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Excerpt from The Novels of Mrs. Aphra Behn To most people nowadays the name of Aphra Behn conveys nothing more intelligible than certain vague associations of license and impropriety. She is dimly remembered as the author of plays and novels, now unread, that embodied the immorality of Restoration times, and were all the more scandalous in that they were written by a woman. Her works are to be found in few libraries, and are rarely met with at the booksellers'. Although they were republished in an expensive form and in a limited edition in 1871, they have now been many years out of print. Nor is this much to be regretted. Her novels are worth reprinting now and again, not because they are more clever, but because they are less offensive to modem taste than her comedies; and in addition to their intrinsic merits, they have an interest for the student of literature. But a general reprint of the plays would hardly be justified, at least, in anything like a cheap and popular form. This is a case where, for many reasons, it is best to have one's reading done by proxy. The obstacles which she herself has set to our appreciation have done her an injustice. In dismissing her merely as a purveyor of scandalous amusement in a profligate age, we are apt to give her none of the credit due to a long career of arduous work and of persevering struggle against adverse circumstances. Mrs. Behn was not only the first Englishwoman who became a novelist and a playwright, but the first of all those numerous women who have earned their livelihood by their pens. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

'All women together ought to let flowers fall upon the tomb of Aphra Behn; for it was she who earned them the right to speak their minds,' said Virginia Woolf. Yet that tomb, in Westminster Abbey, records one of the few uncontested facts about this Restoration playwright, poet, novelist and spy: the date of her death, 16 April 1689. For the rest secrecy and duplicity are almost the key to her life. She loved codes, making and breaking them; writing her life becomes a decoding of a passionate but playful woman. Janet Todd draws on documents she has rediscovered in the Dutch archives, and on Behn's own writings, to tell a story of court, diplomatic and sexual intrigue, and of the rise from humble origins of the first woman to earn her living as a professional writer. Aphra Behn's first notable employment was as a Royal spy in Holland; she had probably also spied in Surinam. It was not until she was in her thirties that she published the first of the 19 plays and other works which established her fame (though not riches) among her 'good, sweet, honey-candied readers'. Many of her works were openly erotic, indeed as frank as anything by her friends Wycherley and Rochester. Some also offered an inside view of court and political intrigues, and Todd reveals the historical scandals and legal cases behind some of Behn's most famous 'fictions'.