A hauntingly powerful new voice in British fiction, this highly anticipated short story collection from Claire Dean showcases fourteen stories of wonder and memory, wind and water, metamorphosis and regret.

"This imaginative, wordless book of color photographs is a visual treat, offering witty and subtle sets of images for enriching the eyes of children and adults....[A] satisfying, intriguing book."--School Library Journal. Shadows and reflections are all around us -- under our feet, over our heads, directly in front of us. But only Tana Hoban can make us look at -- and see -- what is right before our eyes. She makes us look with our minds and hearts and imaginations -- and our surroundings are forever changed.

Shadowed reflections and elemental omens. In whispers of ice, the unknown is awoken. As the darkness of the shadow entity fades from Stonebridge, June Morgan is trying to live a normal life. Well, as normal as a fledgling witch can manage. Under the guidance of skilled witch Elaine Parker, she delves deeper into the mysteries of elemental magic, striving to harness the untamed forces of nature. But old threats arise as a storm brews over the annual Stonebridge Christmas market, threatening to plunge June’s world into chaos. For reflected in the ice, is a shadow that has the power to unleash untold devastation upon the town. With time running out and the fate of the Stonebridge Witches hanging in the balance, June must confront the darkness lurking within winter’s chill before it's too late. Can she master her magic and save her home from darkened devastation, or will the melting ice herald the end of everything she holds dear? Shadow's Reflection is the second book of the Stonebridge Witches series. Will June be able to contain the elemental forces and protect those she loves, or will she buckle under the pressure? Only time, and winters chill, will tell.

"See without seeing, hear without hearing, speak without speaking and touch the infinite." These are the words that plunge the Jamestown Family into a maelstrom of danger and discovery. In an old, strange mansion hidden in the Scottish highlands, Alex's mind becomes lost in a formless void, one she must escape. Her Family is in terrible peril from the man who calls himself Nicodemus. Will her unknown talent help or will it cause a greater catastrophe? Perhaps with the aid of some unexpected allies she'll prevail, but will she have to sacrifice herself in the attempt? The answers lie deep in the heart of a country hostile to Americans. The journey promises to be long and hard with no certainty of success. Nevertheless they must try. Mankind's future is at stake.

Enjoy this story by historical fantasy romance author Anne Renwick where you'll unravel mysteries and defy conventions in a world where danger lurks around every corner. You’ll find forbidden romance, evil villains and mad science in these gaslamp and steampunk romances... A thief with golden eyes. The spy who loves her. A mad scientist who will break hearts to expose her secrets. Shunned for her odd eyes and an unnerving habit of slipping into shadows, Lady Colleen Stewart refuses to be caged—should she decide to marry, it’ll be for love and to a man of her choice. After all, she’d rather be racing over rooftops than waltzing across ballroom floors. So when the only man to ever tempt her heart invites her on a covert mission, she leaps into danger. Nicholas Torrington, Queen’s agent, is running out of time. While work has him chasing his tail, his sister grows increasingly ill, and Colleen, the woman he would make his bride, has acquired another, determined suitor. To coax his favorite thief back into his arms, he’ll break every rule and lead her through the underbelly of London on a hunt for a mad scientist and a cure for his sister. But the discovery of a burned-out laboratory provides more questions than answers, and they find themselves caught in a deadly game where they have become the prey. Surviving the ambitions of their pursuers will bring everything into sharp focus as they risk their very lives. STEP INTO THE ELEMENTAL WEB! A Reflection of Shadows is the third story in the Elemental Web Tales, although all books in the Elemental Web (Chronicles, Tales & Stories) can be read as standalones. For fans of steampunk and gaslamp fantasy romance like SL Prater, AJ Lancaster and Jacquelyn Benson, this is a STEAMY romance with a guaranteed happily ever after for women in STEM and the men who are their match.

Bill Brandt was the pre-eminent British photographer of the twentieth century and a founding father of photography's modernist tradition, whose half-century-long career defies neat categorization. This publication presents the photographer's entire oeuvre, with special emphasis on his investigation of English life in the 1930s and his innovative late nudes. The Museum of Modern Art has been exhibiting and collecting Brandt's photographs since the late 1940s, and recently has more than doubled its collection of vintage prints of his work, which form the core of this selection. An essay by Sarah Hermanson Meister sets his life and work in the context of twentieth century photographic history. Brandt's printing style changed dramatically over the course of his career, and this will be a secondary focus. With rich duotone illustrations that highlight the special characteristics of Brandt's prints, this volume will be an invaluable resource to students and scholars alike. Lee Ann Daffner contributes an illustrated glossary of Brandt's retouching techniques, enhancing the appreciation of Brandt's printing processes. The book also includes a generously illustrated appendix of Brandt's published photo-stories during the Second World War, which will clarify the trajectory of Brandt's career as never before.

Offers photograph illustrations and essays on numerous symbols and symbolic imagery, exploring their archetypal meanings as well as cultural and historical context for how different groups have interpreted them.

In a review of the work of Karl Jaspers composed several years before the publication of his book Being and Time, Martin Heidegger suggested that the philosophical orientations of his period had made a wrong turn and skirted by the fundamental path of thought. He suggested that instead of taking up a heritage of original questions, his contemporaries had become preoccupied with secondary issues, accepting as fundamental what was in fact only incidental. In the years that followed, Heidegger's promise to reorient philosophy in terms of the Seinsfrage, the question of Being, exercised a well-known influence on successive generations of thinkers on a global scale. The present book delves into the philosophical sources of this influence and raises the question whether Heidegger indeed made good on the promise to reveal for thought what is truly fundamental. In proposing this investigation, the author assumes that it is not sufficient to take Heidegger at his word, but that it is necessary to scrutinize what is posited as fundamental in light of its broader implications-above all for ethico-political judgment and for historical reflection. After addressing this question in the first part of the book, the second part examines the significance of Heidegger's reorientation of philosophy through the prism of its critical reception in the thought of Hannah Arendt, Emmanuel Levinas, and Paul Ricoeur.

One of the central theoretical and practical issues in post-colonial Africa is the relevance, nature, and politics at play in the management of museum institutions on the continent. Most African museums were established during the 19th and 20th centuries as European imperialists were spreading their colonial tentacles across the continent. The attainment of political independence has done little to undo or correct the obnoxious situation. Most African countries continue to practice colonial museology despite surging scholarship and calls by some Afro-centric and critical scholars the world over to address the quandaries on the continents museum institutions. There is thus an unresolved struggle between the past and the present in the management of museums in Africa. In countries such as Zimbabwe, the struggle in museum management has been precipitated by the sharp economic downturn that has gripped the country since the turn of the millennium. In view of all these glitches, this book tackles the issue of the management of heritage in Zimbabwe. The book draws on the findings by scholars and researchers from different academic orientations and backgrounds to advance the thesis that museums and museology in Zimbabwe face problems of epic proportions that require urgent attention. It makes insightful suggestions on possible solutions to the tapestry of the inexorably enigmatic amalgam of complex problems haunting museum institutions in Zimbabwe, calling for a radical transformation of museology as a discipline in the process. This book should appeal to policy makers, scholars, researchers and students from disciplines such as museology, archaeology, social-cultural anthropology, and culture and heritage studies.