Poetry in themes : Landscapes - Sea - Animals - Children - People - War - Mystery - Reflections.

Drawing on Chinese and Mongolian elements, award-winning poet Mary Soon Lee has penned an epic tale of politics, intrigue, and dragons perfect for fans of Game of Thrones and Beowulf. As the fourth-born prince of Meqing, Xau was never supposed to be king. But when his three older brothers are all deemed unfit to rule and eaten by a dragon, as is the custom, Xau suddenly finds himself on the Meqinese throne. The early years of his reign are marred by brutal earthquakes and floods, and the long-simmering tension with the neighboring country of Innis finally erupts into war. Worst of all, a demon thought long-dead walks the realm again, leaving death and destruction in its wake. In a desperate gamble, Xau must broker an uneasy peace with his former enemies and hope their combined strength is enough to vanquish the demon before it destroys them all. The Sign of the Dragon is comprised of over 300 individual poems, including the Rhysling-winning "Interregnum." The first 60 poems appeared in the 2015 Dark Renaissance Books publication Crowned, which won the 2016 Elgin Award, and many individual poems have appeared in award-winning literary magazines such as Fantasy & Science Fiction, Spillway, and Strange Horizons. Collected together in its entirety for the very first time, with over 200 never-before-published poems, readers can finally enjoy King Xau's story of sacrifice and war and dragons from beginning to end. Mary Soon Lee is a poet and storyteller who has won the Elgin and the Rhysling awards. Her work has appeared in Analog, Asimov's, Daily Science Fiction, F&SF, Fireside, Science, and American Scholar. She is also the author of Elemental Haiku: Poems to honor the periodic table three lines at a time. Born and raised in London, she now lives in Pennsylvania with her family.

"This is Robert Penn Warren's best book. . . . Cruel sometimes, crude sometimes, obsessed sometimes, the book is always extraordinary: it does know, and knows sadly and tenderly, even. It is, in short, an event, a great one."-Randall Jarrell, New York Times Book Review The significantly revised version of Brother to Dragons appeared in 1979, twenty-six years after the original. It is, Warren wrote, "in some important senses, a new work." Told in the distinct voices of characters long dead and now gathered at an unspecified place and time, this long poem recalls events leading to and resulting from the 1811 murder of a young slave by Thomas Jefferson's nephew. "R.P.W." is the narrator of the tale, whose poignant ending brings not only reconciliation among the ghostly figures but healing for Warren's persona as well.

Pull out your pencils! Everyone’s an artist in this lively and inspiring picture book full of wit, whimsy, and wacky imagination…and dragons, of course! Dragons of all shapes and sizes are on display in this high-flying how-to picture book from celebrated author-illustrator Douglas Florian. Get ready to meet dragons who love singing, cycling, playing musical instruments, and more—and learn to draw each one along the way. Then at the end there’s a big surprise: a dragon-drawing art show for all!

Long ago the ancient Norsemen perfected their swift-sailing, dragonheaded longships. They left rugged fiords in search of open land, trade, treasure, or fame. They landed in North America over four hundred years before Columbus. Their exploits are recounted in the ancient Norse sagas. A Dream of Dragons is a modern saga written with all the power of a true story retold in the ageless rhythms of blank verse and beautifully illustrated by Mary Azarian

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

Presents a collection of poetry covering a wide range of subjects, themes, and emotions.

An "excellent collection....Prelutsky and Sis...bring to life so many sorts of dragons: the large, the small, the ferocious, the technological, the gentle, the ominous, and the disconsolate. There's a `just right' quality to the verse that makes it a pleasure to read the words aloud. Their sounds fit together with seamless craftsmanship and their sense rewards listeners with humor, imagination, and occasional poignancy....Because it appeals on so many levels, this is one poetry book that won't siton the shelf for long."--Booklist.

'Bright Dead Things buoyed me in this dismal year. I'm thankful for this collection, for its wisdom and generosity, for its insistence on holding tight to beauty even as we face disintegration and destruction.' Celeste Ng, author of Everything I Never Told You A book of bravado and introspection, of feminist swagger and harrowing loss, Bright Dead Things considers how we build our identities out of place and human contact - tracing in intimate detail the ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth and falls in love. In these extraordinary poems Ada Limón's heart becomes a 'huge beating genius machine' striving to embrace and understand the fullness of the present moment. 'I am beautiful. I am full of love. I am dying,' the poet writes. Building on the legacies of forebears such as Frank O'Hara, Sharon Olds and Mark Doty, Limón's work is consistently generous, accessible, and 'effortlessly lyrical' (New York Times) - though every observed moment feels complexly thought, felt and lived.

Dragon in Ambush by Jeremy Ingallsis a critique and new translation of the first twenty poems of Mao Zedong’s published poetry. This seminal work stands out from previous translations of Mao’s poems in seeing them as an expression of his core political beliefs, rather than for their poetic effect. Instead, Dr. Ingalls shows in consummate detail that Mao was careful and deliberate in employing imagery in his poetry to lay out procedures for political supremacy in which the central drive was his will to psychological domination. That is, domination of the minds of others is the unifying theme of Mao’s verse-sequence. The crux of Prof. Ingalls’ work lies in her focus on the symbolism in the poems. The poems are, in Mao’s use of them as a means of communication, meaningless on their surface. No image, however seemingly commonplace, is ever employed for merely lyrical or aesthetic description. Every image functions as a factor in an entirely political calculus. According to Dr. Ingalls, “When Mao mentions streams or mountains, suns or moons, clouds or winds or icicles, horses, elephants, snakes, tigers, leopards or bears, specifies kinds of trees or birds or fish, flies, brooms, mats or bridges, these and all his other images have, as their primary function, neither happenstance descriptions nor whimsical metaphor. They all have politically symbolic functions in Mao’s algebra of versified political discourse.” Furthermore, in her analysis, Prof. Ingalls downplays the significance of Marxism-Leninism in the Thought of Mao Zedong. She shows that throughout his career, Mao regarded Marxism-Leninism as a political convenience, not as a doctrine permanently essential to his master-plan. Just as Mao used the Nationalists of Chiang Kai-shek and Stalin’s Soviet Union as means to further his own political ambitions, so did he manipulate Marxist-Leninist ideology to hoodwink and attract, at home and abroad, professional revolutionaries to help do his bidding. Mao’s aims express, in their worldviews, an entirely Chinese tradition. In his poems Mao’s dialectics, his materialism, and his authoritarianism all take their points of reference from within the Chinese cultural order. Dragon in Ambush is a thoroughly unique and revolutionary approach to understanding the Mind of Mao Zedong.