Debunks the great tourist myth, and explains how the Santa Fe architectural and design style, so popular with millions of visitors today, was consciously created by Anglos in the early 20th century.

David L. Caffey's book tells the story of the rise and fall of the Santa Fe Ring, looking beyond myth and symbol to explore the history of this remarkably durable alliance.

When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past. In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange. A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art. Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University

This is a book of scenes and portraits from three centuries of the society of Santa Fe, New Mexico, the city which was for so long the northernmost capital of Spain in the New World. Since its foundation in 1610, it has known a variety of social life and an enlivening contrast, and a commingling of several different races. This volume tries to describe that life in the sequence of time during periods of significant change and throughout a succession of conquests from early Spanish colonial times to the present.

The author explores the status of being a misfit as something to be embraced, and social misfits as being individuals of value who have a place in society, in a work that encourages people who have had difficulty finding their way to pursue their goals.

This anthology, a companion to the Santa Fe 400th Anniversary Commemoration publication, All Trails Lead to Santa Fe, affords Native American authors the opportunity to unreservedly express their ideas, opinions and perspectives on the historical and cultural aspects of Santa Fe using their own voice and preferred writing styles that are not necessarily in accord with western academic and writing conventions. One cannot truly contemplate the history and culture of Santa Fe without the voices of the Native Americans—the original inhabitants of Po’oge, “White Shell Water Place”. Indeed, much of Santa Fe’s story is conveyed from a western colonial perspective, which, until fairly recently, has predominantly relegated Native Americans to the fringes. However, over the last thirty years colonial narratives regarding Native American history and culture have been, and continue to be, disputed and amended as the pursuit of academic, intellectual and cultural self determination gains momentum in respective Native American tribal and academic communities. The Santa Fe 400th Commemoration has created an opportunity for the Native American voice to be heard. This anthology is a ceremony of Native voices, a gathering of Native people offering scholarly dialogue, personal points of view, opinions, and stories regarding the pre and post–historical and cultural foundations of Santa Fe.

"Hailed by many as the most accessible of all epic narratives recounting a classic Pueblo Indian story of creation, migration, and ultimate residence, this version of the Acoma Pueblo creation myth offers a unique window into Pueblo Indian cosmology and its dramatic, ancient history. It reveals how one premodern society answered key existential questions and formed its guiding social, religious, and economic customs. In 1928 it was narrated by Edward Proctor Hunt, a Pueblo Indian man from the mesa-top village of Acoma, New Mexico, to Smithsonian Institution scholars. In this new edition, Peter Nabokov renders this important document into clear sequence, adds excerpted material from the original storytelling sessions, and explains the creation and roles of such central myths in American Indian cultures." -- Back of cover.

New Mexico is a land with two faces. It is a land of enchantment, legendary for its natural beauty and rich cultural heritage. But it is also a land of paradox. In America, New Mexico, Robert Leonard Reid explores deep inside New Mexico's landscape to find the real New Mexico—with all of its gifts and challenges—within. Having traveled and hiked countless miles throughout the state, Reid knows New Mexico's breathtaking landscape intimately. But he knows the human landscape as well: its artists and poets, medicine men and businessmen, preachers and politicians, Hispanics and Anglos. He knows that amid the glittering mansions of Santa Fe there are homeless shelters, that the Indians of myth and legend combat alcoholism and poverty, and that toxic waste lurks beneath a land of almost surreal beauty. America, New Mexico is a book about land, sky, and hope by a writer whose passion and inspiring prose invite us to see the promise and possibilities of reconnecting with the natural world. It is unflinching in its depiction of the adversities facing New Mexicans and indeed all Americans. But above all, it searches behind and beyond these troubling issues to find, standing staunchly against them, a quiet and unshakable confidence rooted in New Mexico's natural world. For anyone who has ever been moved by the incomparable beauty of New Mexico, for anyone concerned with the landscape in which all Americans live, America, New Mexico is an unforgettable book.

“One of the 12 best business books of all time…. Timeless principles of empowering leadership.” – USA Today "The best how-to manual anywhere for managers on delegating, training, and driving flawless execution.” —FORTUNE Since Turn the Ship Around! was published in 2013, hundreds of thousands of readers have been inspired by former Navy captain David Marquet’s true story. Many have applied his insights to their own organizations, creating workplaces where everyone takes responsibility for his or her actions, where followers grow to become leaders, and where happier teams drive dramatically better results. Marquet was a Naval Academy graduate and an experienced officer when selected for submarine command. Trained to give orders in the traditional model of “know all–tell all” leadership, he faced a new wrinkle when he was shifted to the Santa Fe, a nuclear-powered submarine. Facing the high-stress environment of a sub where there’s little margin for error, he was determined to reverse the trends he found on the Santa Fe: poor morale, poor performance, and the worst retention rate in the fleet. Almost immediately, Marquet ran into trouble when he unknowingly gave an impossible order, and his crew tried to follow it anyway. When he asked why, the answer was: “Because you told me to.” Marquet realized that while he had been trained for a different submarine, his crew had been trained to do what they were told—a deadly combination. That’s when Marquet flipped the leadership model on its head and pushed for leadership at every level. Turn the Ship Around! reveals how the Santa Fe skyrocketed from worst to first in the fleet by challenging the U.S. Navy’s traditional leader-follower approach. Struggling against his own instincts to take control, he instead achieved the vastly more powerful model of giving control to his subordinates, and creating leaders. Before long, each member of Marquet’s crew became a leader and assumed responsibility for everything he did, from clerical tasks to crucial combat decisions. The crew became completely engaged, contributing their full intellectual capacity every day. The Santa Fe set records for performance, morale, and retention. And over the next decade, a highly disproportionate number of the officers of the Santa Fe were selected to become submarine commanders. Whether you need a major change of course or just a tweak of the rudder, you can apply Marquet’s methods to turn your own ship around.

This essay collection draws upon work presented at three national conferences on women and historic preservation held at Bryn Mawr College in 1994, Arizona State University in 1997, and at Mount Vernon College in 2000.