Nude photography can be intimidating, for the artist and the subject. Technique, creativity, and psychology all need to be considered and executed seamlessly to achieve a photographer�s desired artistic and professional result. Author Louis Benjamin has built a career by studying the intricacies of the perfect nude photography photo shoot and he has compiled what he has learned for you in this second edition of the best-selling book, The Naked and the Lens. This revised text updates and builds upon the key concepts presented in the first edition that guide photographers from finding models and planning a shoot, all the way through to post production. New material includes discussions of the latest equipment, software, web publishing options, as well as fresh and more diverse photographs and interviews.

Celebrating the celluloid expression of the Beat spirit - arguably the most sustained legacy in U.S. counterculture - Naked Lens is a comprehensive study of the most significant interfaces between the Beat writers, Beat culture, and cinema. Naked ...

“Tawada’s slender accounts of alienation achieve a remarkable potency.”—Michael Porter, The New York Times A precocious Vietnamese high school student — known as the pupil with “the iron blouse”—in Ho Chi Minh City is invited to an International Youth Conference in East Berlin. But, in East Berlin, as she is preparing to present her paper in Russian on “Vietnam as a Victim of American Imperialism,” she is abruptly kidnapped and taken to a small town in West Germany. After a strange spell of domestic-sexual boredom with her lover-abductor—and though “the Berlin Wall was said to be more difficult to break through than the Great Wall of China” — she escapes on a train to Moscow . . . but mistakenly arrives in Paris. Alone, broke, and in a completely foreign land, Anh (her false name) loses herself in the films of Catherine Deneuve as her real adventures begin. Dreamy, meditative, and filled with the gritty everyday perils of a person living somewhere without papers (at one point Anh is subjected to some vampire-like skin experiments), The Naked Eye is a novel that is as surprising as it is delightful—each of the thirteen chapters titled after and framed by one of Deneuve’s films. “As far as I was concerned,” the narrator says while watching Deneuve on the screen, “the only woman in the world was you, and so I did not exist.” By the time 1989 comes along and the Iron Curtain falls, story and viewer have morphed into the dislocating beauty of both dancer and dance.

This new volume in the SCM Research series argues that both preaching and Action Research are inherently exposing practices. They require a deep level of self-consciousness, and a willingness to hold oneself up to critique and comment. But at their best they are both formed within a deep and supportive critical community. Applying a methodology rooted in Action Research as way of Doing Theology (ART), and drawn from the author's own research within a specific 'community of practice', "The Naked Preacher" demonstrates for preachers and ministers new ways to be critically and constructively self-aware. It also offers an important contribution for practical theologians with an interest in action research and critical reflection.

Are women oppressed today? If so, why is it that they live more? Why are they happier? Long-time political activist Adam Leonas examines the arguments about the oppression of women, and shows that all the supposed disadvantages are essentially trade-offs against much worse alternatives. He takes a fascinating look into the biology of the sexes, to find where female superiority and male weakness is located: sex. He argues that the point in history when the prehistoric gender balance was overturned was during "the worst mistake in human history" the Agricultural Revolution, where what he calls "the Female Coup d'etat" took place. The author, being unrelentingly radically progressive, concludes that in historic societies, capitalism included, women's power is greater due to their control over sex. He proposes radical ways for men to deal with their disadvantaged position, as well as radical ways to remedy the gender balance in society as a necessary prerequisite for equality and social peace.

Step into a world of photography that most artists consider magical. The closer you get to things, the more fascinating they become. Unimaginable details can be captured with the aid of special photography techniques and equipment, detailed at length within these pages. Macro photographers play by a different rulebook. The challenges faced from the subject matter, the equipment and even the laws of physics make this an ambitious genre of photography. It can be abstract, it can tell stories, and it can spark your imagination. Author and “Mad Scientist” photographer Don Komarechka covers every area of macro photography, from simple beginnings and tips to help you get the most out of your first macro lens, all the way through a masterclass in the obscure. Topics include: - Redefining the rules of composition - Finding and exploring narratives we ignore - The challenges of magnification - Camera equipment choices and recommendations - Inexpensive ways to get “closer” - Controlling and sculpting light - Overcoming shallow focus - Using water droplets as lenses for enchanted refractions - The art of photographic discovery: “what if?” - Winter macro: snowflakes and freezing soap bubbles - Ultraviolet fluorescence macro - Stereoscopic 3D macro photography - MANY more topics down the rabbit hole

Quirky quantum physics genius Brennan Craft and Black Ops researcher Alyssa Aronson race to find a way to keep an unstoppable jihadist in check.

"This book is both a field guide to the microscopic world and a therapeutic colouring book which aims to illuminate some of the findings of modern science and technology." .... "Each drawing is accompanied by a short piece of text highlighting important morphological features and other significant details."-Introduction.

Short essays by photographers describing the photographs they didn't take, and why.

While nude women are a staple of commercial and art photography, the photographed male nude is often the target of censorship but seldom the subject of serious critical discussion. This is the first study to examine the unique interrelation between social perceptions of the nude and the medium of photography. Melody Davis focuses on the work of six artists whose photography confronts societal prohibitions. In order to understand the taboo and silence which surrounds this subject, she addresses the many social and cultural fears that inhibit the presentation and discussion of photographed male nudity. Because she deals with distinctions between the nude and the naked, the interrelational and the pornographic, the book has close connections with current debates about the impact of images and the limits of public tolerance of images of "deviance." Through the photographs of Robert Mapplethorpe, Lucas Samaras, John Coplans, George Dureau, Joel-Peter Witkin, and a film by Dusan Makavejev, the author examines how the action ideal for the male body is challenged by an artistic medium in which man becomes the spectacle, not the spectator. By presenting three of photography's genres—self-portraiture, portraits of others, and allegorical nudes—Davis is able to reveal the critical and theoretical issues which shape our understanding of photographed nudity, and, by extension, representations of gender. Author note:Melody D. Davisis an independent writer and photographer who has taught in the Fine Arts Departments of Montclair State College and State University of New York at Stony Brook.