Award-winning journalist Javier Sinay investigates a series of murders from the nineteenth century, unearthing the complex history and legacy of Moisés Ville, the "Jerusalem of South America," and his personal connection to a little-known period of Jewish history in Argentina. In 2009, journalist Javier Sinay discovered an article from 1947, written by his great-grandfather Mijl Hacohen Sinay, detailing twenty-two murders that had occurred in Moisés Ville at the end of the nineteenth century. What starts out as an investigation into these murders turns into a deeper exploration of the history of Moisés Ville, one of the first Jewish agricultural communities in Argentina, and Sinay's own connection to this historically thriving Jewish epicenter. Seeking refuge from the pogroms of Czarist Russia, a group of Jewish immigrants founded Moisés Ville in the late 1880s. Like their town's prophetic namesake, these immigrants fled one form of persecution only to encounter a different set of hardships: exploitative land prices, starvation, illness, language barriers, and a series of murders perpetrated by roving gauchos who preyed upon their vulnerability. Sinay, though a descendant of these immigrants, is unfamiliar with this turbulent history, and his research into the spate of violence plunges him into his family's past and their link to Moisés Ville. He combs through libraries and archives in search of documents about the murders and hires a book detective to track down issues ofDer Viderkol, the first Yiddish newspaper in Argentina started by his great-grandfather. He even enrolls in Yiddish classes so he can read the newspaper and other contemporaneous records for himself. Through interviews with his family members, current residents of Moisés Ville, historians, and archivists, Sinay compiles moving portraits of the victims of these heinous murders and reveals the fascinating and complex history of the town once known as the "Jerusalem of South America."

Traces the shifting patterns of Jewish immigration and Argentine immigration policy Argentina is home to the largest Jewish community in the Hispanic world, the second largest in the Western hemisphere. During successive political and social regimes, Argentina alternately barred Jews from entering the country and recruited them to immigrate, persecuted Jews as heretics or worse and welcomed them as productive settlers, restricted Jews by law and invested them with the fullest rights of citizenship. This volume traces the shifting patterns of Jewish immigration and Argentine immigration policy, both as manifestations of cultural and historical processes and as forces shaping the emergence of a large and energetic Jewish community. Within Argentina, many Jews followed traditional immigration strategies by consolidating communities and institutions in Buenos Aires and other cities. But many others settled on the land, in agricultural colonies sponsored by Baron Maurice de Hirsch's Jewish Colonization Association, a group with far-reaching impact that is examined closely in this book. The Israeli kibbutz movement drew strength from the Argentine farming colonies, when beginning in 1949 groups of Argentine Jews immigrated to Israel to found kibbutzes. Eventually, in the face of political and economic upheavals with anti-Semitic undercurrents, almost 40,000 Jews left Argentina for Israel. A country of absorption became a country of exodus, and Zionism became a central focus of Argentine Jewry, interlocking families and fates separated by oceans and continents.

In this rich, eye-opening, and uplifting digital anthology, dozens of esteemed writers, poets, and artists from more than thirty countries send literary dispatches from life during the pandemic. Net proceeds benefit booksellers in need. As our world is transformed by the coronavirus pandemic, writers offer a powerful antidote to the fearful confines of isolation: a window onto lives and corners of the world beyond our own. In Mauritius, a journalist contends with denialism and mourns the last days of summer, lost to the lockdown. In Paris, a writer struggles to protect his young son from fear. In Chile, protesters who prevailed against tear gas and rubber bullets are now halted by a virus. In Queens, after thirteen-hour shifts in the ER, a doctor dons running shoes and makes the long jog home. And We Came Outside and Saw the Stars Again takes its title from the last line of Dante's Inferno, when the poet and his guide emerge from hell to once again behold the beauty of the heavens. In that spirit, the stories, essays, poems, and artwork in this collection--from beloved authors including Jhumpa Lahiri, Mario Vargas Llosa, Eavan Boland, Daniel Alarcón, Jon Lee Anderson, Claire Messud, Ariel Dorfman, and many more--detail the harrowing experiences of life in the pandemic, while pointing toward a less isolated future. Together, they comprise a profound global portrait of the defining moment of our time, and send a clarion call for solidarity across borders. Our literary culture depends on bookstores--and those irreplaceable sources of conversation and community, of inspiration and solace, have been decimated by the lockdown. Net proceeds from And We Came Outside and Saw the Stars Again will go to the Book Industry Charitable Foundation, which helps the passionate booksellers we readers depend upon.

Winner of the 2018 Pura Belpre Award! “A book for anyone mending from childhood wounds.”—Sandra Cisneros, author of The House on Mango Street In this unforgettable multicultural coming-of-age narrative—based on the author’s childhood in the 1960s—a young Cuban-Jewish immigrant girl is adjusting to her new life in New York City when her American dream is suddenly derailed. Ruthie’s plight will intrigue readers, and her powerful story of strength and resilience, full of color, light, and poignancy, will stay with them for a long time. Ruthie Mizrahi and her family recently emigrated from Castro’s Cuba to New York City. Just when she’s finally beginning to gain confidence in her mastery of English—and enjoying her reign as her neighborhood’s hopscotch queen—a horrific car accident leaves her in a body cast and confined her to her bed for a long recovery. As Ruthie’s world shrinks because of her inability to move, her powers of observation and her heart grow larger and she comes to understand how fragile life is, how vulnerable we all are as human beings, and how friends, neighbors, and the power of the arts can sweeten even the worst of times.

Shortlisted for the 2020 Goldsmiths Prize Based on the German composer's own correspondence, this inventive, counterfactual work of historical fiction imagines Beethoven traveling to America to write an oratorio based on the Book of Job. It is a matter of historical record that in 1823 the Handel and Haydn Society of Boston (active to this day) sought to commission Beethoven to write an oratorio. The premise of Paul Griffiths’s ingenious novel is that Beethoven accepted the commission and traveled to the United States to oversee its first performance. Griffiths grants the composer a few extra years of life and, starting with his voyage across the Atlantic and entry into Boston Harbor, chronicles his adventures and misadventures in a new world in which, great man though he is, he finds himself a new man. Relying entirely on historically attested possibilities to develop the plot, Griffiths shows Beethoven learning a form of sign language, struggling to rein in the uncertain inspiration of Reverend Ballou (his designated librettist), and finding a kindred spirit in the widowed Mrs. Hill, all the while keeping his hosts guessing as to whether he will come through with his promised composition. (And just what, the reader also wonders, will this new piece by Beethoven turn out to be?) The book that emerges is an improvisation, as virtuosic as it is delicate, on a historical theme.

Rebels and Robbers is about the political economy of violence in post-colonial Angola. This book provides the first comprehensive attempt at analyzing how the military and non-military dynamics of more than four decades of conflict created the structural violence that stubbornly defines Angolan society even in the absence of war. The book clearly demonstrates that the end of the civil war has not ushered in positive peace. The focus on structural violence enables the author to explore the continuities since colonial times, especially in the ways race, class, ethnicity, and power have been used by governing elites as mechanisms to oppress the powerless. Thus, although corruption as structural violence manifesting itself so ubiquitously in Angola today may have been taken to new levels after independence, its origin is unmistakably colonial. Similarly, the zero-sum character of political interactions that defined colonial Angola is yet to be fully exorcized. But there are also important discontinuities. The unabashed propensity to capture public resources for personal aggrandizement is purely post-colonial. So is the tendency toward personal, unaccountable rule. Given its rich endowments, the end of the civil war provides Angola with an opportunity to finally realize its developmental potential. This will depend on whether the wealth resulting from the exploration of natural resources is directed toward creating the conditions for the citizens " realization of their aspirations for the good life thus ensuring sustainable peace. This book will be valuable to academics, practitioners, and the general public interested in gaining a deeper understanding of the political economy of violence in Africa and, more specifically, the interplay between violence, wealth and power in Angola.

In the months leading up to the American invasion of Iraq, this New Yorker correspondent “embedded’ himself among the people of Baghdad and, along with a small number of other Western reporters, rode out the entire invasion and much of the subsequent occupation from inside the city. Jon Lee Anderson’s dispatches from Baghdad were immediately and widely recognized as the most important writing anyone was doing on the war anywhere, for any publication. In recognition of its significance, The New Yorker routinely held the magazine open an extra day and set up a special production team to deal with the pieces; around the office, comparisons to John Hersey’s fabled article “Hiroshima” were flying. The Fall of Baghdad is not a collection of New Yorker pieces, though; it is an original and organically cohesive narrative work that tells the story of what the people of Baghdad have endured at the hands of Saddam Hussein, during the war and during its aftermath. This is not a pro- or anti-war book; the point is to bear witness to what the people in this city have endured, to put a human face on a calamity of epic dimensions. The focus alternates among a small cast of characters, a group of disparate Iraqis who allow Anderson to bring to life different facets of the story he wants to tell; and he fills in the canvas around his figures with rich background that makes their significance sing, and helps bind the book together as the definitive reckoning with one of the most fateful stories of our time.

Ilan Stavans has been a lightning rod for cultural discussion and criticism his entire career. In A Critic's Journey, he takes on his own Jewish and Hispanic upbringing with an autobiographical focus and his typical flair with words, exploring the relationship between the two cultures from his own and also from others' experiences. Stavans has been hailed as a voice for Latino culture thanks to his Hispanic upbringing, but as a Jew and a Caucasian, he's also an outsider to that culture-something that's sharpened his perspective (and some of his critics' swords). In this book of essays, he looks at the creative process from that point of view, exploring everything from the translation of Don Quixote to Hispanic anti-Semitism and the Holocaust in Latin America. Book jacket.

Yiddish, Spanish, Hebrew, and English-at various points in Ilan Stavans's life, each of these has been his primary language. In this rich memoir, the linguistic chameleon outlines his remarkable cultural heritage from his birth in politically fragile Mexico, through his years as a student activist and young Zionist in Israel, to his present career as a noted and controversial academic and writer. Along the way, Stavans introduces readers to some of the remarkable members of his family-his brother, a musical wunderkind; his father, a Mexican soap opera star; his grandmother, who arrived in Mexico from Eastern Europe in 1929 and wrote her own autobiography. Masterfully weaving personal reminiscences with a provocative investigation into language acquisition and cultural code switching, On Borrowed Words is a compelling exploration of Stavans's search for his place in the world.