Giorgio Bassani’s six classic books, collected for the first time in English as the epic masterwork they were intended to be. Among the masters of twentieth-century literature, Giorgio Bassani and his northern Italian hometown of Ferrara “are as inseparable as James Joyce and Dublin or Italo Svevo and Trieste” (from the Introduction). The Novel of Ferrara brings together Bassani’s six classics, fully revised by the author at the end of his life. Set before, during, and after the Second World War, these interlocking stories present nuanced and unforgettable characters: the respected doctor whose homosexuality is exposed by an exploitative youth; the survivor of the Nazi death camps; the Jewish landowner, returned from exile, to find himself utterly displaced; the schoolteacher whose Communist idealism challenges a postwar generation. Suffused with new life by acclaimed translator and poet Jamie McKendrick, The Novel of Ferrara memorializes a city deeply informed by the Jewish community to which the narrator belongs. This seminal work seals Bassani’s indomitable reputation.

The main theme of Giorgio Bassani's novels and short stories, which have earned him wide acclaim outside Italy, has been the advent of anti-Semitism in the provincial Italian city of Ferrara during World War II. Earlier he had a successful career as an editor with a major publishing house, being credited with helping to bring to public notice The Leopard by Tomasi Lampedusa. Bassani edited a literary magazine and was director of the Italian radio-television network. His first collection of short pieces was A City on the Plain, written under the pseudonym Giacomo Marchi. His volumes of poems were finally collected and published in 1963. The stories and novels that were to make him famous abroad began to appear in the 1950s. They include A Prospect of Ferrara (1960), and The Gold Rimmed Spectacles (1960). A film version of The Garden of the Finzi-Continis (1962) by Vittorio De Sica has become a public television classic.

Chief Superintendent Michele Ferrara knows that the beautiful surface of his adopted city, Florence, hides dark undercurrents. When called in to investigate a series of brutal and apparently random murders, his intuition is confirmed. Distrusted by his superiors and pilloried by the media, Ferrara finds time running out as the questions pile up. Is there a connection between the murders and the threatening letters he has received? Are his old enemies, the Calabrian Mafia, involved? And what part is played by a beautiful young woman facing a heart-rending decision, a priest troubled by a secret from his past, and an American journalist fascinated by the darker side of life? Ferrara confronts the murky underbelly of Florence in an investigation that will put not only his career but also his life on the line. Originally published in Italy as Scarabeo.

A new doctor arrives into the insular town of 1930s Ferrara. Fadigati is hopeful and modern, and more than anything wants to fit into his new home. But his fresh, appealing appearance soon crumbles when the townsfolk discover his homosexuality, and the young man he pays to be his lover humiliates him publicly.

From the Driller Killer - a victim of the original video nasty' panic - to Bad Lieutenant, Ferrara's films have attracted both controversy for their extreme subject matter and admiration for their fine acting: Harvey Keitel, Christopher Walken, Madonna, Lili Taylor and Willem Dafoe all gave their finest performances under Ferrara's direction. Now Brad Stevens has subjected Ferrara's output to exhaustive analysis and uncovers a tender heart beating beneath the excessive imagery.'

In the picturesque Tuscan hill town of Scandicci, the body of a girl is discovered. Scantily dressed, she is lying by the edge of the woods. The local police investigate the case - but after a week, they still haven't even identified her, let alone got to the bottom of how she died. Frustrated by the lack of progress, Chief Superintendent Michele Ferrara, head of Florence's elite Squadra Mobile, decides to step in. Because toxins were discovered in the girl's body, many assumed that she died of a self-inflicted drugs overdose. But Ferrara quickly realises that the truth is darker than that: he believes that the girl was murdered. And when he delves deeper, there are many aspects to the case that convince Ferrara that the girl's death is part of a sinister conspiracy - a conspiracy that has its roots in the very foundations of Tuscan society... Originally published in Italian as La Loggia Degli Innocenti.

Nicole Brenez argues for Abel Ferrara’s place in a line of grand inventors who have blurred distinctions between industry and avant-garde film, including Orson Welles, Monte Hellman, and Nicholas Ray. Rather than merely reworking genre film, Brenez understands Ferrara’s oeuvre as formulating new archetypes that depict the evil of the modern world. Focusing as much on the human figure as on elements of storytelling, she argues that films such as Bad Lieutenant express this evil through visionary characters struggling against the inadmissible (inadmissible behavior, morality, images, and narratives).

In the world of high-stakes horse racing, is it training, money, or luck that gets the win? C.J. Jamieson is a young, gifted female jockey with a complicated past and a strong desire to break through in the competitive world of thoroughbred racing. Trainer Ritchie Gallo, on the other hand, has spent half his life in the sport. He's at the top of his game, but he's never been lucky enough to train a world-class racehorse. Until now. He finally has the horse, but needs the perfect rider. Call it luck or fate, but when Gallo comes across C.J., he knows he might finally have his ticket to the winners circle. Follow Gallo and C.J. as they compete in the turbulent world of thoroughbred racing in a beautifully told, fast-paced story of triumph, tragedy, and perseverance. From the tracks of Saratoga to the famous Churchill Downs, their journey together teaches them that winning races on fragile legs isn't so different than winning at life with fragile hearts.