The O. Henry Prize Stories 2017 contains twenty breathtaking stories—by a vibrant mix of established and emerging writers—selected by the series editor from the thousands published in literary magazines over the previous year. The collection includes essays by the three eminent guest jurors on their favorite stories, observations from the winning writers on what inspired them, and a comprehensive resource list of the many magazines and journals, both large and small, that publish short fiction. “Too Good To Be True,” Michelle Huneven “Something for a Young Woman,” Genevieve Plunkett “The Buddhist,” Alan Rossi “Garments,” Tahmima Anam “Protection,” Paola Peroni “Night Garden,” Shruti Swamy “A Cruelty,” Kevin Barry “Floating Garden,” Mary La Chapelle “The Trusted Traveler,” Joseph O’Neill “Blue Dot,” Keith Eisner “Lion,” Wil Weitzel “Paddle to Canada,” Heather Monley “A Small Sacrifice for an Enormous Happiness,” Jai Chakrabarti “The Bride and the Street Party,” Kate Cayley “Secret Lives of the Detainees,” Amit Majmudar “Glory,” Lesley Nneka Arimah “Mercedes Benz,” Martha Cooley “The Reason Is Because,” Manuel Muñoz “The Family Whistle,” Gerard Woodward “Buttony,” Fiona McFarlane The jurors this year are David Bradley, Elizabeth McCracken, and Brad Watson. For author interviews, photos, and more, go to www.ohenryprizestories.com

Now celebrating its centenary, this prestigious annual anthology gathers the twenty best new short stories published in the previous year. An Anchor Books Original. The O. Henry Prize Stories 2019--continuing a century-long tradition of cutting-edge literary excellence--contains twenty prize-winning stories chosen from the thousands published in magazines over the previous year. The winning writers are an impressive mix of celebrated names and new, emerging voices. Their stories evoke lives both near and distant, in settings ranging from Jamaica, Houston, and Hawaii to a Turkish coal mine and a drought-ridden Northwestern farm, and feature an engaging array of characters, including Laotian refugees, a Colombian kidnap victim, an eccentric Irish schoolteacher, a woman haunted by a house that cleans itself, and a strangely long-lived rabbit. The uniformly breathtaking stories are accompanied by essays from the eminent jurors on their favorites, observations from the winning writers on what inspired them, and an extensive resource list of magazines. List of 2019 winners: Tessa Hadley John Keeble Moira McCavana Rachel Kondo Sarah Shun-lien Bynum Stephanie Reents Alexia Arthurs Valerie O’Riordan Patricia Engel Kenan Orhan Sarah Hall Bryan Washington Isabella Hammad Weike Wang Caoilinn Hughes Souvankham Thammavongsa Liza Ward Doua Thao Alexander MacLeod John Edgar Wideman Prize Jurors 2019: Lynn Freed, Elizabeth Strout, Lara Vapynar

The O. Henry Prize Stories 2018 contains twenty prize-winning stories chosen from thousands published in literary magazines over the previous year. The winning stories come from a mix of established writers and emerging voices, and are uniformly breathtaking. They are accompanied by essays from the eminent jurors on their favorites, observations from the winning writers on what inspired their stories, and an extensive resource list of magazines that publish short fiction. "The Tomb of Wrestling," Jo Ann Beard, Tin House "Counterblast," Marjorie Celona, The Southern Review "Nayla," Youmna Chlala, Prairie Schooner "Lucky Dragon," Viet Dinh, Ploughshares "Stop ’n’ Go," Michael Parker, New England Review "Past Perfect Continuous," Dounia Choukri, Chicago Quarterly Review "Inversion of Marcia," Thomas Bolt, n+1 "Nights in Logar," Jamil Jan Kochai, A Public Space "How We Eat," Mark Jude Poirier, Epoch "Deaf and Blind," Lara Vapnyar, The New Yorker "Why Were They Throwing Bricks?," Jenny Zhang, n+1 "An Amount of Discretion," Lauren Alwan, The Southern Review "Queen Elizabeth," Brad Felver, One Story "The Stamp Collector," Dave King, Fence "More or Less Like a Man," Michael Powers, The Threepenny Review "The Earth, Thy Great Exchequer, Ready Lies," Jo Lloyd, Zoetrope "Up Here," Tristan Hughes, Ploughshares "The Houses That Are Left Behind," Brenda Walker, The Kenyon Review "We Keep Them Anyway," Stephanie A. Vega, The Threepenny Review "Solstice," Anne Enright, The New Yorker Prize Jury for 2018: Fiona McFarlane, Ottessa Moshfegh, Elizabeth Tallent

Twenty prizewinning stories selected from the thousands published in magazines over the previous year—continuing the O. Henry Prize's century-long tradition of literary excellence. "Widely regarded as the nation's most prestigious awards for short fiction." —The Atlantic Monthly. Now entering its second century, the prestigious annual story anthology has a new title, a new look, and a new guest editor. Chimamanda Ngozi Adichie has brought her own refreshing perspective to the prize, selecting stories by an engaging mix of celebrated names and young emerging voices. The winning stories are accompanied by an introduction by Adichie, observations from the winning writers on what inspired them, and an extensive resource list of magazines that publish short fiction. Featured in this collection: Daphne Palasi Andreades • David Means • Sindya Bhanoo • Crystal Wilkinson • Alice Jolly • David Rabe • Karina Sainz Borgo (translator, Elizabeth Bryer) • Jamel Brinkley • Tessa Hadley • Adachioma Ezeano • Anthony Doerr • Tiphanie Yanique • Joan Silber • Jowhor Ile • Emma Cline • Asali Solomon • Ben Hinshaw • Caroline Albertine Minor (translator, Caroline Waight) • Jianan Qian • Sally Rooney

This year's six shortlisted stories for the world's richest short story prize, the £30,000 Sunday Times EFG Short Story Award.

The PEN/O. Henry Prize Stories 2011 contains twenty unforgettable stories selected from hundreds of literary magazines. The winning tales take place in such far-flung locales as Madagascar, Nantucket, a Midwestern meth lab, Antarctica, and a post-apocalyptic England, and feature a fascinating array of characters: aging jazzmen, avalanche researchers, a South African wild child, and a mute actor in silent films. Also included are essays from the eminent jurors on their favorite stories, observations from the winners on what inspired them, and an extensive resource list of magazines. Your Fate Hurtles Down at You Jim Shepard Diary of an Interesting Year Helen Simpson Melinda Judy Doenges Nightblooming Kenneth Calhoun The Restoration of the Villa Where Tibor Kálmán Once Lived Tamas Dobozy Ice Lily Tuck How to Leave Hialeah Jennine Capó Crucet The Junction David Means Pole, Pole Susan Minot Alamo Plaza Brad Watson The Black Square Chris Adrian Nothing of Consequence Jane Delury The Rules Are the Rules Adam Foulds The Vanishing American Leslie Parry Crossing Mark Slouka Bed Death Lori Ostlund Windeye Brian Evenson Sunshine Lynn Freed Never Come Back Elizabeth Tallent Something You Can’t Live Without Matthew Neill Null For author interviews, photos, and more, go to www.ohenryprizestories.com A portion of the proceeds from this book will go to support the PEN Readers & Writers Literary Outreach Program. From the Trade Paperback edition.

A PBS NewsHour/New York Times Book Club Pick A NATIONAL BOOK FOUNDATION "5 UNDER 35" HONOREE WINNER OF THE 2017 KIRKUS PRIZE WINNER OF THE NYPL'S YOUNG LIONS FICTION AWARD FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE LEONARD PRIZE SHORTLISTED FOR THE ASPEN WORDS LITERARY PRIZE A dazzlingly accomplished debut collection explores the ties that bind parents and children, husbands and wives, lovers and friends to one another and to the places they call home. In “Who Will Greet You at Home,” a National Magazine Award finalist for The New Yorker, A woman desperate for a child weaves one out of hair, with unsettling results. In “Wild,” a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good," three generations of women are haunted by the ghosts of war, while in "Light," a father struggles to protect and empower the daughter he loves. And in the title story, in a world ravaged by flood and riven by class, experts have discovered how to "fix the equation of a person" - with rippling, unforeseen repercussions. Evocative, playful, subversive, and incredibly human, What It Means When a Man Falls from the Sky heralds the arrival of a prodigious talent with a remarkable career ahead of her.

Peter Farrelly's story "The Saturday Night Before Easter Sunday" has been nominated for an Edgar Award for Best Short Story! Named a Favorite Book of 2015 by Scott MacKay at Rhode Island Public Radio "Even Providence's signature public art has a dark side in Providence Noir (Akashic), which includes a story called 'WaterFire's Smell Tonight' by Pablo Rodriguez. Each tale in this anthology edited by Ann Hood is set in a different part of the city. Pulitzer Prize winner Elizabeth Strout's story takes place at Trinity Repertory Company. Thomas Cobb, whose novel Crazy Heart was made into a movie with Jeff Bridges, tees up at Triggs Memorial Golf Course, and Dumb and Dumber co-writer and co-director Peter Farrelly, a graduate of Providence College, sets his story in the Elmhurst neighborhood, near his old college stomping grounds." --Boston Globe "Providence, of course, has a history of crime, the mob, corruption and other goodies. In this collection of 15 stories...we are given a darkly hued tour of the city in all its nooks and crannies by such excellent writers as Hood herself, John Searles, Bruce DeSilva, Peter Farrelly, Elizabeth Strout, Hester Kaplan and others, each with their own style, tone and sly approach that will keep you reading, waiting for the sudden murder, the end of troubled relationships, the discovery of bones....[A] wonderful collection." --Providence Journal Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book. Featuring brand-new stories by: John Searles, Elizabeth Strout, Taylor M. Polites, Hester Kaplan, Robert Leuci, Amity Gaige, Peter Farrelly, Pablo Rodriguez, Bruce DeSilva, Marie Myung-Ok Lee, Luanne Rice, Dawn Raffel, Thomas Cobb, LaShonda Katrice Barnett, and Ann Hood. Anyone who has spent time in Providence, Rhode Island, knows that lurking in the shadows are many sinister noir elements and characters. The city is ripe for this volume, and Akashic is proud to have recruited the amazing Ann Hood as editor. The impressive contributor list conveys the caliber of Providence Noir, which joins Cape Cod Noir, Boston Noir, and Boston Noir 2: The Classics in sketching a dark and alternative portrait of these New England locales. From the introduction by Ann Hood: "Providence was founded in 1636 by a rogue named Roger Williams. Williams escaped here when Massachusetts was ready to deport him back to England. In the almost four hundred years since, we've become infamous for all sorts of crimes and misdemeanors, including serving as home base for the Patriarca crime family for decades. My very own Uncle Eddie--I can hear Mama Rose screaming at me: 'He wasn't a blood relative! He was related through marriage!'--was gunned down in the Silver Lake section of town in 1964, just a year after he drove me in his white Cadillac convertible in a parade as the newly crowned Little Miss Natick. The writer Geoffrey Wolff told me that once he went to a barber in Princeton, New Jersey and the barber asked him where he was from. 'Providence,' Wolff told him. The barber put down his scissors, raised his hands in the air, and said, 'Providence? Don't shoot!' "I've asked fourteen of my favorite writers to contribute short stories to Providence Noir. We have stories to make you shiver, stories to make you think, stories that will show you my beautiful, noirish city in a way it’s never been highlighted before."

“Olivia Clare is pure literary dynamite . . . [She] writes with Carveresque clarity and bite and an elegance all her own. A bravura debut.” —Janet Fitch, #1 New York Times–bestselling author of White Oleander Olivia Clare’s delightfully strange and tender debut collection traces the impact of larger-than-life forces on everyday people. From siblings whose relationship is as fragile as glass, to a woman grappling with both an emotional and physical drought, to a superstitious spouse fearful of misfortune, Disasters in the First World explores the real and the imagined, environmental and man-made calamities, and the human need to comprehend the unknown. “These insightful stories . . . flout convention and work in mysterious ways. Two in particular—‘Pétur’ and ‘The Visigoths’—will probably be anthologized and taught and cherished for years to come. They’re so well crafted . . . [they] flicker with moments of rare insight and nuance . . . makes me want to pick up whatever Clare publishes next.” —Andrew Ervin, The New York Times Book Review “Lyrical and elegiac . . . Clare’s writing sparkles with unexpected word choice . . . Her stories unfold in wonderfully astonishing turns . . . Tender yet occasionally biting, Disasters in the First World ekes narrative poetry out of tragedy . . . Clare writes compassionately and unflinchingly about mental suffering.” —Shelf Awareness “Olivia Clare’s debut collection will surprise you with its poetic weirdness, its dark confidence. The ‘disasters’ in these stories are tragically indefinite, fissures in the lives of the characters, whom Clare brings to life with humor, wisdom, and brutal honesty.” —Vu Tran, author of Dragonfish

Presents a selection of the best works of short fiction of the past year from a variety of acclaimed sources.