A brand-new Egyptian novel from the master of adventure fiction, Wilbur Smith A brand-new Ancient Egyptian novel from the master of adventure fiction and global number 1 bestselling author, Wilbur Smith. In the heart of Egypt Under the watchful eye of the gods A new power is rising In the city of Lahun, Hui lives an enchanted life. The favoured son of a doting father, and ruler-in-waiting of the great city, his fate is set. But behind the beautiful façades a sinister evil is plotting. Craving power and embittered by jealousy, Hui's stepmother, the great sorceress Isetnofret, and Hui's own brother Qen, orchestrate the downfall of Hui's father, condemning Hui and seizing power in the city. Cast out and alone, Hui finds himself a captive of a skilled and powerful army of outlaws, the Hyksos. Determined to seek vengeance for the death of his father and rescue his sister, Ipwet, Hui swears his allegiance to these enemies of Egypt. Through them he learns the art of war, learning how to fight and becoming an envied charioteer. But soon Hui finds himself in an even greater battle - one for the very heart of Egypt itself. As the pieces fall into place and the Gods themselves join the fray, Hui finds himself fighting alongside the Egyptian General Tanus and renowned Mage, Taita. Now Hui must choose his path - will he be a hero in the old world, or a master in a new kingdom? The New Kingdomis a brand-new Egyptian Series thriller by the master of adventure, Wilbur Smith. Don't miss the rest of the Egyptian Series, River God, The Seventh Scroll, Warlock, The Quest, Pharaoh and Desert God. Available now.

Individual biographies, communities, and landscapes.

This book is an introduction to the war machine of New Kingdom Egypt from c. 1575 bc–1100 bc. Focuses on the period in which the Egyptians created a professional army and gained control of Syria, creating an “Empire of Asia”. Written by a respected Egyptologist. Highlights new technological developments, such as the use of chariots and siege technology. Considers the socio-political aspects of warfare, particularly the rise to power of a new group of men. Evaluates the military effectiveness of the Egyptian state, looking at the logistics of warfare during this period. Incorporates maps and photographs, a chronological table, and a chart of dynasties and pharaohs

The first economic history of ancient Egypt employing a New Institutional Economics approach and covering the entire pharaonic period, 3000-30 BCE.

First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

First published in the 1940s and widely condemned as obscene, The Egyptian outsold every other American novel published that same year, and remains a classic; readers worldwide have testified to its life-changing power. It is a full-bodied re-creation of a largely forgotten era in the world’s history: an Egypt when pharaohs contended with the near-collapse of history’s greatest empire. This epic tale encompasses the whole of the then-known world, from Babylon to Crete, from Thebes to Jerusalem, while centering around one unforgettable figure: Sinuhe, a man of mysterious origins who rises from the depths of degradation to get close to the Pharoah...

Revised and expanded, this volume deals with the religious traditions of ancient Egypt, which have come down to us in a state which is both extremely fragmentary and complex. New material - especially hymns collected in Theban tombs - now allows a much more precise allocation of religious texts and ideas in terms of time, place and social context. Within the field of solar religion, no less than five different traditions have to be distinguished: 1) the liturgical traditions of the royal solar cult, which for their secrecy and exclusivity are labelled the "mysteries" of the sun cult; 2) the traditional mythology of the solar course expressed in hymns and pictorial representations; 3) the revolutionary process culminating in the Amarna period, which discards the mythic images and gives a monotheistic construction of the solar course, a process which starts before Akhenaten's revolution; 4) the theology of Amun-Re, the God of Thebes, before the Amarna Period, a theology of primacy where one god acts as chief of a pantheon; and 5) the quite different theology of this same Amun-Re after Amarna, a theology which answers the monotheistic experience by developing a kind of pantheism - the concept of the hidden god - who is both cosmic god and personal saviour.

First published in 1997. The aim of this study is to re-appraise the evidence for planned communities in ancient Egypt by reviewing published and unpublished data along with my own fieldwork at the site of Deir el-Ballas.

This is the first synthesis on Egyptian enigmatic writing (also referred to as “cryptography”) in the New Kingdom (c.1550–1070 BCE). Enigmatic writing is an extended practice of Egyptian hieroglyphic writing, set against immediate decoding and towards revealing additional levels of meaning. The first volume consists of studies by the main specialists in the field. This second volume is a lexicon of all attested enigmatic signs and values.

Violence and Power in Ancient Egypt examines the use of Egyptian pictures of violence prior to the New Kingdom. Starting with the assertion that making and displaying such images served as a tactic of power, related to but separate from the actual practice of violence, the book explores the development and deployment of this imagery across different contexts. By comparatively utilizing violent images from a variety of other times and cultures, the book asks that we consider not only how Egyptian imagery was related to Egyptian violence, but also why people create pictures of violence and place them where they do, and how such images communicate what to whom. By cataloging and querying Egyptian imagery of violence from different periods and different contexts—royal tombs, divine temples, the landscape, portable objects, and private tombs—Violence and Power highlights the nuances of the relationship between aspects of royal ideology, art, and its audiences in the first half of pharaonic Egyptian history.