Newly expanded and revised edition. One of the most alluring, enigmatic, and simply irresistible movie icons of all time, Rudolph Valentino continues to inspire generation after generation of moviegoers. In Rudolph Valentino, The Silent Idol: His Life in Photographs, author Donna Hill retells the story of Valentino's life using a treasure trove of rare photographs. Drawn from the author's extensive collection and those of generous fellow collectors and archives, most of the images in this volume have not been seen since the 1920's; many have never been released publicly until now. Rudolph Valentino was more than the "sheik" of one of his most famous films. He was more than the legendary star who died at a tragically young age. For long-time fans as well as curious newcomers, these remarkable images - candid snapshots at home, traveling, on film sets - reveal the glamour and charm of the man who continues to beguile and inspire movie lovers to this day.

Three cousins endeavor to find out who gave a painting entitled "Sabbath Day" to their grandfather for a birthday present.

Three cousins pursue a thief at a flea market and learn about the commandment You shall not steal.

Three cousin detectives appreciate the Beatitude, "Blessed are those who mourn for they will be comforted, " when they figure out the meaning of a sick man's cryptic words about a pelican.

Titus and his two cousins set out to prove his innocence in the disappearance of a small silver dolphin and experience the meaning of the commandment, "You shall not give false testimony."

Three cousins uncover a drug dealing operation and learn about the commandment, "You shall not make for yourself an idol."

Their investigation of the disappearance of an old doll from an antique show helps cousin detectives appreciate the meaning of the beatitude, "Blessed are those who are persecuted because of righteousness, for theirs is the Kingdom of Heaven."

Drawing on performance studies and sacramental and liturgical theology, Ruthanna B. Hooke develops a theology of proclamation grounded in the body’s experience of preaching. The author explores the claim that preaching is a sacramental event of communion with the triune God by comparing the steps involved in voice production with the fourfold shape of the Eucharist. This comparison yields a description of preaching as an event of self-offering that allows space for the humanity of the preacher and as an encounter with the Holy Spirit that is communal and prophetic. Preaching draws participants into Christ’s dying and rising, and hence into a mode of power known in vulnerability. Calling hearers into the eschatological event of the resurrection, preaching inherently moves toward proclamation on political and ethical issues. Hooke uses this theological framework to offer ways of preaching on environmental crisis and on racism. The author calls preachers to embodied engagement with preaching and describes a way for preachers to bear witness to Jesus Christ not only in the content of their proclamation, but in their way of being in the preaching event.

Tim and his two cousins set out to find the boy who seems to be his double and learn the meaning of the commandment "Honor your father and your mother."

In solving the mystery of who owns a parrot who has been taught to misuse God's name in swearing, three cousins uncover a burglary ring and experience the meaning of the commandment, "You shall not misuse the name of the Lord your God."