Wish kids came with instructions? At least you can take heart—and have a laugh—in the knowledge that the little dears confound and amuse all of us. Nothing captures our rollicking relationship with them—and theirs with the adult world—quite like New Yorker cartoons. The magazine's brilliant cartoonists (a good number of whom are rumored to have never completely left childhood behind) lead us from the hospital nursery, through toddlerhood, into the school years and beyond-to that long-lasting challenge of being an adult with parents. Selected by Robert Mankoff, cartoon editor of The New Yorker, this collection brings together 126 great cartoons (from artists including George Booth, Roz Chast, Leo Cullum, William Hamilton, Gahan Wilson, Jack Ziegler, and many more). The introduction from the one-and-only Roz Chast gives us a riot of insight and delight-which, come to think of it, is not a bad description of childhood.

Runaway children who meet up with monsters. A giant talking bug. A secret world of mouse-people. The stories of Franz Kafka are wondrous and nightmarish, miraculous and scary. In My First Kafka, storyteller Matthue Roth and artist Rohan Daniel Eason adapt three Kafka stories into startling, creepy, fun stories for all ages. With My First Kafka, the master storyteller takes his rightful place alongside Maurice Sendak, Edward Gorey, and Lemony Snicket as a literary giant for all ages.

Showcases the work of hundreds of artists who have contributed to the magazine throughout its eighty-year history, in a richly illustrated volume containing 2,500 black-and-white cartoons by Peter Arno, Charles Addams, Jack Ziegler, Roz Chast, and other notables, along with essays on the evolution of the magazine's humor and style, and a fully searchable DVD-ROM. Reprint. 40,000 first printing.

The "New Yorker" cartoon editor has collected dead-on portraits and eye-opening ruminations on all things bookish, courtesy of the magazine's renowned stable of cartoonists, from Charles Barsotti to Roz Chast, Ed Koren to Frank Modell, and Jack Ziegler to Victoria Roberts.

A Lit Hub “Most Anticipated Books of 2019” A Read It Forward “Perfect Gifts for a White Elephant Exchange” From New Yorker humorist Emily Flake, a hilarious, oddly enlightening book of illustrations, observations, and advice that embraces the inescapable awkwardness of two human beings attempting to make physical contact with each other. We've all been there. You encounter the mother of your recent ex. That guy your best friend dated sophomore year. That friend-of-a-friend who you've met once but keeps popping up in your "People You May Know" feed. Do you shake hands? Do you hug? Do you--horrors--kiss on the cheek? And then the inevitable: The awkward hug. That cultural blight we've all experienced. Emily Flake--keen observer of human behavior and life's less-than-triumphant moments--codifies the most common awkward hugs that have plagued us all. Filled with laugh-out-loud anecdotes and illustrations, astute observations, and wise advice, That Was Awkward is a heartwarming reminder that we're all in this together, grasping hastily at each other in an attempt to say: let's embrace to remind ourselves of our essential and connecting humanity, but also, please don't touch me for more than three seconds.

Here's the dog's life as seen through the eyes and imaginations of, among others, Charles Addams, Edward Koren, Saul Steinberg, and the dog's all-time best friend, James Thurber. 101 cartoons in all from The New Yorker over the past 65 years.

As The Giving Tree turns fifty, this timeless classic is available for the first time ever in ebook format. This digital edition allows young readers and lifelong fans to continue the legacy and love of a classic that will now reach an even wider audience. "Once there was a tree...and she loved a little boy." So begins a story of unforgettable perception, beautifully written and illustrated by the gifted and versatile Shel Silverstein. This moving parable for all ages offers a touching interpretation of the gift of giving and a serene acceptance of another's capacity to love in return. Every day the boy would come to the tree to eat her apples, swing from her branches, or slide down her trunk...and the tree was happy. But as the boy grew older he began to want more from the tree, and the tree gave and gave and gave. This is a tender story, touched with sadness, aglow with consolation. Shel Silverstein's incomparable career as a bestselling children's book author and illustrator began with Lafcadio, the Lion Who Shot Back. He is also the creator of picture books including A Giraffe and a Half, Who Wants a Cheap Rhinoceros?, The Missing Piece, The Missing Piece Meets the Big O, and the perennial favorite The Giving Tree, and of classic poetry collections such as Where the Sidewalk Ends, A Light in the Attic, Falling Up, Every Thing On It, Don't Bump the Glump!, and Runny Babbit. And don't miss the other Shel Silverstein ebooks, Where the Sidewalk Ends and A Light in the Attic!

This monumental, two-volume, slip-cased collection includes nearly 10 decades worth of New Yorker cartoons selected and organized by subject with insightful commentary by Bob Mankoff and a foreword by David Remnick. The is the most ingenious collection of New Yorker cartoons published in book form, The New Yorker Encyclopedia of Cartoons is a prodigious, slip-cased, two-volume, 1,600-page A-to-Z curation of cartoons from the magazine from 1924 to the present. Mankoff -- for two decades the cartoon editor of the New Yorker -- organizes nearly 3,000 cartoons into more than 250 categories of recurring New Yorker themes and visual tropes, including cartoons on banana peels, meeting St. Peter, being stranded on a desert island, snowmen, lion tamers, Adam and Eve, the Grim Reaper, and dogs, of course. The result is hilarious and Mankoff's commentary throughout adds both depth and whimsy. The collection also includes a foreword by New Yorker editor David Remnick. This is stunning gift for the millions of New Yorker readersand anyone looking for some humor in the evolution of social commentary.

Presents 110 cartoons from "The New Yorker" that depict politics in America.

Anatole is a most honorable mouse. When he realizes that humans are upset by mice sampling their leftovers, he is shocked! He must provide for his beloved family--but he is determined to find a way to earn his supper. And so he heads for the tasting room at the Duvall Cheese Factory. On each cheese, he leaves a small note--"good," "not so good," "needs orange peel"--and signs his name. When workers at the Duvall factory find his notes in the morning, they are perplexed--but they realize that this mysterious Anatole has an exceptional palate and take his advice. Soon Duvall is making the best cheese in all of Paris! They would like to give Anatole a reward--if only they could find him...