Encyclopedic in scope and heroically audacious, The Novel: An Alternative History is the first attempt in over a century to tell the complete story of our most popular literary form. Contrary to conventional wisdom, the novel did not originate in 18th-century England, nor even with Don Quixote, but is coeval with civilization itself. After a pugnacious introduction, in which Moore defends innovative, demanding novelists against their conservative critics, the book relaxes into a world tour of the pre-modern novel, beginning in ancient Egypt and ending in 16th-century China, with many exotic ports-of-call: Greek romances; Roman satires; medieval Sanskrit novels narrated by parrots; Byzantine erotic thrillers; 5000-page Arabian adventure novels; Icelandic sagas; delicate Persian novels in verse; Japanese war stories; even Mayan graphic novels. Throughout, Moore celebrates the innovators in fiction, tracing a continuum between these pre-modern experimentalists and their postmodern progeny. Irreverent, iconoclastic, informative, entertaining-The Novel: An Alternative History is a landmark in literary criticism that will encourage readers to rethink the novel.

Winner of the Christian Gauss Award for excellence in literary scholarship from the Phi Beta Kappa Society Having excavated the world's earliest novels in his previous book, literary historian Steven Moore explores in this sequel the remarkable flowering of the novel between the years 1600 and 1800-from Don Quixote to America's first big novel, an homage to Cervantes entitled Modern Chivalry. This is the period of such classic novels as Tom Jones, Candide, and Dangerous Liaisons, but beyond the dozen or so recognized classics there are hundreds of other interesting novels that appeared then, known only to specialists: Spanish picaresques, French heroic romances, massive Chinese novels, Japanese graphic novels, eccentric English novels, and the earliest American novels. These minor novels are not only interesting in their own right, but also provide the context needed to appreciate why the major novels were major breakthroughs. The novel experienced an explosive growth spurt during these centuries as novelists experimented with different forms and genres: epistolary novels, romances, Gothic thrillers, novels in verse, parodies, science fiction, episodic road trips, and family sagas, along with quirky, unclassifiable experiments in fiction that resemble contemporary, avant-garde works. As in his previous volume, Moore privileges the innovators and outriders, those who kept the novel novel. In the most comprehensive history of this period ever written, Moore examines over 400 novels from around the world in a lively style that is as entertaining as it is informative. Though written for a general audience, The Novel, An Alternative History also provides the scholarly apparatus required by the serious student of the period. This sequel, like its predecessor, is a “zestfully encyclopedic, avidly opinionated, and dazzlingly fresh history of the most 'elastic' of literary forms” (Booklist).

The course of history has taken many turns. What would the world be like if events had happened differently? What if JFK had never visited Dallas on November 22, 1963? What if Germany had won the First World War? How would life be different in America if the Southern states had beaten the North? What would a world without The Beatles sound like? Find out the potential answers to all these questions and many more in What If...:Book of Alternative History.With great full-color photos and compelling narratives, historical experts take a look at these and many more intriguing questions in this fascinating look at what might have been. Perfect for browsing, this title will have readers speculating on the events and people that shaped history and make our lives what they are today.

On September 11, the United States were destroyed. That is, September 11 of the Year of Our Lord 1620. In this alternate history, the Mayflower was lost at sea, and the English Separatists were disheartened from further colonization of North America. The United States were never born. The centuries that follow will see the emergence of rival empires that will split up the world between them. One will become the terror of the seas. One will rampage with carriages of steam. One will take to the skies. And the people caught in the middle will fight against the colonial system to bring an end to all empires.

Drawing on theories of historiography, memory, and diaspora, as well as from existing genre studies, this book explores why contemporary writers are so fascinated with history. Pei-chen Liao considers how fiction contributes to the making and remaking of the transnational history of the U.S. by thinking beyond and before 9/11, investigating how the dynamics of memory, as well as the emergent present, influences readers’ reception of historical fiction and alternate history fiction and their interpretation of the past. Set against the historical backdrop of WWII, the Vietnam War, and the War on Terror, the novels under discussion tell Jewish, Japanese, white American, African, Muslim, and Native Americans’ stories of trauma and survival. As a means to transmit memories of past events, these novels demonstrate how multidirectional memory can be not only collective but connective, as exemplified by the echoes that post-9/11 readers hear between different histories of violence that the novels chronicle, as well as between the past and the present.

Explore fascinating, often chilling “what if” accounts of the world that could have existed—and still might yet . . . Science fiction’s most illustrious and visionary authors hold forth the ultimate alternate history collection. Here you’ll experience mind-bending tales that challenge your views of the past, present, and future, including: • “The Lucky Strike”: When the Lucky Strike is chosen over the Enola Gay to drop the first atomic bomb, fate takes an unexpected turn in Kim Stanley Robinson’s gripping tale. • “Bring the Jubilee”: Ward Moore’s novella masterpiece offers a rebel victory at Gettysburg which changes the course of the Civil War . . . and all of American history. • “Through Road No Wither”: After Hitler’s victory in World War II, two Nazi officers confront their destiny in Greg Bear’s apocalyptic vision of the future. • “All the Myriad Ways”: Murder or suicide, Ambrose Harmon’s death leads the police down an infinite number of pathways in Larry Niven’s brilliant and defining tale of alternatives and consequences. • “Mozart in Mirrorshades”: Bruce Sterling and Lewis Shiner explore a terrifying era as the future crashes into the past—with disastrous results. . . . as well as “The Winterberry” by Nicholas A. DiChario • “Islands in the Sea” by Harry Turtledove • “Suppose They Gave a Peace” by Susan Shwartz • “Manassas, Again” by Gregory Benford • “Dance Band on the Titanic” by Jack L. Chalker • “Eutopia” by Poul Anderson • “The Undiscovered” by William Sanders • “The Death of Captain Future” by Allen Steele • and “Moon of Ice” by Brad Linaweaver The definitive collection: fourteen seminal alternate history tales drawing readers into a universe of dramatic possibility and endless wonder.

This Companion focuses on the novel as a global genre and examines its role, impact and development.

Focusing in turn on history, powerful individuals, under-represented voices and the arts, the essays in this collection cover a wide variety of modern and contemporary narrative fiction from Jo Walton and L. Sprague De Camp to T. S. Chaudhry and Catherynne M. Valente. Chapters look into the question of chance versus determinism in the unfolding of historical events, the role individuals play in shaping a society or occasion, and the way art and literature symbolise important messages in counterfactual histories. They also show how uchronic narratives can take advantage of modern literary techniques to reveal new and relevant aspects of the past, giving voices to marginalised minorities and suppressed individuals of the ancient world. Counterfactual fiction and uchronic narratives have been largely up until now the domain of literary critics. However, these modes of literature are here analysed by scholars of Ancient History, Egyptology and Classics, shedding important new light on how cultures of the ancient world have been (and still are) perceived, and to what extent our conceptions of the past are used to explore alternate presents and futures. Alternate history entices the imagination of the public by suggesting hypothetical scenarios that never occurred, underlining a latent tension between reality and imagination, and between determinism and contingency. This interest has resulted in a growing number of publications that gauge the impact of what-if narratives, and this one is the first to give scholars of the ancient world centre-stage.

An overview of US fiction since 1940 that explores the history of literary forms, the history of narrative forms, the history of the book, the history of media, and the history of higher education in the United States.