The fourth volume of The New Cambridge Medieval History covers the eleventh and twelfth centuries, which comprised the most dynamic period in the European Middle Ages. The first of two parts, this volume deals with ecclesiastical and secular themes, in addition to major developments such as the expansion of population, agriculture, trade, and towns; the radical reform of the Western Church; the appearance of new kingdoms and states, the Crusades, knighthood and law; and the development of literature, art and architecture, heresies and the scholastic movement.

The fourth volume of The New Cambridge Medieval History covers the eleventh and twelfth centuries, which comprised perhaps the most dynamic period in the European middle ages. This is a history of Europe, but the continent is interpreted widely to include the Near East and North Africa. The volume is divided into two parts of which this, the second, deals with the course of events - ecclesiastical and secular - and major developments in an age marked by the transformation of the position of the papacy in a process fuelled by a radical reformation of the church, the decline of the western and eastern empires, the rise of western kingdoms and Italian elites, and the development of governmental structures, the beginnings of the recovery of Spain from the Moors and the establishment of western settlements in the eastern Mediterranean region in the wake of the crusades.

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The fourth volume of The New Cambridge Medieval History covers the eleventh and twelfth centuries, which comprised the most dynamic period in the European Middle Ages. The first of two parts, this volume deals with ecclesiastical and secular themes, in addition to major developments such as the expansion of population, agriculture, trade, and towns; the radical reform of the Western Church; the appearance of new kingdoms and states, the Crusades, knighthood and law; and the development of literature, art and architecture, heresies and the scholastic movement.

This is the first study in English of the political history of Muslim Spain and Portugal, based on Arab sources. It provides comprehensive coverage of events across the whole of the region from 711 to the fall of Granada in 1492. Up till now the history of this region has been badly neglected in comparison with studies of other states in medieval Europe. When considered at all, it has been largely written from Christian sources and seen in terms of the Christian Reconquest. Hugh Kennedy raises the profile of this important area, bringing the subject alive with vivid translations from Arab sources. This will be fascinating reading for historians of medieval Europe and for historians of the middle east drawing out the similarities and contrasts with other areas of the Muslim world.

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Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.