This 1829 manual offered advice on everything from withdrawal of challenges to weapons. Dramatic anecdotes recount duels arising from disagreements over religion, women, gambling, and other volatile subjects.

In 1834, Charlotte Brontë and her brother Branwell created the imaginary kingdom of Angria in a series of tiny handmade books. Continuing their saga some years later, the five 'novelettes' in this volume were written by Charlotte when she was in her early twenties, and depict a aristocratic beau monde in witty, racy and ironic language. She creates an exotic, scandalous atmosphere of intrigue and destructive passions, with a cast ranging from the ageing rake Northangerland and his Byronic son-in-law Zamorna, King of Angria, to Mary Percy, Zamorna's lovesick wife, and Charles Townshend, the cynical, gossipy narrator. Together the tales provide a fascinating glimpse into the mind and creative processes of the young writer who was to become one of the world's great novelists.

Though no landmarks or memorials formally recognize dueling in Charleston, it remains a quintessential element of the Holy City's legacy. Most upstanding locals nourished the duelist's tradition, many going so far as to make it an integral part of their social lives. For a time, even the most casual character insults or slurs toward one's moral fiber or family lineage invited a challenge, and almost always, the offended party was expected to retaliate. Thus, finding full expression in frequency and public acceptance throughout the Lowcountry, a gentleman's duel was a crucial--albeit deadly--matter of taste and caste. For two centuries, Charlestonians dueled habitually, settling personal grievances with malice instead of mediation. Charleston historian J. Grahame Long presents a charming portrait of this dreadfully civilized custom.

During the years when George IV ruled the United Kingdom, first as Prince Regent then as King, his extravagant tastes served to characterize the times - the Regency period being identified strongly with new trends in British architecture, fashion and culture. The literary expression of this era was the genre of so-called 'silver fork' novels set in fashionable London society. Initially devoured as authentic insights into the rarefied world of the best social circles, these novels were thus serving as etiquette primers for growing numbers of nouveaux riches. The detail and décor of the novels gives them an enduring socio-historical interest, hence the value of Alison Adburgham's study, first published in 1983, which offers astute readings of such 'silver fork' specialists as Disraeli, Bulwer-Lytton, and Catherine Gore. With an assured eye for the social context of these works, Adburgham explores the class tensions and complex social interactions behind the high sheen of the silver fork.

“Like swordplay itself, By the Sword is elegant, accurate, romantic, and full of brio—the definitive study, hugely readable, of man’s most deadly art.”—Simon Winchester With a new Preface by the author Napoleon fenced. So did Shakespeare, Karl Marx, Grace Kelly, and President Truman, who as a schoolboy would practice fencing with Bess—his future wife— when the two of them returned home from school. Lincoln was a canny dueler. Ignatius Loyola challenged a man to a duel for denying Christ’s divinity (and won). Less successful, but no less enthusiastic, was Mussolini, who would tell his wife he was “off to get spaghetti,” their code to avoid alarming the children. By the Sword is an epic history of sword fighting—a science, an art, and, for many, a religion that began at the dawn of civilization in ancient Egypt and has been an obsession for mankind ever since. With wit and insight, Richard Cohen gives us an engrossing history of the world via the sword. Praise for By the Sword “Touché! While scrupulous and informed about its subject, Richard Cohen’s book is about more than swordplay. It reads at times like an alternative social history of the West.”—Sebastian Faulks “In writing By the Sword, [Cohen] has shown that he is as skilled with the pen as he is with the sword.”—The New York Times “Irresistible . . . extraordinary . . . vivid and hugely enjoyable.”—The Economist “A virtual encyclopedia on the subject of sword fighting.”—San Francisco Chronicle “Literate, learned, and, beg pardon, razor-sharp . . . a pleasure for practitioners, and a rewarding entertainment for the armchair swashbuckler.”—Kirkus Reviews (starred review)

This collection offers fresh perspectives on British and American preaching in the nineteenth century. Drawing on many religious traditions and addressing a host of cultural and political topics, it will appeal to scholars specializing in any number of academic fields.