SALTZMAN/OLD MASTERS; NEW WORLD

The first volume of Great Bird Paintings includes pictures painted in oils or water-colours before 1699. For centuries, Western art was tied to the discipline of the Roman Catholic Church. Symbolic birds appeared in many renaissance religious paintings. Delicate preparatory water-colour sketches were made for these. Artists who wished to paint birds, shrewdly chose scenes of the animals entering Noah's Ark and the Garden of Eden, which gave them the legitimate excuse to introduce birds. By the end of the sixteenth century, the artists had altered the balance and relegated the biblical scene to the background, with the birds claiming full attention in the foreground. In the mid-seventeenth century they were free of clerical demands and in the Golden Age of Dutch and Flemish painting they produced hundreds of very fine canvases full of delightful birds. At long last, they could fully indulge their delight in painting the beauty of colour and form of the birds that gave them so much pleasure.

DigiCat Publishing presents to you this special edition of "The Old Masters and Their Pictures, For the Use of Schools and Learners in Art" by Sarah Tytler. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

These are the kinds of question Rose-Marie and Rainer Hagen ask when faced with world-famous masterpieces. In the language of today they comment on the fashions and attitudes, trends and intrigues, love, vice and lifestyles of past times. Book jacket.

When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.

"Donatello, Titian, Hals, Turner, Renoir and Munch, and a surprisingly large number of other major artists, lived to be over seventy-five. Some of their finest and most distinctive works, including Michelangelo's last Pieta, Goya's Black Paintings and Monet's Water Lilies, were done in old age. Whether experimenting with new approaches, adopting new techniques, responding to changed circumstances and debilities, or reacting to the approach of death, the intensity of the late work of many of the greatest artists is striking. Childhood genius has often been studied but, astonishingly, this is the first book to draw attention to a considerably more important artistic phenomenon. Old Masters establishes beyond doubt the frequency with which elderly painters and sculptors reached new heights in their seventies and eighties and suggest why and how they did so."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Explains how to make realistic drawings of the arms, legs, feet, hands, and other parts of the human body

In this work, Abolala Soudavar examines seven paintings by some of the great masters of the 15th century and demonstrates how we can better understand the state of international relations and the political rivalries of the time by decoding the figures, their postures and gestures, the background scenes, the compositions and much else in these paintings. This is a period of geopolitical turmoil, with the Muslim Turkish assault on Europe causing distress within the Christian World. Yet it is also a time of courtly opulence and Shakespearean drama, with murders and vendettas, wars and crusades, intrigue and treachery dominating contemporary life. -- Dust Jacket.