In the late 19th century Ohio was reeling from a wave of lynchings and other acts of racially motivated mob violence. Many of these acts were attributed to well-known and respected men and women yet few of them were ever prosecuted--some were even lauded for taking the law into their own hands. In 1892, Ohio-born Benjamin Harrison was the first U.S. President to call for anti-lynching legislation. Four years later, his home state responded with the Smith Act "for the Suppression of Mob Violence." One of the most severe anti-lynching laws in the country, it was a major step forward, though it did little to address the underlying causes of racial intolerance and distrust of law enforcement. Chronicling hundreds of acts of mob violence in Ohio, this book explores the acts themselves, their motivations and the law's response to them.

"The hangman's knot is a simple thing to tie, just a rope carefully coiled around itself up to thirteen times. But in those thirteen turns lie a powerful symbol, one of the most powerful in history, and particularly in America, whose relationship to the noose is all too deep and complicated. Our history with hangings is shockingly recent. The last man to be hanged in the United States was Billy Bailey, who was executed in Delaware in 1996 for committing a double murder. Hanging has since been disallowed in that state, but it is still legal, in certain situations, in New Hampshire and Washington. An incident in Jena, Louisiana, in 2006, in which nooses were used to symbolically menace black students, is a fresh reminder of just how potent this emblem of racism and savage violence still is. All that meaning, and all that history, is a lot to see in a coiled rope. But the fact is, that meaning is felt by all of us. And Jack Shuler, a professor of American literature and black studies, is the right man to explore it: from Judas Iscariot, perhaps the most infamous hanged man, to the killing of Perry Smith and Richard Hickock, the murderers at the heart of Capote's In Cold Blood, and beyond. Shuler goes era by era, tracing the evolution of this dark practice in episodes, and revealing the ways each one impacted the society around it. As he investigates the death of John Brown and the 1930 lynching that inspired the song "Strange Fruit," his travels take him across America-and not just the South-uncovering our deep secrets and searching for meaning. Shuler's account is a kind of shadow history of America: for all the celebrated strides we've made towards integration and harmony, those victories are hollow without an appreciation for what they vanquished. The Thirteenth Turn is a courageous and searching book that reminds us where we come from, and what is lost if we forget. "--

Lynch mobs in late nineteenth- and early twentieth-century America exacted horrifying public torture and mutilation on their victims. In Lynching and Spectacle, Amy Wood explains what it meant for white Americans to perform and witness these sadistic spectacles and how lynching played a role in establishing and affirming white supremacy. Lynching, Wood argues, overlapped with a variety of cultural practices and performances, both traditional and modern, including public executions, religious rituals, photography, and cinema, all which encouraged the horrific violence and gave it social acceptability. However, she also shows how the national dissemination of lynching images ultimately fueled the momentum of the antilynching movement and the decline of the practice. Using a wide range of sources, including photos, newspaper reports, pro- and antilynching pamphlets, early films, and local city and church records, Wood reconfigures our understanding of lynching's relationship to modern life. Wood expounds on the critical role lynching spectacles played in establishing and affirming white supremacy at the turn of the century, particularly in towns and cities experiencing great social instability and change. She also shows how the national dissemination of lynching images fueled the momentum of the antilynching movement and ultimately led to the decline of lynching. By examining lynching spectacles alongside both traditional and modern practices and within both local and national contexts, Wood reconfigures our understanding of lynching's relationship to modern life.