The Palestine Campaign has become one of the most glorified military campaigns of the twentieth century. The last campaign fought by the Ottoman Army, and thus the last act of the once-mighty Ottoman Empire, the Palestine Campaign saw the British Army under General Allenby conquer the Holy Land, forcing the Turkish army back into Europe. Meanwhile the secret Sykes-Picot Agreement ensured the British and French would continue to influence the Middle East for the next 60 years. This front saw some of the most influential stories of the Great War, from T.E. Lawrence's Arab army in the desert, to General Allenby entering Jerusalem on foot in 1917. Palestine and World War I shows how the events of the Great War have left a lasting legacy in the Middle East.

By the end of the First World War the combat formations of the Australian Imperial Force (AIF) in both France and the Middle East were considered among the British Empire’s most effective troops. While sometimes a source of pride and not a little boasting, how the force came to be so was not due to any inherent national prowess or trait. Instead it was the culmination of years of training, organisational change, battlefield experimentation and hard-won experience—a process that included not just the Australians, but the wider British imperial armies as well. This book brings together some of Australia's foremost military historians to outline how the military neophytes that left Australia's shores in 1914 became the battle winning troops of 1918. It will trace the evolution of several of the key arms of the AIF, including the infantry, the light horse, the artillery, and the flying corps, and also consider how the various arms worked together alongside other troops of the British Empire to achieve a remarkably high level of battlefield effectiveness.

Based on extensive research from both Australia and Britain, this book is a comprehensive history of the Australian Light Horse in war and peace, from its antecedents in the middle of the 19th century until the disbandment of the last regiment in 1944.

The Battle of Megiddo was not only the last large cavalry offensive in world history, but also a tribute to combined arms operations fostered over the course of the First World War. Fought between 19-25 September 1918, it was the final Allied offensive of the Sinai and Palestine Campaign. The contending forces were the British Empire’s EEF (Egyptian Expeditionary Force) of three infantry and one mounted corps pitted against the Ottoman-German Yildirim Army Group which numbered three weak armies with the approximate total strength of a single enemy corps. Comparable to what General Erich von Ludendorff called the ‘Black Day’ of the German Army (opening of the Battle of Amiens, 8 August 1918) on the Western Front, the complete Ottoman defeat would have been impossible without the application of superior logistics. Whilst Megiddo did not determine the outcome of the war in the Middle East, the ramifications of the victory decisively shaped the post-war world in the region.

This is the first illustrated edition of the diaries kept by Australian-born photographer and film maker Frank Hurley about his work on the Mawson and Shackleton Antarctic Expeditions, his two expeditions to Papua in the 1920s, and his experiences during the First and Second World Wars. While Hurley is best known today as a photographer and film maker, there is another source, so far little known to the public, which also gives us a startling sense of the presence of the past – his voluminous manuscript diaries, which have survived years of world travel and are now carefully preserved in the archives of the National Library of Australia in Canberra and the Mitchell Library in Sydney. This illustrated edition of his diaries presents Frank Hurley in his own words, explores his testimony to these significant events, and reviews the part he played in imagining them for an international public.

These five volumes concern one of the most important institutions in human history, the military, and the interactions of that institution with the greater society. Military systems serve nations; they may also reflect them. Soldiers are enlisted; they may also be said to self-select. Military units have missions; they also have interests. In an older, more traditional military history, while the second reflects a newer approach. Although each statement in the pairs may be said to be true, the former speak from the framework of the military sciences; the latter, from the framework of the social and behavioral sciences. The military systems of our past differ from one another over time, in political origins, size, missions, and technological and tactical fashions, but to a great extent their historical experiences have been more noticeably similar than they were different. When we ask questions about the recruiting, training, or motivating of military systems, or of those systems' interactions with civilian governments and with the greater society, as do the essays in these five volumes of reading on The Military and Society we are struck by the almost timeless patterns of continuity and similarity of experience. In each of these volumes approximately half of the essays selected deal with the experience in the United States; the other half, with the experiences of other states and times, enabling the reader to engage in comparative analysis.

In 1914 almost one quarter of the earth's surface was British. When the empire and its allies went to war in 1914 against the Central Powers, history's first global conflict was inevitable. It is the social and cultural reactions to that war and within those distant, often overlooked, societies which is the focus of this volume. From Singapore to Australia, Cyprus to Ireland, India to Iraq and around the rest of the British imperial world, further complexities and interlocking themes are addressed, offering new perspectives on imperial and colonial history and theory, as well as art, music, photography, propaganda, education, pacifism, gender, class, race and diplomacy at the end of the pax Britannica.

A comparative study of how museum exhibitions in Britain, Canada and Australia were used to depict the First World War.