The Nursery Alice By Lewis Carroll with Original Illustrations by Sir John Tenniel The Nursery Alice, originally published by Macmillan & Co. in 1890, was the very first color edition of Alice. It was intended, wrote Carroll, "to be read by Children aged from Nought to Five. To be read? Nay, not so! Say rather be thumbed, to be cooed over, to be dogs'-eared, to be rumpled, to be kissed . . ." With this new, younger readership in mind, Carroll rewrote Alice, simplifying and abridging the original text, while Tenniel redrew, enlarged, and colored twenty of his iconic illustrations. The resulting book is a delightfully engaging experience, readers prompted to interact not only with the story but also with the images and even the physical book itself, in a way that is thoroughly modern. Gloriously reproduced for the anniversary year, this edition retains every word of the original The Nursery Alice and restores the exquisite delicacy of Tenniel's artwork - lost in reproductions across the decades - along with the delightful cover artwork by Emily Gertrude Thomson. This gem of a book is the perfect introduction to Alice, a delight for child and adult readers alike.

Reproduction of the original: The Nursery "Alice" by Lewis Carroll

LEWIS CARROLL

The Nursery "Alice" (1889/90) is a shortened version of Alice's Adventures in Wonderland (1865) by Lewis Carroll, adapted by the author himself for children "from nought to five". It includes 20 of John Tenniel's illustrations from the original book, redrawn, enlarged, coloured - and, in some cases, revised - by Tenniel himself. The book was published by Macmillan a quarter-century after the original Alice. It featured new illustrated front and back covers in full colour by E. Gertrude Thomson, who was a good friend of Dodgson. The book was 'engraved and printed' by the famous colour printer Edmund Evans.The work is not merely a shortened and simplified version, along the lines of J. C. Gorham's 1905 Alice's Adventures in Wonderland retold in words of one syllable. It is written as though the story is being read aloud by someone who is also talking to the child listener, with many interpolations by the author, pointing out details in the pictures and asking questions, such as "Which would you have liked the best, do you think, to be a little tiny Alice, no larger than a kitten, or a great tall Alice, with your head always knocking against the ceiling?" There are also additions, such as an anecdote about a puppy called Dash, and an explanation of the word "foxglove"

"Once upon a time, there was a little girl called Alice: and she had a very curious dream. Would you like to hear what it was that she dreamed about? Well, this was the first thing that happened. A White Rabbit came running by, in a great hurry; and, just as it passed Alice, it stopped, and took its watch out of its pocket."

The Nursery Alice, originally published by Macmillan & Co. in 1890, was the very first color edition of Alice. It was intended, wrote Carroll, "to be read by Children aged from Nought to Five. To be read? Nay, not so! Say rather be thumbed, to be cooed over, to be dogs'-eared, to be rumpled, to be kissed . . ." With this new, younger readership in mind, Carroll rewrote Alice, simplifying and abridging the original text, while Tenniel redrew, enlarged, and colored twenty of his iconic illustrations. The resulting book is a delightfully engaging experience, readers prompted to interact not only with the story but also with the images and even the physical book itself, in a way that is thoroughly modern. Gloriously reproduced for the anniversary year, this edition retains every word of the original The Nursery Alice and restores the exquisite delicacy of Tenniel's artwork - lost in reproductions across the decades - along with the delightful cover artwork by Emily Gertrude Thomson. This gem of a book is the perfect introduction to Alice, a delight for child and adult readers alike.

The Nursery Alice, originally published by Macmillan & Co. in 1890, was the very first colour edition of Alice. It was intended, wrote Carroll, "to be read by Children aged from Nought to Five. To be read? Nay, not so! Say rather to be thumbed, to be cooed over, to be dogs'-eared, to be rumpled, to be kissed . . ."With this new, younger readership in mind, Carroll rewrote Alice, simplifying and abridging the original text, while Tenniel redrew, enlarged and coloured twenty of his iconic illustrations. The resulting book is a delightfully engaging experience, readers prompted to interact not only with the story but also with the images and even the physical book itself, in a way that is thoroughly modern.Gloriously reproduced for the anniversary year, this edition retains the every word of the original The Nursery Alice and restores the exquisite delicacy of Tenniel's artwork - lost in reproductions across the decades - along with the delightful cover artwork by Emily Gertrude Thomson. This gem of a book is the perfect introduction to Alice, a delight for child and adult readers alike.Lewis Carroll was the pseudonym of Reverend Charles Lutwidge Dodgson, a lecturer in mathematics at Oxford, who lived from 1832 to 1898. Carroll lived with physical deformities, partial deafness, and an irrepressible tamer. His unusual appearance caused him to behave awkwardly around other adults, and his students at Oxford saw him as a stuffy and boring teacher. He held strict religious beliefs, serving as a deacon in the Anglican Church for many years. Beneath Carroll's awkward exterior, however, dwelled a brilliant and imaginative artist. A gifted amateur photographer, he took numerous portraits of children throughout his adulthood. Carroll's keen grasp of mathematics and logic inspired the linguistic humor and witty wordplay in his stories. Additionally, his unique understanding of children's minds allowed him to compose imaginative fiction that appealed to young people.