Marriage, divorce, and related topics are examined in this volume

WINNER OF THE ARAB AMERICAN BOOK AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR The stunning debut of a brilliant nonfiction writer whose vivid account of his grandparents' lives in Egypt, Tunisia, Palestine, and Los Angeles reclaims his family's Jewish Arab identity There was a time when being an "Arab" didn't mean you were necessarily Muslim. It was a time when Oscar Hayoun, a Jewish Arab, strode along the Nile in a fashionable suit, long before he and his father arrived at the port of Haifa to join the Zionist state only to find themselves hosed down with DDT and then left unemployed on the margins of society. In that time, Arabness was a mark of cosmopolitanism, of intellectualism. Today, in the age of the Likud and ISIS, Oscar's son, the Jewish Arab journalist Massoud Hayoun whom Oscar raised in Los Angeles, finds his voice by telling his family's story. To reclaim a worldly, nuanced Arab identity is, for Hayoun, part of the larger project to recall a time before ethnic identity was mangled for political ends. It is also a journey deep into a lost age of sophisticated innocence in the Arab world; an age that is now nearly lost. When We Were Arabs showcases the gorgeous prose of the Eppy Award–winning writer Massoud Hayoun, bringing the worlds of his grandparents alive, vividly shattering our contemporary understanding of what makes an Arab, what makes a Jew, and how we draw the lines over which we do battle.

Middle Eastern Muslim men have been widely vilified as terrorists, religious zealots, and brutal oppressors of women. The New Arab Man challenges these stereotypes with the stories of ordinary Middle Eastern men as they struggle to overcome infertility and childlessness through assisted reproduction. Drawing on two decades of ethnographic research across the Middle East with hundreds of men from a variety of social and religious backgrounds, Marcia Inhorn shows how the new Arab man is self-consciously rethinking the patriarchal masculinity of his forefathers and unseating received wisdoms. This is especially true in childless Middle Eastern marriages where, contrary to popular belief, infertility is more common among men than women. Inhorn captures the marital, moral, and material commitments of couples undergoing assisted reproduction, revealing how new technologies are transforming their lives and religious sensibilities. And she looks at the changing manhood of husbands who undertake transnational "egg quests"--set against the backdrop of war and economic uncertainty--out of devotion to the infertile wives they love. Trenchant and emotionally gripping, The New Arab Man traces the emergence of new masculinities in the Middle East in the era of biotechnology.

Less than twenty-four months after the hope-filled Arab uprising, the popular movement had morphed into a dystopia of resurgent dictators, failed states, and civil wars. Egypt's epochal transition to democracy ended in a violent military coup. Yemen and Libya collapsed into civil war, while Bahrain erupted in smothering sectarian repression. Syria proved the greatest victim of all, ripped apart by internationally fueled insurgencies and an externally supported, bloody-minded regime. Amidst the chaos, a virulently militant group declared an Islamic State, seizing vast territories and inspiring terrorism across the globe. What happened? The New Arab Wars is a profound illumination of the causes of this nightmare. It details the costs of the poor choices made by regional actors, delivers a scathing analysis of Western misreadings of the conflict, and condemns international interference that has stoked the violence. Informed by commentators and analysts from the Arab world, Marc Lynch's narrative of a vital region's collapse is both wildly dramatic and likely to prove definitive. Most important, he shows that the region's upheavals have only just begun -- and that the hopes of Arab regimes and Western policy makers to retreat to old habits of authoritarian stability are doomed to fail.

The introduction of satellite television and Web-based communications in traditional societies are often taken as manifestations of a new more democratic public sphere. In the book this Western intellectual tradition is taken to task for failing to grasp the real dynamics of an Arab public sphere that has yet to be realized. The author argues that we could not conceive of the Arab public sphere outside the boundaries of sustainable egalitarian and participatory political developments in Arabian societies.Ayish harnesses the notion of 'Islamocracy' or Islamic democracy to put forward a new public sphere perspective that draws on both Islamic moral values and contemporary political practices. According to the author, this synthesist approach holds a great promise both for inter-Arab World communications as well as for dialogue with other cultures based on mutual recognition and peaceful coexistence. Muhammad I. Ayish is Professor and Dean of the College of Communication at the University of Sharjah in the United Arab Emirates.He holds a Ph.D. in international communication (University of Minnesota, Twin-Cities). Ayish has published two books and over 50 articles in both Arabic and English on issues ranging from political communication to media convergence to war coverage to women representation.

Explores, from a historical comparative perspective, the globalization of dominant myths of ‘modern’ family and society, and their effects on families in Egypt, Iran, and Tunisia uniquely contributing to sociological debates about globalization.

Roots of the New Arab Film deals with the generation of filmmakers from across North Africa and the Middle East who created an international awareness of Arab film from the mid-1980s onwards. These seminal filmmakers experienced the moment of national independence first-hand in their youth and retained a deep attachment to their homeland. Although these aspiring filmmakers had to seek their training abroad, they witnessed a time of filmic revival in Europe – Fellini and Antonioni in Italy, the French New Wave, and British Free Cinema. Returning home, these filmmakers brought a unique insider/outsider perspective to bear on local developments in society since independence, including the divide between urban and rural communities, the continuing power of traditional values and the status of women in a changing society. As they made their first films back home, the feelings of participation in a worldwide movement of new, independent filmmaking was palpable. Roots of the New Arab Film is a necessary and comprehensive resource for anyone interested in the foundations of Arab cinema.

Family remains the most powerful social idiom and one of the most powerful social structures throughout the Arab world. To engender love of nation among its citizens, national movements portray the nation as a family. To motivate loyalty, political leaders frame themselves as fathers, mothers, brothers, or sisters to their clients, parties, or the citizenry. To stimulate production, economic actors evoke the sense of duty and mutual commitment of family obligation. To sanctify their edicts, clerics wrap religion in the moralities of family and family in the moralities of religion. Social and political movements, from the most secular to the most religious, pull on the tender strings of family love to recruit and bind their members to each other. To call someone family is to offer them almost the highest possible intimacy, loyalty, rights, reciprocities, and dignity. In recognizing the significance of the concept of family, this state-of-the-art literature review captures the major theories, methods, and case studies carried out on Arab families over the past century. The book offers a country-by-country critical assessment of the available scholarship on Arab families. Sixteen chapters focus on specific countries or groups of countries; seven chapters offer examinations of the literature on key topical issues. Joseph’s volume provides an indispensable resource to researchers and students, and advances Arab family studies as a critical independent field of scholarship.

The Arab media is in the midst of a revolution that will inform questions of war and peace in the Middle East, political and societal reform, and relations between the West and the Arab World. Drawing on the first broad cross-border survey of Arab journalists, first-person interviews with scores of reporters and editors, and his three decades' experience reporting from the Middle East, Lawrence Pintak examines how Arab journalists see themselves and their mission at this critical time in the evolution of the Arab media. He explores how, in a diverse Arab media landscape expressing myriad opinions, journalists are still under siege as governments fight a rear-guard action to manage the message. This innovative book breaks through the stereotypes about Arab journalists to reveal the fascinating and complex reality - and what it means for the rest of us.