces most of Nigeria's oil, have also been escalating to alarming proportions, often turning the region into a site of seemingly unending uncertainty and conflicts. The book focuses on Ogoniland - one of the oil-producing communities that make up the Niger Delta. It examines the colonial origins of these crises and their links to the dynamics of petroleum exploitation in the region as well as to the structure of Nigeria's contemporary political economy. It relates the ways in which the crises in Ogoniland are connected to the generalised turmoil in the Niger Delta and argues that they are often exacerbated - rather than attenuated - by the Nigerian federal process and its unique combination of militarism, ethnicity and religion.