The notes and commonplace book employed by H. P. Lovecraft, including his suggestions for story-writing, analyses of the weird story, and a list of certain basic underlying horrors etc. etc. designed to stimulate the imagination.

Christina McPhee's 'commonplace book' draws from a palimpsest of handwritten notes, lists, quotations, bibliographic fragments, and sketches, from an artist whose voracious reading practice is a direct feed into her life and art - all set to a visual and textual design-as-score, as prominent writers on painting, media arts, performance, video installation and poetics engage with her 'open-work' practice. Christina McPhee's images move from within a matrix of abstraction, shadowing figures and contingent effects. The tactics of living are in subterfuge, like the dazzle ships of camouflage in war. This 'commonplace book' develops a view of recent work in collaged paintings, drawings, photomontage and video installation, around themes of environmental transformation and 'post-natural' community. The book includes conversations, essays, interviews and notes by Ina Blom, Phil King, James MacDevitt, Donata Marletta, Melissa Potter, Judith Rodenbeck, Esztar Timár, and Frazer Ward. "McPhee's drawing, extended to and infiltrated with digital video, seems to outline a different and stranger project: that of creating as yet unknown material composites by aligning the rapid time-processing of our nervous systems with the emergent natures at actual sites of energy production or extraction." Ina Blom Christina McPhee's work is in museum collections, including the Whitney Museum of American Art, New York, the International Center for Photography, New York, the Kemper Museum of Contemporary Art, Kansas City, Thresholds New Media Collection, Scotland, and elsewhere. Her work has shown in solo exhibitions at American Unversity Museum, Washington, DC; Bildmuseet, Umea, Sweden, and in group exhibitions including documenta 12 and Bucharest Biennial 3. She lives and works in California, and you can see more of her work at: http: //www.christinamcphee.net/.

The Not-So-Dark Dark Ages What they forgot to teach you in school: People in the Middle Ages did not think the world was flat The Inquisition never executed anyone because of their scientific ideologies It was medieval scientific discoveries, including various methods, that made possible Western civilization’s “Scientific Revolution” As a physicist and historian of science James Hannam debunks myths of the Middle Ages in his brilliant book The Genesis of Science: How the Christian Middle Ages Launched the Scientific Revolution. Without the medieval scholars, there would be no modern science. Discover the Dark Ages and their inventions, research methods, and what conclusions they actually made about the shape of the world.

The commonplace-book mapped and resourced Renaissance culture's moral thinking, its accepted strategies of argumentation, its rhetoric, and its deployment of knowledge. In this ground-breaking study Ann Moss investigates the commonplace-book's medieval antecedents, its methodology and use as promulgated by its humanist advocates, its varieties as exemplified in its printed manifestations, and the reasons for its gradual decline in the seventeenth century.

Many of us assume that our creative process is beyond our ability to influence, and pay attention to it only when it isn't working properly. For the most part, we go about our daily tasks and everything just "works." Until it doesn't. Adding to this lack of understanding is the rapidly accelerating pace of work. Each day we are face escalating expectations and a continual squeeze to do more with less. We are asked to produce an ever-increasing amount of brilliance in an ever-shrinking amount of time. There is an unspoken (or spoken!) expectation that we'll be accessible 24/7, and as a result we frequently feel like we're "always on." Now business creativity expert Todd Henry explains how to unleash your creative potential. Whether you're a creative by trade or an "accidental creative," this book will help you quickly and effectively integrate new ideas into your daily life.

Poesi og prosa - og meget andet - i udvalg

An unusual (but beautiful) commonplace journal for recording your didactic pursuits. Although the notebook starts and ends with lined paper (perfect for adding an index if you want one) the rest of the 150 pages are an eclectic mix of dot grid, blank, graph, plain, lined and storyboard paper! Dive in to the best type of page to record your thoughts. Perfect for adding quotations, brainstorming, sketching, doodling and keeping track of what you have been reading. Commonplace Book Details: SIZE: 6 X 9 inches PAGES: 150 Pages (75 Sheets) PAPER: Mixed lines, graph, plain, dot grid etc. COVER: Soft Paperback Cover (Glossy)

From the team that brought you The Obstacle Is the Way and Ego Is the Enemy, a daily devotional of Stoic meditations—an instant Wall Street Journal and USA Today Bestseller. Why have history's greatest minds—from George Washington to Frederick the Great to Ralph Waldo Emerson, along with today's top performers from Super Bowl-winning football coaches to CEOs and celebrities—embraced the wisdom of the ancient Stoics? Because they realize that the most valuable wisdom is timeless and that philosophy is for living a better life, not a classroom exercise. The Daily Stoic offers 366 days of Stoic insights and exercises, featuring all-new translations from the Emperor Marcus Aurelius, the playwright Seneca, or slave-turned-philosopher Epictetus, as well as lesser-known luminaries like Zeno, Cleanthes, and Musonius Rufus. Every day of the year you'll find one of their pithy, powerful quotations, as well as historical anecdotes, provocative commentary, and a helpful glossary of Greek terms. By following these teachings over the course of a year (and, indeed, for years to come) you'll find the serenity, self-knowledge, and resilience you need to live well.

In the tradition of commonplacing, the recording of extracts from favorite texts, the author has selected sixteen pieces of poetry, prose and legal ephemera for the enjoyment of his friends-and he considers anyone who reads this volume a friend. xii, 38 pp.