Angelo Bonatura, a perfectionist in all he did--fishing, turkey shooting, politicking, murder and bootlegging--was understandably put out when his sheriff, the incumbent Big Turk, lost the election to young McCalla the candidate of the "dry" element in the county. McCalla, whose father the police chief had once long ago prevented Angelo from practising his legitimate trade as a barber, proved hard to kill. But there were other ways of removing an honest sheriff and Angelo found a simple but foolproof method in the person of a young woman who wanted lots of money very badly

Roughly fifteen years after Gutenberg printed the first substantial book in Mainz in 1455, Nicolas Jenson of Venice produced what has been universally recognized among the most beautiful typefaces ever created. Based on the humanistic calligraphy of the Renaissance, an even and infinitely various set of lowercase letters that had evolved from the Carolingian minuscules of the ninth century, Jenson's types were a miracle of proportion and evenness of color. In the late nineteenth century, it was imitated by Morris in his Golden Type of 1892 (far too heavy), and in the next by Cobden-Sanderson with his Doves Type, Goudy with his Deepdene, and Hunter Middleton with his Eusebius. But it was really not until Bruce Rogers, following his stint at the Riverside Press in Cambridge, Massachusetts, where he first attempted a version of the type in his Montaigne font, tackled the challenge of creating a roman equal to (and in some ways surpassing) the Jenson original. The proof of his success is that it has been used, and held in high esteem, ever since. The story behind the type, the many permutations through which it went, the myths that accrued and surrounded it (many based on Rogers's somewhat erratic and chimerical memory) are all exposed in this fully documented account of the type's genesis and development. All the variations are included, from the 16-pt. roman originally produced for the exclusive use of the Metropolitan Museum of Art, to its conversion to the Monotype machine under the supervision of Stanley Morison, a typewriter version, a short-lived film version, and its ultimate appearance as a digital face. Included as well is a discussion of the Arrighi italic, developed to accompany the roman by Frederic Warde and Stanley Morison at the Monotype Corporation. The book has been designed and set in a new digital version of Centaur, often and justly called "the noblest roman of them all," created by Jerry Kelly. The authors have unearthed, mined, and refined a trove of typographic material to create the definitive history of what many consider the most beautiful typeface created by an American in the last century and used, to immortal effect, in two of the century's greatest books, T.E. Lawrence's Odyssey of Homer and the Oxford Lectern Bible. Illustrated with many examples in full color, with a dust jacket printed letterpress, issued in an edition of only 1,000 copies, this is a book no certified member of the lunatic fringe of type fanatics can afford to ignore.

This award-winning biography delves beyond the myths about Ancient Rome’s most famous assassin: “A beautifully written and thought-provoking book” (Christopher Pelling, author of Plutarch and History). Conspirator and assassin, philosopher and statesman, promoter of peace and commander in war, Marcus Brutus was a controversial and enigmatic man even to those who knew him. His leading role in the murder of Julius Caesar on the Ides of March, 44 BC, immortalized his name, but no final verdict has ever been made about his fateful act. Was Brutus wrong to kill his friend and benefactor or was he right to place his duty to country ahead of personal obligations? In this comprehensive biography, Kathryn Tempest examines historical sources to bring to light the personal and political struggles Brutus faced. As the details are revealed—from his own correspondence with Cicero, the perceptions of his peers, and the Roman aristocratic values and concepts that held sway in his time—Brutus emerges from legend, revealed as the complex man he was. A Choice Outstanding Academic Title Winner

In this story of the most famous assassination in history, “the last bloody day of the [Roman] Republic has never been painted so brilliantly” (The Wall Street Journal). Julius Caesar was stabbed to death in the Roman Senate on March 15, 44 BC—the Ides of March according to the Roman calendar. He was, says author Barry Strauss, the last casualty of one civil war and the first casualty of the next civil war, which would end the Roman Republic and inaugurate the Roman Empire. “The Death of Caesar provides a fresh look at a well-trodden event, with superb storytelling sure to inspire awe” (The Philadelphia Inquirer). Why was Caesar killed? For political reasons, mainly. The conspirators wanted to return Rome to the days when the Senate ruled, but Caesar hoped to pass along his new powers to his family, especially Octavian. The principal plotters were Brutus, Cassius (both former allies of Pompey), and Decimus. The last was a leading general and close friend of Caesar’s who felt betrayed by the great man: He was the mole in Caesar’s camp. But after the assassination everything went wrong. The killers left the body in the Senate and Caesar’s allies held a public funeral. Mark Antony made a brilliant speech—not “Friends, Romans, Countrymen” as Shakespeare had it, but something inflammatory that caused a riot. The conspirators fled Rome. Brutus and Cassius raised an army in Greece but Antony and Octavian defeated them. An original, new perspective on an event that seems well known, The Death of Caesar is “one of the most riveting hour-by-hour accounts of Caesar’s final day I have read....An absolutely marvelous read” (The Times, London).

From an award-winning historian of ancient Rome, a concise and comprehensive history of the fighting forces that created the Roman Empire Roman warfare was relentless in its pursuit of victory. A ruthless approach to combat played a major part in Rome's history, creating an empire that eventually included much of Europe, the Near East and North Africa. What distinguished the Roman army from its opponents was the uncompromising and total destruction of its enemies. Yet this ferocity was combined with a genius for absorbing conquered peoples, creating one of the most enduring empires ever known. In Roman Warfare, celebrated historian Adrian Goldsworthy traces the history of Roman warfare from 753 BC, the traditional date of the founding of Rome by Romulus, to the eventual decline and fall of Roman Empire and attempts to recover Rome and Italy from the "barbarians" in the sixth century AD. It is the indispensable history of the most professional fighting force in ancient history, an army that created an Empire and changed the world.

"The evil that men do lives after them;The good is oft interred with their bones..."How do you choose between the life of your friend and the future of your homeland? In Shakespeare's Julius Caesar, Brutus, "the noblest Roman of them all," has only his personal integrity to help him choose which is the greatest good and where he must place his allegiance. The wrong choice will result in certain personal and national devastation. With its stirring speeches and vivid images of men at both their noblest and most terrible, the play will leave the reader with a deeper understanding of what it means to be human. To make Julius Caesar more accessible to the modern reader, our Prestwick House Literary Touchstone Edition provides in-depth explanation, as well as historical background. Convenient sidebar notes and an extensive glossary help the reader navigate the complexities of the text and enjoy the beauty of Shakespeare's verse, the wisdom of his insights, and the impact of his drama.

Not much has happened in the Roman Empire since 1994 that required the first edition to be updated, but Bunson, a prolific reference and history author, has revised it, incorporated new findings and thinking, and changed the dating style to C.E. (Common Era) and B.C.E. (Before Common Era). For the 500 years from Julius Caesar and the Gallic Wars in 59-51 B.C.E. to the fall of the empire in the west in 476 C.E, he discusses personalities, terms, sites, and events. There is very little cross-referencing.

Traces the five-hundred year history and wide-ranging influence of the Roman historian's unflattering book about the ancient Germans that was eventually extolled by the Nazis as a bible.

How, when and why did the Middle Ages begin? This reader gathers together a prestigious collection of revisionist thinking on questions of key research in medieval studies.