The National Book Award-winning novel—and contemporary classic—that launched the brilliant career of Gloria Naylor, now with a foreword by Tayari Jones “[A] shrewd and lyrical portrayal of many of the realities of black life . . . Naylor bravely risks sentimentality and melodrama to write her compassion and outrage large, and she pulls it off triumphantly.” —The New York Times Book Review “Brims with inventiveness—and relevance.” —NPR's Fresh Air In her heralded first novel, Gloria Naylor weaves together the stories of seven women living in Brewster Place, a bleak-inner city sanctuary, creating a powerful, moving portrait of the strengths, struggles, and hopes of black women in America. Vulnerable and resilient, openhanded and openhearted, these women forge their lives in a place that in turn threatens and protects—a common prison and a shared home. Naylor renders both loving and painful human experiences with simple eloquence and uncommon intuition in this touching and unforgettable read.

The National Book Award–winning author of The Women of Brewster Place explores the secrets of an affluent black community. For its wealthy African American residents, the exclusive neighborhood of Linden Hills is a symbol of “making it.” The ultimate achievement: a home on prestigious Tupelo Drive. Making your way downhill to Tupelo is irrefutable proof of your worth. But the farther down the hill you go, the emptier you become . . . Using the descent of Dante’s Inferno as a model, this bold, haunting novel follows two young men as they attempt to find work amid the circles of the well-off community. Exploring a microcosm of race and social class, author Gloria Naylor reveals the true cost of success for the lost souls of Linden Hills—an existence trapped in a nightmare of their own making.

A “moving and memorable” novel about a cafe where everyone has a story to tell from the award-winning author of The Women of Brewster Place (The Boston Globe). In post–World War II Brooklyn, on a quiet backstreet, there’s a little place that draws people from all over—not for the food, and definitely not for the coffee. An in-between place that’s only there when you need it, Bailey’s Cafe is a crossroads where patrons stay for a while before making a choice: Move on or check out? In this novel, National Book Award–winning author Gloria Naylor’s expertly crafted characters experience a journey full of beauty and heartbreak. Touching on gender, race, and the African American experience, Bailey’s Cafe is “a sublime achievement” about the resilience of the human spirit (People).

A “wonderful novel” steeped in the folklore of the South from the New York Times–bestselling author of The Women of Brewster Place (The Washington Post Book World). On an island off the coast of Georgia, there’s a place where superstition is more potent than any trappings of the modern world. In Willow Springs, the formidable Mama Day uses her powers to heal. But her great niece, Cocoa, can’t wait to get away. In New York City, Cocoa meets George. They fall in love and marry quickly. But when she finally brings him home to Willow Springs, the island’s darker forces come into play. As their connection is challenged, Cocoa and George must rely on Mama Day’s mysticism. Told from multiple perspectives, Mama Day is equal parts star-crossed love story, generational saga, and exploration of the supernatural. Hailed as Gloria Naylor’s “richest and most complex” novel, it is the kind of book that stays with you long after the final page (Providence Journal).

Collected interviews with the author of The Women of Brewster Place, The Men of Brewster Place, and Linden Hills

Fifteen years ago, Gloria Naylor burst onto the American literary scene with The Women of Brewster Place. Now she has focused her attention on the other side of the story - the men of Brewster Place. Like the women, they are committed to one another and to their community. Ben, who died in the first Brewster Place novel, is resurrected to narrate the tales of seven men and the women who love them. The complexity of their personal issues and how they are resolved leaves the reader with renewed hope and optimism.

Three lyrical and unforgettable novels from the National Book Award–winning author of The Women of Brewster Place. After winning both the National Book Award and the American Book Award for her now iconic debut novel, The Women of Brewster Place, which was later made into a TV miniseries starring Oprah Winfrey, Gloria Naylor continued to garner acclaim as one of the most original voices in twentieth-century American literature with novels such as Mama Day, Linden Hills, and Bailey’s Cafe. Mama Day: On Willow Springs, an island off the coast between Georgia and South Carolina, superstition is more potent than any trappings of the modern world. Here, the formidable Mama Day uses her powers to heal. But her great-niece, Cocoa, can’t wait to escape to New York City. When Cocoa returns to the island with her husband, George, darker forces challenge the couple—and their only hope may be the mystical matriarch. Steeped in the folklore of the South and inspired by Shakespeare, Mama Day is one of Naylor’s “richest and most complex” novels (Providence Journal). “[A] wonderful novel, full of spirit and sass and wisdom, and completely realized.” —The Washington Post Linden Hills: For its wealthy African American residents, the exclusive neighborhood of Linden Hills is a symbol of making it. But what happens when the dream of material success turns out to be an empty promise? Using Dante’s Inferno as a model, Naylor reveals the true cost of success for the lost souls of Linden Hills—a hell of their own making. “Every page contains a brilliant insight, a fine description, some petty and human, some grandiloquent.” —Chicago Tribune Bailey’s Cafe: This “moving and memorable” national bestseller is set in post–World War II Brooklyn, on a quiet backstreet, where Bailey’s Cafe serves as a crossroads for a broad range of patrons, a place of limbo for tortured souls before they move on—or check out (Boston Globe). “A virtuoso orchestration of survival, suffering, courage and humor.” —The New York Times Book Review

Whitt discloses how Naylor tells the stories of these women on multiple levels and how she helps readers see that all heroines live a life of significance."--BOOK JACKET. "Tracing Naylor's development of the theme of black community, especially among women, Whitt shows how characters move from poverty and isolation to a place where they transcend the racism and sexism that constrict their lives."--BOOK JACKET.

With close readings of more than twenty novels by writers including Ernest Gaines, Toni Morrison, Charles Johnson, Gloria Naylor, and John Edgar Wideman, Keith Byerman examines the trend among African American novelists of the late twentieth century to write about black history rather than about their own present. Employing cultural criticism and trauma theory, Byerman frames these works as survivor narratives that rewrite the grand American narrative of individual achievement and the march of democracy. The choice to write historical narratives, he says, must be understood historically. These writers earned widespread recognition for their writing in the 1980s, a period of African American commercial success, as well as the economic decline of the black working class and an increase in black-on-black crime. Byerman contends that a shared experience of suffering joins African American individuals in a group identity, and writing about the past serves as an act of resistance against essentialist ideas of black experience shaping the cultural discourse of the present. Byerman demonstrates that these novels disrupt the temptation in American society to engage history only to limit its significance or to crown successful individuals while forgetting the victims.