A classic study of early contact between European explorers and North American natives. When the two cultures met in the fifteenth century, it meant great upheavals for the Amerindians, but strengthened the Europeans' move toward nation-states and capitalism.

An examination of the early contacts between explorers and Amerindians, the variety of societies in the New World, the development of European beliefs and attitudes towards Amerindians, the origins of the concept of l'homme sauvage, relations between Amerindians and the early colonists and missionaries, and the outcome of colonization of the New World. Focuses on France's particular experiences in exploration, trade, and colonization, especially in Brazil, Florida, and on the St. Lawrence.

"In this study, the myth of the Noble Savage is a different myth from the one defended or debunked by others over the years. That the concept of the Noble Savage was first invented by Rousseau in the mid-eighteenth century in order to glorify the "natural" life is easily refuted ..."

Library holds volume 2, part 2 only.

Sample Text

Following the American Revolution, French observers often viewed the United States as a laboratory for the forging of new practices of liberté and égalité, in affinity with and divergence from France's own Revolutionary ideals and experiences. The volume examines French views through musical/theatrical portrayals of the American Revolution and Republic, soundscapes of the Statue of Liberty, and homages to the glorified figures of Washington, Franklin and Lafayette. Essays investigate paradoxical depictions of slavery in the United States and French Caribbean colonies of 'Amérique'. French critiques of American music and musicians, including the reception of Americanized or Creolized adaptations of European art traditions as well as American popular music and dance, are also presented. The subject of race features prominently in French interpretations of American music and identity. These interpretations see French constructions of the Indigenous American and African American "exotic" that intersect with tropes of noble, pastoral savagery, menacing barbarism, and the "civilizing" potency of French culture. The French reinterpretation of African American music and dance reveals both a revulsion of Black alterity and an attraction to the expressive freedom, and even subversiveness, of these "foreign" forms of music and dance. Contributions include essays by music, dance, theatre and opera scholars, and the volume will be essential reading for students and scholars of these disciplines.

For review see: Stephen J. Homick, in The Hispanic Historical Review (HAHR), vol. 77, no. 1 (February 1997); p. 78-80.

In a book that Naomi Klein says could "change the world," Anthony Hall shows that the globalization debate actually began in 1492.

French colonial Louisiana has failed to occupy a place in the historic consciousness of the United States, perhaps owing to its short duration (1699--1762) and its standing outside the dominant narrative of the British colonies in North America. This anthology seeks to locate early Louisiana in its proper place, bringing together a broad range of scholarship that depicts a complex and vibrant sphere. Colonial Louisiana comprised the vast center of what would become the United States. It lay between Spanish, British, and French colonies in North America and the Caribbean, and between woodland and eastern plains Indians. As such, it provided a meeting place for Europeans, Africans, and native Americans, functioning as a crossroads between the New World and other worlds. While acknowledging colonial Louisiana's peripheral position in U.S. and Atlantic World history, this volume demonstrates that the colony stands at the thematic center of the shared narratives and historiographies of diverse places. Through its twelve essays, French Colonial Louisiana and the Atlantic World tells a whole story, the story of a place that belongs to the historic narrative of the Atlantic World.

Sex and sexuality have always been the subject of much attention, both scholarly and popular. Yet, accounts of the early years of the United States tend to overlook the importance of their influence on the shaping of American culture. This book addresses this neglected topic with original research covering a wide spectrum, from sexual behavior to sexual perceptions and imagery, and more.