James's examination of the generational curse doctrine uncovers the unsound Scriptural foundations of the doctrine and brings believers in Christ to the awareness of their God-decreed blessedness in Christ. (Christian)

This book is written simply to serve as a tool to destroy generational curses. My intention is to educate and bring awareness that generational curses can be broken through the power of Gods word. In this book you will encounter life experiences that caused me to take authority over death, destruction and disaster. Many of us are ignorant to the device and diabolical strongholds of the enemy. Curses are real and their main intent is to annihilate the purpose of the ultimate sacrifice of the cross, redemption and eternal life. By the grace of God Jesus Christ has died to redeem us from the curse of the law, so we can regain the authority, to speak those things that are not as though they were. As you walk through the epistle of my life story you will be enlighten and strengthen to take authority and dominion to speak God's word and become liberated. Break the Curse is a word for the Eschatology Church. This book will serve as an instructional guide to impart, restore deliver and heal the wounds of anyone that has suffered from the strong bondage of Generational Curses. This is a must read manuscript it will teach you how to apply biblical principal to destroy the generational curses that have inundated your life for years. Curses are a malediction that must be fought and cast away with aggressive prayers. This book will give you the tools to fight and eradicate all curses spoken over your life.

Fiona MacCarthy makes a breakthrough in interpreting Byron's life and poetry drawing on John Murray's world-famous archive. She brings a fresh eye to his early years: his childhood in Scotland, embattled relations with his mother, the effect of his deformed foot on his development. She traces his early travels in the Mediterranean and the East, throwing light on his relationships with adolescent boys - a hidden subject in earlier biographies. While paying due attention to the compelling tragicomedy of Byron's marriage, his incestuous love for his half-sister Augusta and the clamorous attention of his female fans, she gives a new importance to his close male friendships, in particular that with his publisher John Murray. She tells the full story of their famous disagreement, ending as a rift between them as Byron's poetry became more recklessly controversial. Byron was a celebrity in his own lifetime, becoming a 'superstar' in 1812, after the publication of Childe Harold. The Byron legend grew to unprecedented proportions after his death in the Greek War of Independence at the age of thirty-six. The problem for a biographer is sifting the truth from the sentimental, the self-serving and the spurious. Fiona MacCarthy has overcome this to produce an immaculately researched biography, which is also her refreshing personal view.

His unforgiving brother, a post-apartheid politician, tries to come to terms with Oscar's apostasy but will himself betray both his principles and his family when he falls in love with Amina, a beautiful and spirited psychotherapist.

'Ugandan literature can boast of an international superstar in Jennifer Nansubuga Makumbi' Economist An award-winning debut that vividly reimagines Uganda’s troubled history through the cursed bloodline of the Kintu clan In this epic tale of fate, fortune and legacy, Jennifer Makumbi vibrantly brings to life this corner of Africa and this colourful family as she reimagines the history of Uganda through the cursed bloodline of the Kintu clan. The year is 1750. Kintu Kidda sets out for the capital to pledge allegiance to the new leader of the Buganda kingdom. Along the way he unleashes a curse that will plague his family for generations. Blending oral tradition, myth, folktale and history, Makumbi weaves together the stories of Kintu’s descendants as they seek to break free from the burden of their past to produce a majestic tale of clan and country – a modern classic.

Learn to use the mighty weapons of spiritual warfare that God has provided--weapons that have divine power to demolish strongholds!

In a world where evil seems to lurk around every corner and our thoughts turn to worry about our safety and security, the armor of God is our Father's protection in the fight against evils of our temporary home. Best-selling author Hank Hanegraaff describes God's protective covering over his children by dissecting Paul's words in Ephesians 6: 10-18 commanding us to put on the armor of God and "take our stand against the devil's schemes." Hanegraaff moves through the passage, phrase by phrase, defining God's armor, explaining what it means to embrace God's covering, and the practical ways God delivers us from evil.

Aeschylus was a Greek playwright considered to be the founder of the tragedy. Aeschylus along with Sophocles and Euripides are the three major Greek tragedians whose plays have survived. Before Aeschylus, characters in a play only interacted with the chorus. Aeschylus expanded the number of actors allowing for interaction among the characters. Seven of his 92 plays have survived. The Persian invasion of Greece, which took place during his lifetime, influenced many of his plays. The Oresteia is a trilogy of Greek tragedies written by Aeschylus, which concerns the end of the curse on the House of Atreus. The plays were "Agamemnon," "Choephorae" (The Libation-Bearers), and the "Eumenides" (Furies).

Briar Rose believes in fairy tales . . . And now, because of a family curse, she’s living one. Doomed to fall asleep for one hundred years on her sixteenth birthday, Briar has woken up in the darkest, most twisted fairy tale she could ever have dreamed of – miles away from the safe, boring small-town life that she has left behind. Briar must fight her way out of the story, but she can’t do it alone. She always believed in handsome princes, and now she’s met one her only chance is to put her life in his hands, or there will be no happy ever after and no waking up . . .