Just in time to celebrate Image Comics’ 30th anniversary, Image archivist and co-founder JIM VALENTINO details the company’s history (warts and all) in the single most comprehensive chronology of the company ever published. Featuring rarely seen covers, photos, milestones, and behind-the-scenes events from the company’s Marvel-ous beginnings to the present, this is the chronicle all future histories will be judged against. Featuring an introduction by Image Publisher ERIC STEPHENSON and a chronicle of historic Image accolades, and printed in beautiful 64-page prestige format.

First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

The 'Color Correction Handbook' covers a wide variety of techniques that can be used by colourists, no matter what system they're using. From the most basic methods for evaluating and correcting an overall image, to the most advanced targeted corrections and creative stylizations typically employed, this book covers it all.

CTU's Jack Bauer has to keep a beautiful terrorist alive for 24 hours -- and his gun only has one bullet! Brilliantly conceived by J. C. Vaughn and Mark L. Haynes (Battlestar Galactica), with photorealistic art by Renato Guedes (CSI: Miami-Thou Shalt Not...).

Race and civil rights in 1963 Los Angeles provide a powerful backdrop in Gary Phillips’s riveting mystery about an African American crime scene photographer seeking justice for a friend—perfect for fans of Walter Mosley, James Ellroy, and George Pelecanos. LOS ANGELES, 1963: Korean War veteran Harry Ingram earns a living as a news photographer and occasional process server: chasing police radio calls and dodging baseball bats. With racial tensions running high on the eve of Martin Luther King’s Freedom Rally, Ingram risks becoming a victim at every crime scene he photographs. When Ingram hears about a deadly automobile accident on his police scanner, he recognizes the vehicle described as belonging to his good friend and old army buddy, a white jazz trumpeter. The LAPD declares the car crash an accident, but when Ingram develops his photos, he sees signs of foul play. Ingram feels compelled to play detective, even if it means putting his own life on the line. Armed with his wits, his camera, and occasionally his Colt .45, “One-Shot” Harry plunges headfirst into the seamy underbelly of LA society, tangling with racists, leftists, gangsters, zealots, and lovers as he attempts to solve the mystery. Master storyteller and crime fiction legend Gary Phillips has filled the pages of One-Shot Harry with fascinating historical cameos, wise-cracks, tenderness, and an edge-of-your-seat thrill ride of a plot with consequences far beyond one dead body.

Now in its 8th edition, Broadcast Journalism continues to be an essential text on the production of news broadcasting and the practical skills needed. It includes not only basic techniques and classic examples for the production of radio and TV news, but also new technology and the latest case studies. The fundamental skills of interviewing, news writing and production now have to cope with the prevalence of Fake News and Deep Fakes and verifying content in an endless flow of social media. This edition also includes newsgathering with mobile devices, live reporting and using data and graphics. There are dozens of new images and links for downloads and further reading, plus end-of-chapter exercises and tutor notes. This continues to be an indispensable textbook for broadcast journalism and communications students looking for an in-depth guide to the industry.

Ch. 1. From idea to cinematic stories -- Ch. 2. The screenplay -- Ch. 3. The visual language and aesthetics of cinema -- Ch. 4. Organizing cinematic time and space -- Ch. 5. From screenplay to visual plan -- Ch. 6. Preparing for production -- Ch. 7. The cast and crew -- Ch. 8. The film system -- Ch. 9. The digital video system -- Ch. 10. The lens -- Ch. 11. Camera support -- Ch. 12. Basics of exposure -- Ch. 13. Basic lighting for film and DV -- Ch. 14. Lighting and exposure : beyond the basics -- Ch. 15. Sound for production -- Ch. 16. Production sound tools -- Ch. 17. Sound recording technique -- Ch. 18. On set! -- Ch. 19. Postproduction overview and workflow -- Ch. 20. Principles and process of digital editing -- Ch. 21. The art and technique of editing -- Ch. 22. The sound design in film -- Ch. 23. Cutting sound and working with multiple tracks -- Ch. 24. Finishing, mastering, and distribution -- App. 1. Production format workflow table -- App. 2. Common filters for black-and-white cinematography -- App. 3. How to calibrate a field monitor to NTSC color bars -- App. 4-1. Scheduling, budgeting, and production forms -- App. 4-2. Short film budget form -- App. 4-3. Script breakdown form -- App. 4-4. Storyboards 1 -- App. 4-5. Storyboards 2 -- App. 4-6. Production call sheet form -- App. 4-7. Sound report form -- App. 4-8. Camera report form -- App. 5-1. Talent release form -- App. 5-2. Location contract form -- App. 6. 16mm film camera depth of field tables.

While Radiant Black stands alone against the robot armies of THE CATALYST WAR...where is the rest of the Massive-Verse? With one of their own trapped behind enemy lines as time begins to unravel, itÕll take a SUPERMASSIVE teamÑincluding SHIFT, RADIANT RED, ROGUE SUN, THE DEAD LUCKY, and INFERNO GIRL REDÑto turn the tide of one of the most fateful battles of the war in this 50-page one-shot crossover event with art from rising star STEFANO SIMEONE (RADIANT BLACK, MIDLIFE)! SUPERMASSIVE 2024 is a Massive-Verse series.

This newest edition of Broadcast Journalism continues its long tradition of covering the basics of broadcasting from gathering news sources, interviewing, putting together a programme, news writing, reporting, editing, working in the studio, conducting live reports, and more. Two new authors have joined forces in this new edition to present behind the scenes perspectives on multimedia broadcast news, where it is heading, and how you get there. Technology is meshing global and local news. Constant interactivity between on-the-scene reporting and nearly instantaneous broadcasting to the world has changed the very nature of how broadcast journalists must think, act, write and report on a 24/7 basis. This new edition takes up this digital workflow and convergence. Students of broadcast journalism and professors alike will find that the sixth edition of Broadcast Journalism is completely up-to-date. Includes new photos, quotations, and coverage of convergent journalism, podcasting, multimedia journalism, citizen journalism, and more!

Collects Daredevil (1964) #301-311, Daredevil Annual (1967) #8, Nomad (1992) #4-6, Punisher War Journal (1988) #45-47, material from Marvel Holiday Special (1991) #2. Who will claim the Kingpin's empire? Wilson Fisk has fallen - and would-be crime lord the Owl sinks his talons into New York City! Meanwhile, the sinister Surgeon General slices her way through unsuspecting victims - and her next "patients" may be Daredevil and Spider-Man! But when Nelson & Murdock roll the dice on a big case in Las Vegas, DD finds a cabal of criminals looking to step into Fisk's oversized shoes! With Tombstone, Hammerhead, Silvermane and Justin Hammer mingling with representatives of Hydra, the Secret Empire, the Hand and more, chaos is in the cards - and when violent vigilantes Nomad and the Punisher arrive in Sin City, all bets are off! Plus: Can Daredevil defeat his own twisted doppelganger?