A provocative, timely account of the changing face of journalism from a pioneer of the new-media revolution For a long time, media organisations have controlled the news, treating their audiences as products for advertisers. Yet as journalism has moved online and behind paywalls, the public is demanding more say in how the news is created. They are using blogs, Twitter, and Facebook to share stories, and selecting their sources to create their own ‘front page’. In this lively, biting critique, media commentator Tim Dunlop explores the rise of the audience, and how unprepared the mainstream media has been for this changing balance of power. Drawing on his experiences as a prominent political blogger, he argues that the future of meaningful journalism — the sort we need in order to be informed citizens — will increasingly rely on journalists and editors taking the audience into their confidence and working with them, rather than against them. The New Front Page is a passionate plea on behalf of those tired of being talked down to by the fourth estate. Perceptive and illuminating, it asks audiences and media to work together to hold the powerful to account, and to produce the sort of news and analysis that enriches public debate.

The summary of The New Front Page – New Media and the Rise of the Audience presented here include a short review of the book at the start followed by quick overview of main points and a list of important take-aways at the end of the summary. The Summary of The book "The New Front Page" describes how the introduction of the internet caused a sea change in the way that the media is structured. Nowadays, audiences are more than just a target for advertisers; they are also empowered customers and, in many cases, even a part of the editorial process itself. The New Front Page summary includes the key points and important takeaways from the book The New Front Page by Tim Dunlop. Disclaimer: 1. This summary is meant to preview and not to substitute the original book. 2. We recommend, for in-depth study purchase the excellent original book. 3. In this summary key points are rewritten and recreated and no part/text is directly taken or copied from original book. 4. If original author/publisher wants us to remove this summary, please contact us at [email protected].

The first study of the role of the newspaperwoman in American literary culture at the turn of the twentieth century, this book recaptures the imaginative exchange between real-life reporters like Nellie Bly and Ida B. Wells and fictional characters like Henrietta Stackpole, the lady-correspondent in Henry James's Portrait of a Lady. It chronicles the exploits of a neglected group of American women writers and uncovers an alternative reporter-novelist tradition that runs counter to the more familiar story of gritty realism generated in male-dominated newsrooms. Taking up actual newspaper accounts written by women, fictional portrayals of female journalists, and the work of reporters-turned-novelists such as Willa Cather and Djuna Barnes, Jean Marie Lutes finds in women's journalism a rich and complex source for modern American fiction. Female journalists, cast as both standard-bearers and scapegoats of an emergent mass culture, created fictions of themselves that far outlasted the fleeting news value of the stories they covered. Front-Page Girls revives the spectacular stories of now-forgotten newspaperwomen who were not afraid of becoming the news themselves—the defiant few who wrote for the city desks of mainstream newspapers and resisted the growing demand to fill women's columns with fashion news and household hints. It also examines, for the first time, how women's journalism shaped the path from news to novels for women writers.

It’s 1915 in New York City and an intrepid young journalist is about to get her biggest story yet... The Lusitania has just been sunk, and headlines about a shooting at J.P. Morgan’s mansion and the Great War are splashed across the front page of every newspaper. Capability “Kitty” Weeks would love nothing more than to report on the news of the day, but she’s stuck writing about fashion and society gossip over on the Ladies’ Page – until a man is murdered at a high society picnic on her beat. Determined to prove her worth as a journalist, Kitty finds herself plunged into the midst of a wartime conspiracy that threatens to derail the United States’ attempt to remain neutral – and to disrupt the privileged life she has always known. The first book in a highly anticipated mystery series featuring rising journalism star Kitty Weeks packed full of historical detail, A Front Page Affair is perfect for fans of Rhys Bowen and Jacqueline Winspear Praise for A Front Page Affair ‘A delightfully spunky heroine defies convention as an investigative reporter in this engaging historical mystery. The small factual details of New York life are gems’ Rhys Bowen ‘This lively and well-researched debut introduces a charming historical series and an appealing fish-out-of-water sleuth who seeks independence and a career in an age when most women are bent on getting married, particularly to titled Englishmen. Devotees of Rhys Bowen’s mysteries will enjoy making the acquaintance of Miss Weeks.’ Library Journal ‘The fascinating historical details add flair to this thoroughly engaging mystery starring an intelligent amateur sleuth reminiscent of Rhys Bowen’s Molly Murphy. Vatsal’s debut will leave readers eager for Kitty’s next adventure.’ Booklist ‘The mystery plot was enthralling in and of itself, but it was the portrait of Old New York that provided the wow factor - there are very few writers who can conjure up this kind of authenticity. A fun, fascinating, feminist read – especially if you love New York!’ Reader review ⭐⭐⭐⭐⭐ ‘It is very rare to find a debut novel so well written and so engrossing’ Reader review ⭐⭐⭐⭐⭐

An irresistible comedy with thrills and derring do set in the news room. Hildy wants to break away from journalism and go on a belated honeymoon. There is a jailbreak and into Hildy's hands falls the escapee as hostage. He conceals his prize in a rolltop desk and phones his scoop to his managing editor. Their job is to prevent other reporters and the sheriff from opening the desk and finding their story. Some hoodlums are enlisted to remove the desk, but they get mixed up with a Boy Scout troop and the mayor and a cleaning woman, among others. It's a whirlwind wrap up with Hildy finally making his breakaway, but the cynical managing editor has him arrested before he leaves town for having stolen a watch he planted on Hildy.

From The Birth Of A Nation To The Death Of Journalism Since its founding by a bloodthirsty tyrant in 1756, The Onion has not merely changed the way we think about the news -- it has changed whether we think about the news at all. As the first decade of this new millennium draws to a close, Our Front Pages shows us the first thing that presidents, kings, prime ministers, and popes saw when they opened their eyes each morning for the last 21 years. Now you, the common reader and citizen, can see what they saw and be as informed as they were with this important retrospective of the past two decades. You, too, will realize what generations before have realized and generations yet unborn will some day realize in turn: The Onion is not merely the chronicle of America. The Onion is America.

* An Agatha Award Nominee for Best First Novel * A CRACKLING GOOD MYSTERY... "LynDee Walker sure knows her way around a plot twist. She kept me turning pages late into the night, following the rollercoaster adventures of her fashionably feisty heroine...smart, funny, and loaded with surprises." - Laura Levine, Author of the Jaine Austen Mystery Series Crime reporter Nichelle Clarke's days can flip from macabre to comical with a beep of her police scanner. Then an ordinary accident story turns extraordinary when evidence goes missing, a prosecutor vanishes, and a sexy Mafia boss shows up with the headline tip of a lifetime. As Nichelle gets closer to the truth, her story gets more dangerous. Armed with a notebook, a hunch, and her favorite stilettos, Nichelle races to splash these shady dealings across the front page before this deadline becomes her last. Praise for FRONT PAGE FATALITY: "Delightful, with engaging characters, a crackling good mystery, and of course, high, high heels. LynDee Walker writes with wit and intelligence and the confidence of a newsroom insider. What fun!" - Harley Jane Kozak, Agatha, Anthony, and Macavity Award-Winning Author of Dating Dead Men and Keeper of the Moon "This is a joy to read: Nichelle is a likeable character who does put her nose into whatever seems curious to her...the book can be read in one sitting thanks to the easy and casual language the author has employed in writing the book. Highly recommended to the fans of cozy mysteries!" - Mystery Tribune "Gives those designer shoes a workout! Nicey's adventure kept me guessing. Goes down as smooth as hot chocolate with whipped cream." - Alice Loweecey, Author of the Falcone and Driscoll Investigations "I loved this book, Nichelle is such a strong character, able to stand up to herself no matter what. The interaction between Bob, her boss, and Nichelle is awesome and you can see how much they care for each other. My favorite part of the book was a fight scene, not going to ruin it for you, that you just have to read." - Cozy Mystery Book Reviews Books in the Headlines in High Heels Humorous Mystery Series: FRONT PAGE FATALITY (#1) BURIED LEADS (#2) DATELINE MEMPHIS (novella after BURIED LEADS in HEARTACHE MOTEL) SMALL TOWN SPIN (#3) DEVIL IN THE DEADLINE (#4) January 2015 Part of the Henery Press Mystery Series Collection, if you like one, you'll probably like them all...

In an age when pundits constantly decry overt political bias in the media, we have naturally become skeptical of the news. But the bluntness of such critiques masks the highly sophisticated ways in which the media frame important stories. In Front Page Economics, Gerald Suttles delves deep into the archives to examine coverage of two major economic crashes—in 1929 and 1987—in order to systematically break down the way newspapers normalize crises. Poring over the articles generated by the crashes—as well as the people in them, the writers who wrote them, and the cartoons that ran alongside them—Suttles uncovers dramatic changes between the ways the first and second crashes were reported. In the intervening half-century, an entire new economic language had arisen and the practice of business journalism had been completely altered. Both of these transformations, Suttles demonstrates, allowed journalists to describe the 1987 crash in a vocabulary that was normal and familiar to readers, rendering it routine. A subtle and probing look at how ideologies are packaged and transmitted to the casual newspaper reader, Front Page Economics brims with important insights that shed light on our own economically tumultuous times.