The people of Jezekiah want their mummy back but Michael Clarke just wants his mummy--and daddy.

Goosebumps now on Disney+! Abby and Peter are staying with Uncle Jonathan in an eerie old village. Their uncle knows a lot about Egypt, and his living room even looks like an ancient tomb. Do other secrets lurk inside the house? MUM's the word! Next, Abby and Peter will get all WRAPPED up in a terrifying mystery. Slappy the Dummy and other villains have been sighted in HorrorLand theme park. A monster named Byron might offer help...if they can find him.

From the New York Times–bestselling Goosebumps series, a tween girl witnesses the librarian turning into a monster and everyone thinks she’s lying. She’s telling the truth . . . but no one believes her. Lucy likes to tell monster stories. She’s told so many that her friends and family are sick of it. Then one day Lucy discovers a real live monster: the librarian in charge of the summer reading program. Too bad Lucy’s told so many monster tall tales. Too bad no one believes a word she says. Too bad the monster knows who she is . . . and is coming after her next.

Audisee® eBooks with Audio combine professional narration and sentence highlighting for an engaging read aloud experience! A friend has vanished, a mummy's amulet is missing, and there's a weirdo out there looking for human brains and hearts. The Chicagoland Detective Agency—run by Megan, Raf, and his talking dog Bradley—have more than enough cases on their hands (and paws). But where to start? Megan's too busy for private-detecting. Her haikus won her tickets to meet the drop-dead gorgeous rock star Sun D'Arc. Raf is sure that Sun is too good not to be really bad. He must be involved in one of their cases. And what about Sun's suspiciously familiar manager? Or the pushy new girl at school? Can Bradley, dog genius, pull his team together and sniff out what suspect goes with which case?

DIVThe sons of a private detective investigate a crazy art museum caper—and try to avoid a spooky statue!/divDIV Ever since they were very young, Brian and Sean Quinn have helped their father solve mysteries. Even though their dad is a professional detective, he always likes to hear his kids’ opinions. Sometimes they even help him catch a crook! But when a pair of priceless Leonardo da Vinci drawings disappears from the local art museum, their father is stumped, and only the boys can crack the case./divDIV /divDIVThe robbery was an inside job, which means the drawings could be anywhere—even inside the museum. Sean and Brian inspect the premises and get to know the staff. And everything goes fine until they get to the Anubis Room, where the famous Egyptian statue is rumored to come alive at night. The Quinn boys will nab the thief—as long as the statue doesn’t catch them first!/div

In this early work of science fiction, the author explores the idea of reanimation and its consequences. The Mummy: A Tale of the Twenty-Second Century is a gripping and thought-provoking adventure. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Sofia is just a normal high school girl, worried about getting her homework done and looking cool in the lunchroom, when HE shows up: a devastatingly handsome new kid, mysteriously covered in decaying bandages and staring at her from the empty holes where his eyes should be. She thinks he's just a hipster, but is there more to this handsome stranger than meets the eye? Yes. He's a mummy. We're not really making a secret about this. The twist is he's a mummy. It's a book about a girl who falls in love with a mummy. We've read young adult books about teenage girls unknowingly falling in love with vampires, werewolves, angels, demons, fairies, mermen, warlocks, dreamwalkers, and trolls. Seriously, there was one about trolls. It's time for mummies, dammit. It's time for mummies.

NEW YORK TIMES BESTSELLER • Ramses the Great returns in this “darkly magical” (USA Today) novel from bestselling author Anne Rice “The reader is held captive and, ultimately, seduced.”—San Francisco Chronicle Ramses the Great lives! But having drunk the elixer of live, he is now Ramses the Damned, doomed forever to wander the earth, desperate to quell hungers that can never be satisfied—for food, for wine, for women. Reawakened in opulent Edwardian London, he becomes Dr. Ramsey, expert in Egyptology. He also becomes the close companion of voluptuous, adventurous Julie Stratford, heiress to a vast shipping fortune and the center of a group of jaded aristocrats with appetites of their own to appease. But the pleasures Ramses enjoys with Julie cannot soothe him. Searing memories of his last reawakening, at the behest of Cleopatra, his beloved Queen of Egypt, burn in his immortal soul. And though he is immortal, he is still all too human. His intense longings for his great love, undiminished over the centuries, will force him to commit an act that will place everyone around him in the gravest danger. . . .

The Mummy is one of the most recognizable figures in horror and is as established in the popular imagination as virtually any other monster, yet the Mummy on screen has until now remained a largely overlooked figure in critical analysis of the cinema. In this compelling new study, Basil Glynn explores the history of the Mummy film, uncovering lost and half-forgotten movies along the way, revealing the cinematic Mummy to be an astonishingly diverse and protean figure with a myriad of on-screen incarnations. In the course of investigating the enduring appeal of this most 'Oriental' of monsters, Glynn traces the Mummy's development on screen from its roots in popular culture and silent cinema, through Universal Studios' Mummy movies of the 1930s and 40s, to Hammer Horror's re-imagining of the figure in the 1950s, and beyond.