The News as Usual showcases the work of a gifted poet who employs language at its richest. Yenser captures lyrics and blues, ballads and villanelles, and even a crown of sonnets. Sonically rich and filled with detail, these poems link mortality with fishing, nature with protoplasm--constantly finding ways to explore the inner and outer worlds in ways at once understated and wise.

THE SUNDAY TIMES TOP TEN BESTSELLER From one of our greatest voices in modern philosophy, author of The Course of Love, The Consolations of Philosophy, Religion for Atheists and The School of Life - an accessible and eye-opening exploration of our relationship with 'the news' 'His gift is to prompt us to think about how we live and how we might change things' The Times 'De Botton analyses modern society with great charm, learning and humour. His remedies come as a welcome relief' Daily Mail 'Like all classic de Botton, there are plenty of insightful observations here, peppered with some psychology, a dash of philosophy, a big dollop of commonsense' Scotsman 'The news' occupies a range of manic and peculiar positions in our lives. We invest it with an authority and importance which used to be the preserve of religion - but what does it do for us? Mixing current affairs with philosophical reflections, de Botton offers a brilliant illustrated guide to the precautions we should take before venturing anywhere near the news and the 'noise' it generates. Witty and global in reach, The News will ensure you'll never look at reports of a celebrity story or political scandal in quite the same way again.

This volume explores contemporary understandings of "news values" and the "fake news" phenomena and collects together important new theory-building research that sheds light on implications of compromised news products and the ways it shapes perceptions. News does not happen in a vacuum and journalism is a practice with a definable milieu which manufactures a product shaped by a complex and subjective collection, organization, and dissemination of information. The social import of revisiting Herbert Gans’ "what is news" ethnographic query in 1979 played out in earnest in 2020. Americans watched news coverage of the COVID-19 pandemic offer politicized health information complete with conflicting reports of disagreeing experts, conspiracy theories, vaccination resistance, and racist language targeting China and people of Asian descent. This collection expands on mass communication theory frameworks built since the 1970s, to enable us to better operationalize and understand mass media’s role in defining, shaping, and amplifying news. The chapters in this book were originally published as a special issue of Mass Communication and Society.

Ever since Newton Minow taught us sophisticates to bemoan the descent of television into a vast wasteland, the dyspeptic chorus of jeremiahs who insist that television news in particular has gone from gold to dross gets noisier and noisier. Charles Ponce de Leon says here, in effect, that this is misleading, if not simply fatuous. He argues in this well-paced, lively, readable book that TV news has changed in response to broader changes in the TV industry and American culture. It is pointless to bewail its decline. "That s the Way It Is "gives us the very first history of American television news, spanning more than six decades, from Camel News Caravan to Countdown with Keith Oberman and The Daily Show. Starting in the latter 1940s, television news featured a succession of broadcasters who became household names, even presences: Eric Sevareid, Walter Cronkite, David Brinkley, Peter Jennings, Brian Williams, Katie Couric, and, with cable expansion, people like Glenn Beck, Jon Stewart, and Bill O Reilly. But behind the scenes, the parallel story is just as interesting, involving executives, producers, and journalists who were responsible for the field s most important innovations. Included with mainstream network news programs is an engaging treatment of news magazines like "60 Minutes" and "20/20, " as well as morning news shows like "Today" and "Good Morning America." Ponce de Leon gives ample attention to the establishment of cable networks (CNN, and the later competitors, Fox News and MSNBC), mixing in colorful anecdotes about the likes of Roger Ailes and Roone Arledge. Frothy features and other kinds of entertainment have been part and parcel of TV news from the start; viewer preferences have always played a role in the evolution of programming, although the disintegration of a national culture since the 1970s means that most of us no longer follow the news as a civic obligation. Throughout, Ponce de Leon places his history in a broader cultural context, emphasizing tensions between the public service mission of TV news and the quest for profitability and broad appeal."

We live in a world that is constantly telling us to work harder, dig deeper, and strive closer to an ideal and purposeful existence. We're told that if we don't succeed in making something of ourselves, we'll have nothing to show for our lives. For those who succumb to this mindset, life can seem like nothing more than one immense competition - one where we usually come up short. When this is how we view our lives, can we ever be truly content with ourselves? Can God still love and use us, flaws and all? In a world which equates "ordinary" with "not good enough," Heath Trampe uses powerful examples from the Bible to prove that even ordinary people can accomplish amazing things. As you read about the lives of such Biblical characters as Jonah, Zacchaeus, and Esther, remember that they were simply ordinary sinners in the hands of an extraordinary God. They each experienced their share of hardships and struggles, but when God took hold of their lives, remarkable things began to happen. As you journey through these 12 stories of inspiration and hope, you'll discover that "ordinary" is a pretty amazing thing to be. This 214-page book includes Bible study questions for each chapter, with in-depth answers and commentary. It is ideal for both individual and group study.

"As traditional for-profit news media in the United States declines in economic viability and sheer numbers of outlets and staff, what does and what should the constitutional guarantee of freedom of the press mean? The book examines the current news ecosystem in the U.S. and chronicles historical developments in government involvement in shaping the industry. It argues that initiatives by the government and by private-sector actors are not only permitted but called for as transformations in technology, economics, and communications jeopardize the production and distribution of and trust in news and the very existence of local news reporting. It presents ten proposals for change to help preserve the free press essential to our democratic society"--

When Gavin Meckler's light aircraft encounters a mysterious cloud and crashes to earth, he discovers that the eerily quiet landscape in which he has landed is 200 years older than the one from which he took off. In this gentle, peaceful, sustainable new world, it is possible to travel from one side of the globe to the other in a matter of minutes without burning fuel, and everyone is a gardener because that's how they can be sure to eat. Inspired by William Morris's utopian novel News from Nowhere, Robert Llewellyn shows us a future where we don't burn anything to make anything else and which isn't hovering on the brink of disaster; where aliens haven't invaded, meteors haven’t hit and zombies haven’t taken over. In short, a world where humanity eventually gets it right. All the technology described in the novel has seen the light of day in reality. Llewellyn's future isn't perfect and may not be very likely, but it is entirely possible.