Vivid and racy, a deep-dive into tabloids from their sixteenth-century beginnings to the National Inquirer and beyond. The Newsmongers unfolds the seedy history of tabloid journalism, from the first printed “Strange Newes” sheets of the sixteenth century to the sensationalism of today’s digital age. The narrative weaves from Regency gossip writers through New York’s “yellow journalism” battles to the “sex and sleaze” Sun of the 1970s; and from the Brexit-backing populism of the Daily Mail to the celebrity-obsessed Mail Online of the 2000s. Colorful figures such as Daniel Defoe, Lord Northcliffe, Joseph Pulitzer, William Randolph Hearst, Hugh Cudlipp, Rupert Murdoch, and Robert Maxwell are brought to vivid life. From scandalous confessions to the Leveson Inquiry into the behavior of the British press, the book explores journalists’ unscrupulous methods, taking in phone hacking, privacy breaches, and bribery. And now, in the digital era, The Newsmongers shows how popular journalism has succumbed to so-called churnalism while a certain royal is seeking revenge on the tabloids today.

From the book: "Paris was fond of stormy weather and emerging toads; the thirst for knowledge was supreme, and the first to read and reread the news were the first to render it with criticism. Authors and readers, great and small, all shared the impression that they were caught between truth and falsehood, and moreover that the 'probable-improbable' they relished so much was being manipulated by the complex strategies of the court, the police and the petty hordes of the evil-minded. We cannot understand the curiosity of the Parisian public without realizing that they did at least know one thing: the extent they were being made fools of." The eighteenth century was awash with rumor and talk. The words and opinions of ordinary people filled the streets of Paris. But were these simply the isolated grumblings and gossip of the crowd, or is it possible to speak of genuine "public opinion" among the common people? This is the subject of Subversive Words, the newest book by French historian Arlette Farge. Farge begins with Jürgen Habermas's notion of a bourgeois public sphere. However, whereas Habermas was concerned mostly with the "cultured classes," Farge focuses on the uneducated common people. Drawing on chronicles, newspapers, memoirs, police reports, and news sheets from the time, she finds that by the second half of the eighteenth century ordinary Parisians had come to assert their right to hold and declare clear opinions on what was happening in their city--visible, real, everyday events such as executions, price rises, and revolts. Yet the government preferred to regard ordinary Parisians as unsophisticated, impulsive, or inept. In the years leading up to the Revolution, however, the administration increasingly feared the mobilization of these people. Officially, it denied the existence of any distinct popular public opinion, but in practice it kept the streets of Paris under regular surveillance through a system of spies, inspectors, and observers. Amid this curious tension between denial and action, Farge argues, popular rumors arose and gained a life of their own. Wise and filled with vivid descriptions of everyday life, Subversive Words is cultural and intellectual history at its best.

Using material dating from up to 5,000 years ago, but concentrating on the past 200 years, this book studies messengers and newsmen, focusing on news agency journalists. Informed by North American and European scholarship, and considering the interplay between British English and American English and the products of wordsmiths since the 16th century, the book will appeal to historians, social scientists, linguists, globalization specialists, media professionals and “news addicts”.

Prior to the 1666 fire of London, St Paul's Cathedral was an important central site for religious, commercial, and social life in London. The literature of the period - both fictional and historical - reveals a great interest in the space, and show it to be complex and contested, with multiple functions and uses beyond its status as a church. St Paul's Cathedral Precinct in Early Modern Literature and Culture: Spatial Practices animates the cathedral space by focusing on the every day functions of the building, deepening and sometimes complicating previous works on St Paul's. St Paul's Cathedral Precinct in Early Modern Literature and Culture is a study of London's cathedral, its immediate surroundings, and its everyday users in early modern literary and historical documents and images, with special emphasis on the late sixteenth and early seventeenth centuries. It discusses representations of several of the seemingly discrete spaces of the precinct to reveal how these spaces overlap with and inform one another spatially, and argues that specific locations should be seen as mutually constitutive and in a dynamic and ever-evolving state. The varied uses of the precinct, including the embodied spatial practices of early modern Londoners and visitors, are examined, including the walkers in the nave, sermon-goers, those who shopped for books, the residents of the precinct, the choristers, and those who were devoted to church repairs and renovations.

"For the colonized person, objectivity is always directed against him" (Frantz Fanon). Colonized persons do not live on what we call (or used to call) the "colonies" alone. In general, objective reality, or the "facts of life", are very different depending on the kind of life you can afford. This goes for language as well; and it explains both the title of this book, and gives it its "raison d'être". It deals with power in language, and asks: Who is really in command when we use "our" language? And why does it make sense to talk about a language of power (or lack of it)? The powerful are the colonizers, the colonized are the powerless, in language as in geopolitics. Colonizers and colonized alike, however, are subject to the social and economic conditions prevailing in society and therefore, a thorough analysis of these conditions is a must for any socially-oriented theory of language use.

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 16-04-1950 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. XV. No. 16. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 15-63 ARTICLE: 1. Statistical Science 2. In Defence Of Newsmongers 3. Love's Delight 4. Means Of Mass Communication AUTHOR: 1. Dr. P. V. Sukhatme 2. H. C. Jehangir 3. Hon'ble Mr. Justice G. D. Khosla 4. Pothan Joseph KEYWORDS: 1. Responsibilities of a statistician, Statistica as science 2. Society and news credibility, News quality in the past 3. Lord Byron's love affair, Countess Guiccioli and her love for Lord Byron 4. Diverse ways of news communication, Factors affecting free news Document ID: INL-1950 (A-J) Vol-II (03)

Who should become a PR Rainmaker? You should. But only if you want to create the kind of high-impact publicity for your company that will attract more clients and customers—and thus increase your revenues.By following the PR Rainmaker’s Three Simple Rules, you will master the power to persuade the news media to work for you. By applying the PR Rainmaker’s time-tested techniques, you will: · Get attention. · Build credibility. · Enhance reputation. · Pull in more prospects. · Add clients and customers. · Make more money.Start today. Read this book.

This is the first modern book about the artist David Wilkie (1785-1841), the first British painter to become an international celebrity. Based on extensive original research, the book explores the ways in which Wilkie's images, so beloved by his contemporaries, engaged with a range of cultural predicaments close to their hearts. In a series of thematic chapters, whose concerns range far beyond the details of Wilkie's own career, Tromans shows how, through Wilkie's thrillingly original work, British society was able to reimagine its own everyday life, its history, and its multinational (Anglo-Scottish) nature. Other themes covered include Wilkie's roles in defining the border between painting and anatomy in the representation of the human body, and in transforming the pleasures of connoisseurship from an elite to a popular audience. For the first time, all of Wilkie's major subject pictures are brought together, reproduced and discussed. With a great range of new archival material and original interp