These eight stories are about the relationships and interactions of ordinary, but interesting, people who find themselves in unusual situations within a recent actual historical context. In some a character confronts, interprets, or comes to terms with, the present by reflecting on the past. Most of the settings are on Vancouver Island -- Nanaimo, the Cowichan Valley, the West Coast -- and feature characters in action, in engagement with their environment. "The Night Tony Shot the Lights Out" three WWII veterans find coming home to be a difficult adjustment. "My Former Yugoslavia" in 1963 a young man travels on foot to a remote village in Bosnia to try to find the estranged sister of a friend in Duncan. "Annie Crook" a woman, age 90, contemplates her life of solitude, with reflections of her childhood and living in hardship in a coal camp 75 years earlier. "Rhymes With Love"; a 60-something white man and a 40-something Chinese woman find themselves living together temporarily in the same house. The inevitable relationship ensues, which is complicated by the fact that she is the daughter of his former lover. "That Good Cahors Wine"; a man walks into the wilderness alone on an overnight pilgrimage to see Canada's highest waterfall. "The Shed" a story of dying man's reconciliation with his former best friend whom he has blamed for a betrayal as the result of a love triangle. "Short Haul"; in a chance encounter, a man finds he is sitting in a barber shop with his childhood hockey hero. "The Interlude"; A businessman befriends an alcoholic street person and finds that they have something in common -- not enough, however, to prevent a sad ending.

Few other contemporary Hollywood filmmakers fit the category of 'genre stylist' as well as Michael Mann, the director of such films as Heat, The Insider, Ali, Collateral, Manhunter, Thief, and Miami Vice. Mann's film style marks him as a director who chooses the iconographic backdrop of a genre as a canvas upon which he and his collaborators can craft a unique cinematic vision. The Cinema of Michael Mann traces the innovative and under-explored stylistic contours of Mann's work, the director's inflection upon and innovation within preexisting genre frameworks, and the relationship of both style and genre to issues of authorship and film criticism. Steven Rybin's critical study of Mann's cinema, and the importance of the filmmaker's themes to our contemporary world, is valuable for both film scholars and cinephiles alike.

For millions of moviegoers unable to see the original stage version of West Side Story, director Robert Wise’s adaptation was a cinematic gift that brought a Broadway hit to a mass audience. Ernesto Acevedo-Muñoz argues that Wise’s film was not only hugely popular, but that it was also an artistic triumph that marked an important departure in the history of American movie making. With a score by Leonard Bernstein and choreography by Jerome Robbins, this update of the Romeo and Juliet story remains one of the most revered and highly popular American movie musicals, with only Singin’ in the Rain ranking higher in the AFI’s list of the best of the genre. Acevedo-Muñoz draws on previously unreleased production documents—from interoffice memos to annotations on the director’s script—to go beyond publicity accounts and provide an inside look at this critically acclaimed film classic, offering details of its filming that have never before been published. From location scouting to scripting to casting to filming, Acevedo-Muñoz focuses on little-known details of the actual production. He provides close analyses of dramatic sequences and musical numbers, emphasizing the film’s technical innovations and its visual and aural coding as a means for defining character and theme. He carefully explains the differences between Broadway and film versions, exposing censorship and creative issues that the filmmakers were forced to confront. And taking readers behind the cameras, he highlights the creative differences and financial difficulties that led to the departure of Robbins—who had conceived and directed the stage version—long before filming was complete. Acevedo-Muñoz makes a strong case for the film’s daring vision in combining music, dance, dialogue, and visual elements—especially color—in highly creative ways, while also addressing the social, racial, and class tensions of American society. Drawing on his own Puerto Rican heritage, he provides a Hispanic perspective on the cultural aspects of the story and explores the ways in which the film’s portrayal of Puerto Rican identity is neither as transparent nor as negative as some critics have charged. Bursting with facts, insights, and inside stories, this book boasts a wealth of material that has never been explored before in print. Both history and homage, it is a must for scholar and buff alike.

The drought in South Australia was really biting hard, especially for the people in the marginal rainfall regions . The Nickols family at Kimba on the Eyre Peninsula were having a hard time after three bad drought years. Bank interest had sky-rocketed and all of the off-farm income as shearing or harvest work had dried up also, as the sheep and grain numbers had vanished. The bank is threatening to sell the farm to recover the debt. Neighbours of the Nickols Two bachelors Bert and Harry Kelly had been opal mining at Coober Pedy and had paid off the bank overdraft. John and Tony Nickols travel to Coober Pedy and drill onto a seam of good opal. The men find a nest of opal dinosaur eggs worth a lot of money .What ensues is some cunning thieves trying to rob them of their money and opal . These men are killed in an accident in a very strange way which makes world news and the opal eggs very famous.

It is the first week of July, in the year 1956, and four teenaged siblings are spending time on a rural farm in Arkansas; bored and restless. They, along with their parents are just beginning their summer vacation paying the obligatory visit to the grandparents, and Uncle Romey, the adult son with Down's syndrome. Instead of spending their time searching for four-leafed clovers in the grass, the youngsters would rather be going to the beach every day and hanging out with their friends back home in Long Beach, California. The vacation seems as though it will be the same as the last one...and the one before that. But at least the arrival of an aunt and uncle and cousin makes things a little more fun for the youngsters, as they find ways to entertain themselves; which of course translates as getting into mischief. Also, with the arrival of the aunt and uncle, tensions begin to escalate between the adults when a long held secret, previously known only to the grandparents is brought to light. Then with the unexpected arrival of the argumentative, prodigal daughter, who has decided to join the family in the Fourth of July celebration, things really begin to heat up within the household and the dissention magnifies. What was expected to be a routine holiday celebration, turns into an exraordinary adventure. With the discovery of long buried human remains, the story unfolds into one of dark secrets, assault, deception, lies, dead bodies, ghosts, and murder; and the life of each remaining family member is affected forever.

When an old friend returns to town, Meg plans a party to bring the old gang back together, but someone—or something—will do anything to keep it from happening in this chilling tale from Goosebumps author R.L. Stine. A year ago, Meg Dalton’s group of friends fractured. Evan died in the Fear Street woods. Ellen moved away. The ones that stayed behind changed. And Meg felt as if she’d lost her best friends. Lately, even her boyfriend Tony has been acting moody and strange. But things may finally be looking up. Ellen is coming to visit! And what better way to bring old friends together than with a surprise party for her arrival? That’s when the terror begins—the phone calls, the threats, the acts of violence. “Cancel the party—or else,” whispers the voice on the phone. Meg is terrified. Who would do so many terrible things to stop her party? To find out, she’ll have to venture into the dark Fear Street woods that took Evan’s life last year.

In this essential distillation of American suspense, 100 years worth of peerless tales are collected into a volume where giants of the genre abound: Raymond Chandler, Lawrence Block, Sue Grafton, Elmore Leonard, and Sara Paretsky.