In four brief chapters, readers learn important facts about the Egyptians' belief on life and death, stories and superstitions surrounding their gods and goddesses, and the origin of mummies. Original.

Describes the wide variety of ancient human corpses that are found, how they were preserved, and what archeologists can learn from them.

The mummy came to life in the 1940s out of Universal Pictures' need to produce quick turnaround, low budget "B" movies. Universal produced The Mummy's Hand, The Mummy's Tomb, The Mummy's Ghost, and The Mummy's Curse (originally The Mummy's Return) and thus created a popular franchise that is still supported today by a following of loyal fans. (Universal was prompted to produce a remake of its Mummy films in 1999.) This book is devoted entirely to Universal's Mummy movies of the 1940s. It reveals lost action and dialogue by analyzing scenes that were edited out days before The Mummy's Hand was released to theaters, treats readers to other dialogue that was filmed and then cut down to almost nothing before being included in the films, and compares and contrasts the original story of The Mummy's Return to the final shooting script of what was later renamed The Mummy's Curse. Each of the films has its own chapter, and chapters are also devoted to the actors who played the heroes, heroines, high priests, victims, and mummies in the films, and to the filmmakers who brought the mummies to life.

The Virtual Mummy is a thoroughly readable introduction to the nondestructive techniques used by contemporary researchers to analyze the artifacts and culture of ancient Egypt. It tells the captivating story of the "virtual unwrapping" of an Egyptian mummy and the interdisciplinary project that allowed researchers at the University of Illinois at Urbana-Champaign to investigate the person inside by way of an autopsy performed by computer. The mummy, acquired by the university's Spurlock Museum in 1989, was from the Fayum region of Egypt and is dated to about 100 a.d. Although other mummy projects have used destructive analytical techniques, the Spurlock mummy was never even unwrapped. Minute samples of loose material were taken for dating and for textile and wood analysis without affecting the integrity or display quality of the artifact. Faculty and staff members from area hospitals and University of Illinois departments including classics, anthropology, chemistry, textile sciences, and entomology were recruited by the Program on Ancient Technologies and Archaeological Materials for the project. The interdisciplinary team implemented a research plan that relied on medical imaging techniques including X rays and CT scans. They also utilized for the first time in the history of mummy research a Cray II supercomputer -- at the university's National Center for Supercomputing Applications -- to render three-dimensional images of the mummy's skull and body. Replete with illustrations, Sarah U. Wisseman's engaging chronicle of teamwork and research gives readers the chance to experience how ancient history melded with contemporary technology. The Virtual Mummy also includes a review of the development of mummification and a general history of mummy research.

Sofia is just a normal high school girl, worried about getting her homework done and looking cool in the lunchroom, when HE shows up: a devastatingly handsome new kid, mysteriously covered in decaying bandages and staring at her from the empty holes where his eyes should be. She thinks he's just a hipster, but is there more to this handsome stranger than meets the eye? Yes. He's a mummy. We're not really making a secret about this. The twist is he's a mummy. It's a book about a girl who falls in love with a mummy. We've read young adult books about teenage girls unknowingly falling in love with vampires, werewolves, angels, demons, fairies, mermen, warlocks, dreamwalkers, and trolls. Seriously, there was one about trolls. It's time for mummies, dammit. It's time for mummies.

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For thousands of years, ancient Egypt has echoed around the world. This full colour paperback is the catalogue of a current exhibition at the Yale Peabody Museum. "The exhibition takes you on a journey through two thousand years of fascination with ancient Egypt, the land of the pharaohs. Visitors will discover how a culture that flourished thousands of years ago has impacted on our own world. Echoes of ancient Egypt appear in art, architecture, and literature around the world from ancient Africa to medieval Europe and the Middle East, to modern North America." 0Exhibition: Yale Peabody Museum, New Haven, USA (13.4.2013-4.1.2014).0.

The most penetrating study of the curse ever conducted, The Mummy's Curse uncovers forgotten writings, examines original surveys and field observations of museum visitors, revolutionizes the study of mummy horror films and shows that the curse's structure, meaning and interpretation was changed by events such as the discovery of Tutankhamun’s tomb.

The mummy of Takabuti is one of the best known antiquities in the Ulster Museum, Belfast. Takabuti was a young woman who lived in Egypt during a tumultuous period, c. 600 BC. Her mummy was unwrapped and investigated in Belfast in 1835. While the focus of the book is on Takabuti, it shows how the combination of archaeological, historical and inscriptional evidence with multidisciplinary scientific techniques can enable researchers to gain a wealth of information about ancient Egypt. This not only relates to the individual historical context, ancestry and life events associated with Takabuti, but also to wider issues of health and disease patterns, lifestyle, diet, and religious and funerary customs in ancient Egypt. This multi-authored book demonstrates how researchers act as ‘forensic detectives’ piecing together a picture of the life and times of Takabuti. Questions addressed include – Who was Takabuti? When did she live? Where did she come from and where did she reside? What did she eat, and did she suffer from any diseases? Did she suffer a violent death, and how was she mummified and prepared for burial?