A well-illustrated natural history of cranes worldwide, including anatomy, feeding, mating, habitats, migrations, species profiles, range maps and more. The efforts to save the whooping cranes is presented as a case study.

Graced with illustrations by the author, Crane Music introduces the two North American crane species. The sandhill, most often seen, is within easy reach of bird-watchers in the center of the continent. Less visible is the whooping crane, struggling back from near extinction. Paul Johnsgard follows these elegant birds through a year' s cycle, describing their seasonal migrations, natural habitats, breeding biology, call patterns angelic to the bird-lover' s ear and fascinating dancing.The largest and most spectacular migratory concentration of cranes happens each spring when the Platte River valley becomes the staging ground for an amazing gathering of four hundred thousand to five hundred thousand sandhills en route from the South to the Arctic tundra. Johnsgard describes this incredible event as well as memorable personal encounters with the cranes. His knowledge of them transcends natural history, covering their importance in religion and mythology.

With Paul Johnsgard, we follow the annual migration of the sandhill cranes from the American Southwest to their Alaskan mating grounds and then home again. It is a flight unaltered in nearly ten million years. By presenting various cycles of the migration in four time periods from 1860 to 1980, Johnsgard, a prominent naturalist, is able toøshow how man's encroachments have imperiled the flocks. In each section there is interaction between a child and an adult brought about by some ritual event in the migration of the cranes. The story is enriched by the author's exquisite illustrations, by Zuni prayers, and by Eskimo and Pueblo legends.

Millions of people know a little bit about efforts to save the whooping crane, thanks to the movie Fly Away Home and annual news stories about ultralight planes leading migratory flocks. But few realize that in the spring of 1941, the population of these magnificent birds--pure white with black wingtips, standing five feet tall with a seven-foot wingspan--had reached an all-time low of fifteen. Written off as a species destined for extinction, the whooping crane has made a slow but unbelievable comeback over the last seven decades. This recovery would have been impossible if not for the efforts of Robert Porter Allen, an ornithologist with the National Audubon Society, whose courageous eight-year crusade to find the only remaining whooping crane nesting site in North America garnered nationwide media coverage. His search and his impassioned lectures about overdevelopment, habitat loss, and unregulated hunting triggered a media blitz that had thousands of citizens on the lookout for the birds during their migratory trips. Allen's tireless efforts changed the course of U.S. environmental history and helped lead to the passage of the Endangered Species Act in 1973. Though few people remember him today, his life reads like an Indiana Jones story, full of danger and adventure, failure and success. His amazing story deserves to be told.

The past is what happened. History is what we remember and write about that past, the narratives we craft to make sense out of our memories and their sources. But what does it mean to look at the past and to remember that "nothing happened"? Why might we feel as if "nothing is the way it was"? This book transforms these utterly ordinary observations and redefines "Nothing" as something we have known and can remember. "Nothing" has been a catch-all term for everything that is supposedly uninteresting or is just not there. It will take some—possibly considerable—mental adjustment before we can see Nothing as Susan A. Crane does here, with a capital "n." But Nothing has actually been happening all along. As Crane shows in her witty and provocative discussion, Nothing is nothing less than fascinating. When Nothing has changed but we think that it should have, we might call that injustice; when Nothing has happened over a long, slow period of time, we might call that boring. Justice and boredom have histories. So too does being relieved or disappointed when Nothing happens—for instance, when a forecasted end of the world does not occur, and millennial movements have to regroup. By paying attention to how we understand Nothing to be happening in the present, what it means to "know Nothing" or to "do Nothing," we can begin to ask how those experiences will be remembered. Susan A. Crane moves effortlessly between different modes of seeing Nothing, drawing on visual analysis and cultural studies to suggest a new way of thinking about history. By remembering how Nothing happened, or how Nothing is the way it was, or how Nothing has changed, we can recover histories that were there all along.

An alphabet book about cranes, by their foremost ornithologist, writer, artist, and poet.

Approximately 250 wild whooping cranes nest in northern Canada and winter in south Texas, flying 2,500 miles annually between these two distinct havens: the coastal marshes of the Gulf of Mexico and the boreal wilderness on the border of Alberta and the Northwest Territories. Through twists of good fortune, each of these terminal migratory places is protected from human encroachment—by a U.S. national wildlife refuge on the one hand and a Canadian national park on the other. This last remaining natural flock of the species, its numbers small but slowly increasing, has thus become known by the names of its sanctuaries: Aransas–Wood Buffalo. On the flock’s wintering grounds at Aransas National Wildlife Refuge in Texas, photographer Klaus Nigge has captured the daily activity of a single family over several weeks in two separate years, documenting their life in the salt marshes of the central Texas coast and, in one year, the happy arrival from the north of twin adolescents, itself an unusual event. Then, with the backing of National Geographic magazine, he received unprecedented permission from the Canadian government to photograph the cranes’ summer nesting sites in remote areas of Wood Buffalo National Park. To obtain these unique photographs, he sat in a cleverly constructed blind for six days and nights, watching as a chick hatched and the adults cared for their young. There he witnessed both the peace and the perils of the cranes’ summer haven. In three galleries, each containing portfolios of images of these magnificent birds in their natural habitat, Nigge captures the beauty and essential mystery that have led humans the world over to include cranes in their earliest myths and legends. Additionally, Nigge has written vignettes to accompany each of the portfolios. Krista Schlyer provides an introductory text that affords an overview of crane history. She chronicles the monumental efforts by humans to ensure the survival of the species and has added a profile of Nigge, outlining his extraordinary entry into the world of wild whooping cranes in order to acquire these breathtaking photographs.