Lance Bangor, an incredibly talented but troubled pitcher, catches the eye of the New York Yankees and is sent to play for the most notorious minor league team in baseball, The New Paltz Outlaws. The Outlaws are a team full of talented but disturbed baseball players, from the first baseman with split personalities (one plays for the Negro Leagues, the other is an aspiring musician), a trio of Canadian criminals under town arrest, a barefooted outfielder that lives amongst animals in the forest, etc. When the present leader is taken off to jail, Lance becomes the new leader of the Outlaws and takes them to new heights of popularity and debauchery. Eventually becoming too big for the small town, Lance joins the New York Yankees but folds under big league pressure and finds himself banned from the game for life. Too embarrassed to return to New Paltz, Lance travels from the Caribbean to Hollywood and goes through a variety of professions from being a stuntman for an egotistical soap opera star to hitting rock bottom and becoming an exotic dancer and actor in amateur adult films. It's a story of one man who had to lose everything he ever wanted to get everything he ever needed.

This “standard text of the defining era of gay literati” tells the cultural history of the interconnected lives of the 20th century's most influential gay writers (Philadelphia Inquirer). In the years following World War II a group of gay writers established themselves as major cultural figures in American life. Truman Capote, the enfant terrible, whose finely wrought fiction and nonfiction captured the nation's imagination. Gore Vidal, the wry, withering chronicler of politics, sex, and history. Tennessee Williams, whose powerful plays rocketed him to the top of the American theater. James Baldwin, the harrowingly perceptive novelist and social critic. Christopher Isherwood, the English novelist who became a thoroughly American novelist. And the exuberant Allen Ginsberg, whose poetry defied censorship and exploded minds. Together, their writing introduced America to gay experience and sensibility, and changed our literary culture. But the change was only beginning. A new generation of gay writers followed, taking more risks and writing about their sexuality more openly. Edward Albee brought his prickly iconoclasm to the American theater. Edmund White laid bare his own life in stylized, autobiographical works. Armistead Maupin wove a rich tapestry of the counterculture, queer and straight. Mart Crowley brought gay men's lives out of the closet and onto the stage. And Tony Kushner took them beyond the stage, to the center of American ideas. With authority and humor, Christopher Bram weaves these men's ambitions, affairs, feuds, loves, and appetites into a single sweeping narrative. Chronicling over fifty years of momentous change-from civil rights to Stonewall to AIDS and beyond. Eminent Outlaws is an inspiring, illuminating tale: one that reveals how the lives of these men are crucial to understanding the social and cultural history of the American twentieth century.

NATIONAL BESTSELLER • A riveting, adrenaline-fueled tour of a vast, lawless, and rampantly criminal world that few have ever seen: the high seas. There are few remaining frontiers on our planet. But perhaps the wildest, and least understood, are the world's oceans: too big to police, and under no clear international authority, these immense regions of treacherous water play host to rampant criminality and exploitation. Traffickers and smugglers, pirates and mercenaries, wreck thieves and repo men, vigilante conservationists and elusive poachers, seabound abortion providers, clandestine oil-dumpers, shackled slaves and cast-adrift stowaways—drawing on five years of perilous and intrepid reporting, often hundreds of miles from shore, Ian Urbina introduces us to the inhabitants of this hidden world. Through their stories of astonishing courage and brutality, survival and tragedy, he uncovers a globe-spanning network of crime and exploitation that emanates from the fishing, oil, and shipping industries, and on which the world's economies rely. Both a gripping adventure story and a stunning exposé, this unique work of reportage brings fully into view for the first time the disturbing reality of a floating world that connects us all, a place where anyone can do anything because no one is watching.

Between 1936 and 1940, field workers in the Federal Writers' Project collected many accounts that provide an authentic and vivid picture of the early days of New Mexico. This volume focuses on outlaws and desperados.

From Donald Ray Pollock, author of the highly acclaimed The Devil All the Time and Knockemstiff, comes a dark, gritty, electrifying (and, disturbingly, weirdly funny) new novel that will solidify his place among the best contemporary American authors. It is 1917, in that sliver of border land that divides Georgia from Alabama. Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest; handsome; intelligent); Cob (short; heavy set; a bit slow); and Chimney (the youngest; thin; ill-tempered). Several hundred miles away in southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula. After Ellsworth is swindled out of his family's entire fortune, his life is put on a surprising, unforgettable, and violent trajectory that will directly lead him to cross paths with the Jewetts. No good can come of it. Or can it? In the gothic tradition of Flannery O'Connor and Cormac McCarthy with a healthy dose of cinematic violence reminiscent of Sam Peckinpah, Quentin Tarantino and the Coen Brothers, the Jewetts and the Fiddlers will find their lives colliding in increasingly dark and horrific ways, placing Donald Ray Pollock firmly in the company of the genre's literary masters.

This annotated bibliography covers approximately 400 novels published from 1838 through 2007. A substantial introduction to the history and development of the genre precedes the chronologically arranged entries, which provide bibliographic details and extensive annotations on plot, themes, and compositional strengths and weaknesses. Mainstream novels by writers such as Hemingway, Wolfe, Roth, and DeLillo are included. Appendices provide historical overviews for the primary baseball subgenres, including mystery, fantasy, and science-fiction; lists for novels that foreground issues of race or ethnicity (or both, as in Winegardner's Vera Cruz Blues), gender (Gilbert's A League of Their Own), and class (Hay's The Dixie Association); and the author's rankings of great baseball novels overall and by subgenre.

Includes its Report, 1896-19 .