This is the story of Night Hawk thought to be the plainest and most awkward bird to stand on two feet.

みにくさゆえに嫌われていたよだかは、星になりたいとオリオンに頼みますが...。

Miyazawa Kenji is perhaps the most widely researched Japanese writer presently, not only by Japanese scholars but also by foreign scholars of Japanese literature worldwide. The relevance and meaning of Kenji's works to the contemporary world have increased manifold over the years and the researchers throughout the world unanimously agree to the truth that his works stand for the betterment and benefit of the mankind as a whole. This universality of his works appeals to the psyche of every human being on this earth, irrespective his/her age, race, gender, language or nationality. Ten of his representative short stories in English translation are introduced in this volume for my young fellow countrymen. Each of these ten stories enwrapped in Indian/Buddhist ideology bears a different colour and style, depicting through animals and birds the intricate human society, agonized by discrimination, infighting, deceit, fraud, muscle power, betrayal, arrogance, life and rebirth, cause and effect and lack of mutual love and concern. In CHILDREN OF THE GINGKO TREE, the true picture of this transient world is depicted through the separation of beloved ones. Nothing is permanent in this world. In THE WILD GOOSE CHILD, the concept of Karma, Cause and Effect, Rebirth and ultimate attainment of Nirvana through penitence are described. In THE EARTH GOD AND THE FOX, a triangular relationship of three characters, namely, the Earth God, the Fox and the beautiful Birch Tree unfolds the selfish, impatient and cruel mentality of man, who has no place in his mind for love, sympathy or fellow feeling towards others. In WILDCAT AND THE ACORNS, the fight among the acorns for superiority is depicted so realistically and vividly that it reflects the true daily life of human beings. In THE LION KING Kenji is narrating how effectively the ruler of the wild kingdom, the lion, maintain the law and order in his domain. This is a classic example of wise and prudent actions by the animals, something which is lacked by the human beings. In THREE FROGS AND A RUBBER SHOE, jealous and wickedness of human mind are depicted through the vicious actions of Bun and Ben frogs. However, one cannot escape from the retribution of his actions. In THE SHELL FIRE, Kenji is depicting the importance of selfless affection and love towards fellow beings. The Shell Fire in our hearts will glow brilliantly only if we have a kind, merciful and loving heart towards others. In THE NIGHTHAWK STAR, the author is depicting the successful life of a meek and weak nighthawk who attained his goal through sheer determination and strong will power, overcoming the social discrimination and willful threat from the mighty hawk. In THE RESTAURANT OF MANY ORDERS, how the greed and wickedness of a man make him selfish and blind towards the suffering of others and lead him to the brink of destruction is narrated. In CHESTNUT TREE AND MONKEY CHAIRS, the fantasy of a young boy, where the boy himself has become the subject for classical deception by the tiny monkies , is narrated.

The New York Times bestselling author revisits his signature world of Midkemia in this first book in a new trilogy that ushers in the third, and most dramatic, Riftwar yet: the Darkwar Flight of Nighthawks picks up two years after Exile’s Return as Pug, the powerful sorcerer, awakens from a nightmare that portends destruction for all of Midkemia. Disturbed by his dream, Pug calls for a convening of the Conclave of Shadows. Meanwhile, in a small town on the other side of Midkemia, two young brothers are coming of age. As they travel away from home, towards apprenticeships and adulthood, the boys are attacked by bandits and mistakenly transported to Sorcerer’s Isle, the home of the Conclave of Shadows. Though they are untrained and unready, the brothers will join the powerful, mysterious Conclave to confront Midkemia’s most looming evil yet—the Nighthawks, assassins feared throughout the centuries. And Pug will face his old nemesis, the evil wizard formerly known as Sidi, now Leso Varen, in a confrontation with everything at stake: his honor, his life, and the future of Midkemia.

Carleton A. Coon, Sr., and Hoe L. Sanders formed the Coon-Sanders Orchestra in 1919 in Kansas City, Missouri. Three years later, under the name "Nighthawks," the band began broadcasting experimental, highly-popular midnight radio programs over Kansas City's WDAF. Their music was played all over the world, and the band remained one of America's top bands until Coon's death in 1932. Here is the complete history of the Coon-Sanders Orchestra, the band whose saucy, and bustling music and carefree and extravagant musicians symbolized the era between World War I and the Great Depression.

Determined to earn her father's approval, Kari Solis set out to capture the commander of the rebel forces wreaking havoc on their world. But she didn't count on her plans being upset by a rogue smuggler--a handsome loner concealing a shadowy past and an even darker secret.

The premier name in African-American historical romance fiction, the incomparable Beverly Jenkins returns to the American West with Night Hawk—a blistering tale of high-stakes romance that unites a hard-as-nails bounty hunter with a gorgeous spitfire whom he rescues from a vigilante mob. Outlaw.Preacher. Night Hawk. He’s had many names, but he can’t escape the past. Since Ian Vance’s beloved wife was murdered years ago, the hardened bounty hunter know she’ll never feel love or tenderness again, so he’s made it his mission to ensure others get their justice. But when he’s charged with delivering a sharp-eyed beauty to the law, Ian can’t help but feel he may still have something left to lose. Orphaned at twelve, Maggie Freeman has always found her way out of trouble. But now there’s a vigilante mob at her back who would like nothing more than to see her hang for a crime she didn’t commit. Maggie may have to accept help for the first time in her life . . .even if it’s from the one man standing between her and freedom.

In her late thirties, Gretchen Newberry left her office job in Portland, Oregon, to become a wildlife biologist studying nighthawks. The common nighthawk, Chordeiles minor, has long fascinated birders, scientists, farmers, and anyone who has awoken to its raspy calls on a hot city night. In The Nighthawk's Evening, Newberry charts her journey across North America to study these birds, from the islands of British Columbia to rooftops in South Dakota, Oregon sagebrush, and Wisconsin forests. This acrobatic, night-flying bird nests on rooftops and flocks in the thousands as it migrates from Alaska to Argentina and back every year. Nighthawks are strange animals, reptiles with feathers, sleepy during the day, but quick, agile, and especially adept at survival. They have the ability to withstand extreme temperatures and adapt to many habitats, but they are struggling for survival in the Anthropocene. Newberry's story focuses on the bird itself--its complex conservation status and cultural significance--and the larger, often hidden world of nocturnal animals. Along the way, she gives readers insight into the daily life of a scientist, especially one who works primarily at night. The Nighthawk's Evening uses one scientist and one species to explore the challenges, disappointments, and successes of scientific research and conservation efforts. An accessible work of science, it will appeal to birders, students, wildlife managers, and anyone who is fascinated by urban wildlife.

A fascinating study of Edward Hopper's iconic Nighthawks painting and its deep significance for understanding American culture. Staying up Much Too Late discusses the painting Nighthawks and the painter Edward Hopper and their central importance to twentieth-century American culture. Topics include individualism, New York City, Arthur "Weegee" Fellig, diners, pornography, capitalism, advertising, cigarettes, American philosophy, World War II, Gravity's Rainbow, Blade Runner, Pulp Fiction, Russ Meyer, R. Crumb, David Lynch, and film noir What links these together is the painting's pessimistic take on American culture, which it also seems to epitomize. Despite its desolate feel, Nighthawks has become a familiar icon, reproduced on posters and postcards, in movies and on television shows. But Nighthawks is more than just a masterful painting. It is a portal into that rarely acknowledged but pervasive dark side of the American psyche.

1939, Cambridge. The opening weeks of the Second World War, and the first blackout - The Great Darkness - covers southern England, enveloping the city. Detective Inspector Eden Brooke, a wounded hero of the Great War, takes his nightly dip in the cool waters of the Cam. The night is full of alarms, but in this Phoney War, the enemy never comes. But daylight reveals a corpse on the riverside, the body torn apart by some unspeakable force. Brooke investigates, calling on the expertise and inspiration of a faithful group of fellow 'nighthawks' across the city, all condemned, like him, to a life lived away from the light. Within hours The Great Darkness has claimed a second victim. War, it seems, has many victims. But what links these crimes of the night?