Concerns a collection of maps and associated documents claimed to be from Marco Polo's time or that of his daughters (as many of the maps have the name or one or another of the three daughters on them). Discusses provenance, authenticity, and history of the documents, known to scholars as "the Marco Polo Maps" since 1948, here discussed fully for the first time.

What’s the truth behind the travels of Marco Polo? “A fascinating tale about maps, history and exploration.”—Times Literary Supplement (UK) In the thirteenth century, Italian merchant and explorer Marco Polo traveled from Venice to the far reaches of Asia, a journey he chronicled in a narrative titled Il Milione, later known as The Travels of Marco Polo. While Polo’s writings would go on to inspire the likes of Christopher Columbus, scholars have long debated their veracity. Some have argued that Polo never even reached China—while others believe that he came as far as the Americas. Now, there’s new evidence for this historical puzzle: a very curious collection of fourteen little-known maps and related documents said to have belonged to the family of Marco Polo himself. Here, historian of cartography Benjamin B. Olshin offers the first credible book-length analysis of these artifacts, charting their course from obscure origins in the private collection of Italian-American immigrant Marcian Rossi in the 1930s; to investigations of their authenticity by the Library of Congress, J. Edgar Hoover, and the FBI; to the work of the late cartographic scholar Leo Bagrow; to Olshin’s own efforts to track down and study the Rossi maps, all but one of which are in the possession of Rossi’s great-grandson. Are the maps forgeries, facsimiles, or modernized copies? Did Marco Polo’s daughters—whose names appear on several of the artifacts—preserve in them geographic information about Asia first recorded by their father? Or did they inherit maps created by him? Did Marco Polo entrust the maps to an admiral with links to Rossi’s family line? Or, if the maps have no connection to Marco Polo, who made them, when, and why? Regardless of the maps’ provenance, this tale takes us on a fascinating journey, offering insights into Italian history, the age of exploration, and the wonders of cartography. “Olshin’s book tugs powerfully at the imagination of anybody interested in the Polo story, medieval history, old maps, geographical ideas, European voyages of discovery, and early Chinese legends.”—The Wall Street Journal

One of the most beautiful maps to survive the Great Age of Discoveries, the 1513 world map drawn by Ottoman admiral Piri Reis is also one of the most mysterious. Gregory McIntosh has uncovered new evidence in the map that shows it to be among the most important ever made. This detailed study offers new commentary and explication of a major milestone in cartography. Correcting earlier work of Paul Kahle and pointing out the traps that have caught subsequent scholars, McIntosh disproves the dubious conclusion that the Reis map embodied Columbus's Third Voyage map of 1498, showing that it draws instead on the Second Voyage of 1493-1496. He also refutes the popular misinterpretation that Reis's depictions of Antarctica are evidence of either ancient civilizations or extraterrestrial visitation. McIntosh brings together all that has been previously known about the map and also assembles for the first time the translations of all inscriptions on the map and analyzes all place-names given for New World and Atlantic islands. His work clarifies long-standing mysteries and opens up new ways of looking at the history of exploration.

Cartography between Christian Europe and the Arabic-Islamic World offers a timely assessment of interaction between medieval Christian European and Arabic-Islamic geographical thought, making the case for significant but limited cultural transfer across a range of map genres.

Mapping Paradigms in Modern and Contemporary Art defines a new cartographic aesthetic, or what Simonetta Moro calls carto-aesthetics, as a key to interpreting specific phenomena in modern and contemporary art, through the concept of poetic cartography. The problem of mapping, although indebted to the "spatial turn" of poststructuralist philosophy, is reconstructed as hermeneutics, while exposing the nexus between topology, space-time, and memory. The book posits that the emergence of "mapping" as a ubiquitous theme in contemporary art can be attributed to the power of the cartographic model to constitute multiple worldviews that can be seen as paradigmatic of the post-modern and contemporary condition. This book will be of particular interest to scholars in art history, art theory, aesthetics, and cartography.

THIS BOOK OF EARTHS began years ago, as a collection--maps of the Earth, the Moon, the heavens. For it occurred to me, not long ago, that it would be "fun" to put them all together, and many others with them, chosen to fill in the gaps of the original group. Luckily for the fun of it, the search about to begin would not be limited to what we know about the Earth, else it would have ended before it began; for we live in a universe of which we know little, and on a planet of which we know perhaps less. It would include not only what we know, or think to-day we know, but also anything that has been believed or felt or no more than "guessed" to be the picture of the Earth and its place in the universe.

Marco and Polo must prove their loyalty to the ultra-tough but seriously injured leader, Texas Jake. Assigned to find a medicinal plant, they venture deep into the territory of the dreaded Steak Knife and his Over-the-Hill Gang. Copyright © Libri GmbH. All rights reserved.

An armchair traveler’s companion to Donna Leon’s Brunetti mysteries: “a splendid present for mystery-fiction fans [or] travel-lit buffs” (Tom Nolan, The Wall Street Journal). Follow Commissario Guido Brunetti, star of Donna Leon’s international bestselling mystery series, on over a dozen walks that highlight Venice’s churches, markets, bars, cafes, and palazzos. In Brunetti’s Venice, tourists and armchair travelers follow in the footsteps of Brunetti as he traverses the city he knows and loves. With his acute eye, fascination with history, ear for language, passion for food, and familiarity with the dark realities of crime and corruption, Brunetti is the perfect companion for any walk across La Serenissima. Over a dozen walks, encompassing all six regions of Venice as well as the lagoon, lead readers down calli, over canali, and through campi. Important locations from the best-selling novels are highlighted and major themes and characters are explored, all accompanied by poignant excerpts from the novels. This is a must-have companion book for any lover of Donna Leon’s wonderful mysteries.

Presents evidence of early Norse settlement in Greenland and North America • Explores in depth how Greenland and its surroundings were inhabited for nearly 5 centuries by two Nordic colonies, Vestri-bygd and Eystri-bygd • Shares extensive evidence from the still-living indigenous oral tradition of the Far North as well as surviving sculptural art to show how the Vikings and the Inuit formed a harmonious community • Examines ancient maps and other cartography, such as the 15th-century Martin Behaim globe, as well as explorers’ records of their voyages Sharing his extensive and meticulous research, Jacques Privat reveals that the Vikings were in Greenland, its neighboring islands, and the eastern shores of Canada long before Columbus. He examines in depth how Greenland and its surroundings were inhabited for nearly five centuries by two Nordic colonies, Vestribygð and Eystribygð, which disappeared mysteriously: one in 1342 and the other in the 16th century. Drawing on the still-living indigenous oral tradition of the Far North, as well as surviving sculptural art carvings, he shows how, far from being constantly at odds with the native population, the Norsemen and the Inuit formed a harmonious community. He reveals how this friendly Inuit-Viking relationship encouraged the Scandinavian settlers to forsake Christianity and return to their pagan roots. Working with ancient European maps and other cartography, such as the 15th-century Martin Behaim globe, as well as explorers’ records of their voyages, the author examines the English, Irish, German, Danish, Flemish, and Portuguese presence in the Far North. He explores how Portugal dominated many seas and produced the first correct cartography of Greenland as an island. He also reveals how Portugal may have been behind the disappearance of the Vikings in Greenland by enslaving them for their European plantations. Dispelling once and for all the theories that the Inuit were responsible for the failure of the Scandinavian colonies of the Far North, the author reveals how, ultimately, the Church opted to cut all ties with the settlements—rather than publicize that a formerly Christian people had become pagan again. When the lands of the Far North were officially “discovered” after the Middle Ages, the Norse colonies had vanished, leaving behind only legends and mysterious ruins.