This book makes a postcolonial reading of the American invasion and colonization of the Philippines in 1898. It considers how nineteenth-century American popular culture, specifically political cartoons and caricatures, influenced American foreign policy. These sources, drawn from several U.S. libraries and archives, show how race and gender ideologies significantly influenced the move of the U.S. to annex the Philippines. The book not only includes a significant collection of political cartoons and caricatures about Filipinos, it also offers an alternative interpretation of the reasons why the U.S. ventured into colonial expansion in Asia.

This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.

The study delves into the rise of Arabic as an imperial language in the 7th and 8th centuries. It combines insights from papyrological, epigraphic and numismatic evidence to correlate early Islamic scribal practices with broader strategies of imperi

"In Volume 1, Vizetelly describes travelling to Berlin and his mixed first impressions. He sketches a brief history of the city and its development from the thirteenth century onwards, and in a series of essay-style chapters he discusses aspects of Berlin culture and society - including dinner-party etiquette - as well as political and military personalities."--Page 4 of cover.

After the Treaty of Paris ended the Seven Years’ War in 1763, British America stretched from Hudson Bay to the Florida Keys, from the Atlantic coast to the Mississippi River, and across new islands in the West Indies. To better rule these vast dominions, Britain set out to map its new territories with unprecedented rigor and precision. Max Edelson’s The New Map of Empire pictures the contested geography of the British Atlantic world and offers new explanations of the causes and consequences of Britain’s imperial ambitions in the generation before the American Revolution. Under orders from King George III to reform the colonies, the Board of Trade dispatched surveyors to map far-flung frontiers, chart coastlines in the Gulf of St. Lawrence, sound Florida’s rivers, parcel tropical islands into plantation tracts, and mark boundaries with indigenous nations across the continental interior. Scaled to military standards of resolution, the maps they produced sought to capture the essential attributes of colonial spaces—their natural capacities for agriculture, navigation, and commerce—and give British officials the knowledge they needed to take command over colonization from across the Atlantic. Britain’s vision of imperial control threatened to displace colonists as meaningful agents of empire and diminished what they viewed as their greatest historical accomplishment: settling the New World. As London’s mapmakers published these images of order in breathtaking American atlases, Continental and British forces were already engaged in a violent contest over who would control the real spaces they represented. Accompanying Edelson’s innovative spatial history of British America are online visualizations of more than 250 original maps, plans, and charts.

Some observers expect China to become an economic superpower. Others expect it to fragment into pieces. Is China nationalistic and on the march, or is it a stumbling Communist dinosaur? Is it already a billion-citizen member of the global village? Is it, as the Clinton administration claimed, a "strategic partner" of the U.S.? Ross Terrill addresses the question upon which all these others depend: Is the People's Republic of China, whose polity is a hybrid of Chinese tradition and Western Marxism, willing to become a modern nation or does it insist on remaining an empire? Since the collapse of three thousand years of Confucian monarchy in 1911, China has neither established a successful political system nor adjusted to being a nation state. Today it stands as the most contradictory of major powers, hovering between an unsustainable tradition and a yet-to-be-born political form that would support its new society and economy. Hanging in the balance are the prospect for freedom within China (for both Chinese and non-Chinese citizens of the People's Republic), the future of America's relations with China, and the security of China's neighbors. Drawing upon Terrill's long experience studying China as well as upon new research, this enlightening and rigorous book will be a must-read for everyone who has a stake in the future of the global world order.

A damning exploration of the many ways in which the effects and logic of anti-black colonialism continue to inform our modern world. Colonialism and imperialism are often thought to be distant memories, whether they're glorified in Britain's collective nostalgia or taught as a sin of the past in history classes. This idea is bolstered by the emergence of India, China, Argentina and other non-western nations as leading world powers. Multiculturalism, immigration and globalization have led traditionalists to fear that the west is in decline and that white people are rapidly being left behind; progressives and reactionaries alike espouse the belief that we live in a post-racial society. But imperialism, as Kehinde Andrews argues, is alive and well. It's just taken a new form: one in which the U.S. and not Europe is at the center of Western dominion, and imperial power looks more like racial capitalism than the expansion of colonial holdings. The International Monetary Fund, World Bank, World Trade Organization and even the United Nations are only some of these modern mechanisms of Western imperialism. Yet these imperialist logics and tactics are not limited to just the west or to white people, as in the neocolonial relationship between China and Africa. Diving deep into the concepts of racial capitalism and racial patriarchy, Andrews adds nuance and context to these often over-simplified narratives, challenging the right and the left in equal measure. Andrews takes the reader from genocide to slavery to colonialism, deftly explaining the histories of these phenomena, how their justifications are linked, and how they continue to shape our world to this day. The New Age of Empire is a damning indictment of white-centered ideologies from Marxism to neoliberalism, and a reminder that our histories are never really over.