The practice of cursing remains a significant aspect of life in many African countries. This book addresses this practice with the seriousness it deserves, arguing that Christ is the ultimate curse remover. Dr. Elkanah K. Cheboi examines the meaning and implications of the Pauline statement in Galatians that “Christ became a curse for us.” Drawing from biblical passages referencing judicial curses, and the widespread practice of cursing and blessing within the Ancient Near East and Greco-Roman world, he investigates how the crucified and cursed Christ provides the ultimate solution to the power and dominion of curses. Demonstrating the insufficiencies of curse remedies, both in the ancient world and the modern African context, this study offers christological insight into the implications of Christ’s death not simply for human sin but also human curses. Dr. Cheboi specifically examines parallels between the New Testament context and Kenya’s Marakwet culture, where curses are still deeply feared as life-threatening and generational. Offering powerful insight into aspects of contemporary African culture not always fully understood, this book integrates biblical scholarship with practical application and is an excellent resource for pastors, missionaries, and theologians alike.

Do you want to cast a spell on a suitor, banish a ghost, cure a toothache, or harvest protective herbs? If so, this is the book for you. The Complete Book of Spells, Curses, and Magical Recipes explains how men and women throughout history have invoked the supernatural for specific uses and provides information about the history of witchcraft, magical recipes, and occult practices from ancient to modern times. Here is a comprehensive and enlightening guide to the rites, rituals, and magic of cultures throughout time.

While many studies explore the literary role of the oath in general literature, none have contended with the role of the oath in the biblical narratives. This study seeks to fill that vacuum. This study demonstrates that by perceiving the oath as a literary device for plot and character development, additional or more precise meanings may be revealed in the biblical stories.

Winner of the 2016 Religious Communication Association Book of the Year Award In God Mocks, Terry Lindvall ventures into the muddy and dangerous realm of religious satire, chronicling its evolution from the biblical wit and humor of the Hebrew prophets through the Roman Era and the Middle Ages all the way up to the present. He takes the reader on a journey through the work of Chaucer and his Canterbury Tales, Cervantes, Jonathan Swift, and Mark Twain, and ending with the mediated entertainment of modern wags like Stephen Colbert. Lindvall finds that there is a method to the madness of these mockers: true satire, he argues, is at its heart moral outrage expressed in laughter. But there are remarkable differences in how these religious satirists express their outrage.The changing costumes of religious satirists fit their times. The earthy coarse language of Martin Luther and Sir Thomas More during the carnival spirit of the late medieval period was refined with the enlightened wit of Alexander Pope. The sacrilege of Monty Python does not translate well to the ironic voices of Soren Kierkegaard. The religious satirist does not even need to be part of the community of faith. All he needs is an eye and ear for the folly and chicanery of religious poseurs. To follow the paths of the satirist, writes Lindvall, is to encounter the odd and peculiar treasures who are God’s mouthpieces. In God Mocks, he offers an engaging look at their religious use of humor toward moral ends.

The author uses a literary-theological approach to argue that the main theme of the combined Gideon-Abimelech narrative is a theological one, where the narrator demonstrates Yahweh's supreme power and contrasts it with the absence of Baal, the representative of foreign gods. While the Gideon narrative focuses on Yahweh and the illustration of his power and contrasts it with Gideon's limited capacities, the Abimelech narrative demonstrates Baal's absence, Baalism's disastrous potential, and Yahweh's continued control over the events. Hence Gideon's victory over the Midianites and Abimelech's kingship serve only as the tangible instruments by which a single abstract theological theme becomes narratable.

The "magical power of the spoken word" is a topic that often comes up in a discussion of biblical blessings and curses. What is the source of social and linguistic power behind these blessings and curses? Many theologians would agree that God can and does bless, but does God also curse? If so, what does that mean to the biblical theology of the Old Testament and the Christian church? Anderson's The Blessing and the Curse applies speech act theory as one way to understand the performative function of blessings and curses. The concept of speech acts provides a method of recognizing the potent social power of language to accomplish certain ends, without drawing a hard line of distinction between word-magic and religion. Even though the chief concepts and practices of blessings and curses are deeply rooted in the broad cultural environment of the ancient Near East, tracing specific trajectories of Old Testament blessings and curses as theological themes conveys broad, inescapable implications for the biblical narrative and the Christian church.

This is a book about curses. It is not about curses as insults or offensive language but curses as petitions to the divine world to render judgment and execute harm on identified, hostile forces. In the ancient world, curses functioned in a way markedly different from our own, and it is into the world of the ancient Near East that we must go in order to appreciate the scope of their influence. For the ancient Near Easterners, curses had authentic meaning. Curses were part of their life and religion. They were not inherently magic or features of superstitions, nor were they mere curiosities or trifling antidotes. They were real and effective. They were employed proactively and reactively to manage life’s many vicissitudes and maintain social harmony. They were principally protective, but they were also the cause of misfortune, illness, depression, and anything else that undermined a comfortable, well-balanced life. Every member of society used them, from slave to king, from young to old, from men and women to the deities themselves. They crossed cultural lines and required little or no explanation, for curses were the source of great evil. In other words, curses were universal. Because curses were woven into the very fabric of every known ancient Near Eastern society, they emerge frequently and in a wide variety of venues. They appear on public and private display objects, on tomb stelae, tomb lintels, and sarcophagi, on ancient kudurrus and narûs. They are used in political, administrative, social, religious, and familial contexts. They are the subject of incantations. They are tools that exorcise demons and dispel disease; they ban, protect, and heal. This is the phenomenology of cursing in the ancient Near East, and this is what the present work explores.