It is an overwhelming experience of perfection and beauty to witness the "oneness," i.e., the "reality," perceived as intuition or "revelation" by those in the past and relayed through allegories and metaphors, arriving at the same truth with scientific findings.. As exquisitely and descriptively as one may talk about "What beauty is," ultimately its meaning can be as diverse and numerous as its admirers. Yet no matter how infinitely various its expressions and experience may be, the concept of beauty will always remain one. In a much similar way, although God can be defined in as many different ways as His manifestations, by essence He is One. It is this Oneness, expressed in diverse ways, hence bringing about the seeming multiplicities, that is denoted by the title The Observing One. In other words, the Observing One is the essence of all the multitudinous manifestations in the corporeal world, and His infinitely various expressions is His act of observing Himself. This act of observing, according to Ahmed Hulusi, is what each individual should strive to experience. That is, to experience God, one must realize the illusionary nature of the constructed self and disable its interference, thereby becoming a conduit of God's interminable acts. Ahmed Hulusi profoundly deconstructs both the idea of a God up in the heavens, and His representative deities on earth, and urges his readers to embark on an inward quest to discover "God within." Compiled mostly of recorded conversations made in 1989, this book is a notable example of the author's ingenious and unconventional construal of classical religious teachings. Anyone, who has a spiritual yearning and an appetite for mysticism and who at the same time is an unfaltering intellectualist, is bound to enjoy reading this book. Integrating Islamic theology, in particular the esoteric teachings of Sufism, with the findings of modern science, this book enables the reader to observe the universe within. A few things the reader should take into consideration while reading this book: 1. Although God transcendentally surpasses any gender, the masculine pronoun 'He' has been employed in this book, not only because using 'It' would be inappropriate and disrespectful, but also because 'He' is the closest realistic translation of the Arabic word 'Hu', which has no connotation of gender when used in reference to the Divine. 2. The Names of God referenced throughout the book should not be understood as titles of God, but rather as the intrinsic qualities of the Essence of existence from which the infinite modalities of the manifest world are derived. Allah, being the Supreme Name, encompasses all of these qualities and attributes -both the manifest and the unexpressed- and is used in this book to denote this reality, rather than "a god" out there that is separate from the cosmos. In this light, the word God is deliberately avoided in this book and the original name Allah, as mentioned in the Quran, is used instead. However, just as it is true for the word "God," the word "Allah" also holds predetermined notions of "an external god" and this is inescapable for many people. Due to this, the author frequently uses phrases like "the existence that is denoted by the name Allah" to draw the readers' attention to the fact that Allah is merely a name indicating an infinite existence beyond all preconceived and preconditioned ideas. Thus, it is this existence that the reader is encouraged to contemplate, in reference to the name Allah.

Today we are all familiar with the iconic pictures of the nebulae produced by the Hubble Space Telescope’s digital cameras. But there was a time, before the successful application of photography to the heavens, in which scientists had to rely on handmade drawings of these mysterious phenomena. Observing by Hand sheds entirely new light on the ways in which the production and reception of handdrawn images of the nebulae in the nineteenth century contributed to astronomical observation. Omar W. Nasim investigates hundreds of unpublished observing books and paper records from six nineteenth-century observers of the nebulae: Sir John Herschel; William Parsons, the third Earl of Rosse; William Lassell; Ebenezer Porter Mason; Ernst Wilhelm Leberecht Tempel; and George Phillips Bond. Nasim focuses on the ways in which these observers created and employed their drawings in data-driven procedures, from their choices of artistic materials and techniques to their practices and scientific observation. He examines the ways in which the act of drawing complemented the acts of seeing and knowing, as well as the ways that making pictures was connected to the production of scientific knowledge. An impeccably researched, carefully crafted, and beautifully illustrated piece of historical work, Observing by Hand will delight historians of science, art, and the book, as well as astronomers and philosophers.

Mothers and infants exchanging gleeful vocalizations, married couples discussing their problems, children playing, birds courting and monkeys fighting have this in common: their interactions with others unfold over time. Almost anyone who is interested can observe and describe such phenomena. But usually scientists demand more. They want observations that are replicable and amenable to scientific analysis, while still faithful to the dynamics of the phenomena studied. This book provides a straightforward introduction to scientific methods for observing social behavior. Because of the importance of time in the dynamics of social interaction, sequential approaches to analyzing and understanding social behavior are emphasized. An advanced knowledge of statistical analysis is not required. Instead, the authors present fundamental concepts and offer practical advice.

In The Observing Self, noted psychiatrist Arthur J. Deikman lucidly relates how the mystical tradition can enable Western psychology to come to terms with the essential problems of meaning, self, and human progress.

“Observing the Sun” is for amateur astronomers at all three levels: beginning, intermediate, and advanced. The beginning observer is often trying to find a niche or define a specific interest in his hobby, and the content of this book will spark that interest in solar observing because of the focus on the dynamics of the Sun. Intermediate and advanced observers will find the book invaluable in identifying features (through photos, charts, diagrams) in a logical, orderly fashion and then guiding the observer to interpret the observations. Because the Sun is a dynamic celestial body in constant flux, astronomers rarely know for certain what awaits them at the eyepiece. All features of the Sun are transient and sometimes rather fleeting. Given the number of features and the complex life cycles of some, it can be a challenging hobby. “Observing the Sun” provides essential illustrations, charts, and diagrams that depict the forms and life cycles of the numerous features visible on the Sun.

Observing the User Experience: A Practitioner's Guide to User Research aims to bridge the gap between what digital companies think they know about their users and the actual user experience. Individuals engaged in digital product and service development often fail to conduct user research. The book presents concepts and techniques to provide an understanding of how people experience products and services. The techniques are drawn from the worlds of human-computer interaction, marketing, and social sciences. The book is organized into three parts. Part I discusses the benefits of end-user research and the ways it fits into the development of useful, desirable, and successful products. Part II presents techniques for understanding people's needs, desires, and abilities. Part III explains the communication and application of research results. It suggests ways to sell companies and explains how user-centered design can make companies more efficient and profitable. This book is meant for people involved with their products' user experience, including program managers, designers, marketing managers, information architects, programmers, consultants, and investors. - Explains how to create usable products that are still original, creative, and unique - A valuable resource for designers, developers, project managers - anyone in a position where their work comes in direct contact with the end user - Provides a real-world perspective on research and provides advice about how user research can be done cheaply, quickly and how results can be presented persuasively - Gives readers the tools and confidence to perform user research on their own designs and tune their software user experience to the unique needs of their product and its users

A Grief Observed is a collection of Lewis's reflections on the experience of bereavement following the death of his wife, Joy Davidman, in 1960. The book was first published under the pseudonym N.W. Clerk as Lewis wished to avoid identification as the author. Though republished in 1963 after his death under his own name, the text still refers to his wife as "H" (her first name, which she rarely used, was Helen). The book is compiled from the four notebooks which Lewis used to vent and explore his grief. He illustrates the everyday trials of his life without Joy and explores fundamental questions of faith and theodicy. Lewis's step-son (Joy's son) Douglas Gresham points out in his 1994 introduction that the indefinite article 'a' in the title makes it clear that Lewis's grief is not the quintessential grief experience at the loss of a loved one, but one individual's perspective among countless others. The book helped inspire a 1985 television movie Shadowlands, as well as a 1993 film of the same name. Clive Staples Lewis (1898-1963) was a British novelist, poet, academic, medievalist, lay theologian and Christian apologist. He is best known for his fictional work, especially The Screwtape Letters, The Chronicles of Narnia, and The Space Trilogy, and for his non-fiction Christian apologetics, such as Mere Christianity, Miracles, and The Problem of Pain.

The Messier Catalogue is a list of one hundred and ten galaxies, star clusters and nebulae, and includes many of the brightest and best-known objects in the sky. Amateur astronomers who find all the objects on the list in one night have successfully completed the Messier Marathon. The Observing Guide to the Messier Marathon contains over 90 easy-to-use star maps to guide the observer from one object to the next, and provides tips for a successful night of observing. Don Machholz also tells the story of the eighteenth-century astronomer, Charles Messier, and how he came to compile his extensive catalogue. His complete guide to the Messier Marathon will help the amateur astronomer to observe the Messier Objects throughout the year, using a small telescope or even a pair of binoculars. Don Machholz is an engineer in Auburn, California. Interested in astronomy since childhood, he is a renowned comet hunter, having discovered nine comets that bear his name. He writes articles for local California newspapers and radio stations for special astronomical events. Between 1988 and 2000, Don Machholz was the Comets Recorder for the Association of Lunar and Planetary Recorders.

This book provides extensive guidance for amateurs on observing and imaging equipment and demonstrates how to best use them.

You are missing at least eighty percent of what is happening around you right now. You are missing what is happening in your body, in the distance, and right in front of you. In marshalling your attention to these words, you are ignoring an unthinkably large amount of information that continues to bombard all of your senses. This ignorance is useful: indeed, we compliment it and call it concentration. It enables us to not just notice the shapes on the page, but to absorb them as intelligible words, phrases, ideas. Alas, we tend to bring this focus to every activity we do. In so doing, it is inevitable that we also bring along attention's companion: inattention to everything else. This book begins with that inattention. It is not a book about how to bring more focus to your reading of Tolstoy; it is not about how to multitask, attending to two or three or four tasks at once. It is not about how to avoid falling asleep at a public lecture, or at your grandfather's tales of boyhood misadventures. It is about attending to the joys of the unattended, the perceived 'ordinary'. Even when engaged in the simplest of activities - taking a walk around the block - we pay so little attention to most of what is right before us that we are sleepwalkers in our own lives. This book is about that walk around the block, and how to rediscover the extraordinary things that we are missing in our ordinary activities.