The Movement of World Revolution, originally published in 1959, explores many of the themes Dawson considered most important in his lifetime: the religious foundation of human culture, the central importance of education for the recovery of Christian humanism, the myth of progress, and the dangers of nationalism and secular ideologies.

The first truly global history of revolutions and revolutionary waves in the modern age, from Atlantic Revolutions to Arab Spring.

Offers a radical rethinking of Marx's concept of revolution that shows how we can bring about social and political change today.

The Global Revolution. A History of International Communism 1917-1991 establishes a relationship between the history of communism and the main processes of globalization in the past century. Drawing on a wealth of archival sources, Silvio Pons analyses the multifaceted and contradictory relationship between the Soviet Union and the international communist movement, to show how communism played a major part in the formation of our modern world. The volume presents the argument that during the age of wars from 1914 to 1945, the establishment of the Soviet state in Russia and the birth of the communist movement had an enormous impact because of their promise of world revolution and international civil war. Such perspective appeared even more plausible in the aftermath of the Second World War and of revolution in China, which paved the way for the expansion of communism in the post-colonial world. Communism challenged the West in the Cold War - by means of anti-capitalist modernization and anti-imperialist mobilization - showing itself to be a powerful factor in the politicization of global trends. However, the international legitimacy of communism declined rapidly in the post-war era. Soviet power exposed its inability to exercise hegemony, as distinct from domination. The consequences of Sovietization in Europe and the break between the Soviet Union and China were the primary reasons for the decline of communist influence and appeal. Since communism lost its political credibility and cultural cohesion, its global project had failed. The ground was prepared for the devastating impact of Western globalization on communist regimes in Europe and the Soviet Union.

How black radicals reshaped the British left Making the Revolution Global shows how black radicals transformed socialist politics in Britain in the years before decolonisation. African and Caribbean activist-intellectuals, such as Amy Ashwood Garvey, C.L.R. James, Jomo Kenyatta, Kwame Nkrumah and George Padmore, came to Britain during the 1930s and 1940s and intervened in debates about capitalism, imperialism, fascism and war. They consistently argued that any path towards international socialism must have colonial liberation at its heart. Although their ideas were met with opposition from many on the British Left, they convinced significant sections of the movement of the revolutionary potential of colonised peoples. By centring the entanglements between black radicals and the wider British socialist movement, Theo Williams casts new light on responses to the 1935 Italian invasion of Ethiopia, the 1945 Fifth Pan-African Congress, and a wealth of other events and phenomena. In doing so, he showcases a revolutionary tradition that, as illustrated by the global Black Lives Matter demonstrations of 2020, is still relevant today.

Revolution in the Air is the definitive study of how radicals from the sixties movements embraced twentieth-century Marxism, and what movements of dissent today can learn from the legacies of Lenin, Mao and Che.

Treating China's Cultural Revolution as much more than a political event, this innovative volume explores its ideological dimensions. The contributors focus especially on the CR's discourse of heroism and messianism and its demonization of the enemy as reflected in political practice, official literature, and propaganda art, arguing that these characteristics can be traced back to hitherto-neglected undercurrents of Chinese tradition. Moreover, while most studies of the Cultural Revolution are content to point to the discredited cult of heroism and messianism, this book also explores the alternative discourses that have flourished to fill the resulting vacuum. The contributors analyze the intense intellectual and artistic ferment in post-Mao China that embody resistance to CR ideology, as well as the urgent quest for authentic individuality, new forms of social cohesion, and historical truth. Contributions by: Anne-Marie Brady, Woei Lien Chong, Lowell Dittmer, Monika Gaenssbauer, Nick Knight, Stefan R. Landsberger, Nora Sausmikat, Barend J. ter Haar, Natascha Vittinghoff, and Lan Yang.

A major reassessment of the rise and global impact of revolutionary Third World radicalism in the 1960s and 1970s.

Youth and the Cuban Revolution: Youth Culture and Politics in 1960s Cuba is a new history of the first decade of the Cuban Revolution, exploring how youth came to play such an important role in the 1960s on this Caribbean island. Certainly, youth culture and politics worldwide were in the ascendant in that decade, but in this pioneering and thought-provoking work Anne Luke explains how the unique circumstances of the newly developing socialist revolution in Cuba created an ethos of youth which becomes one of the factors that explains how and why the Cuban Revolution survives to this day. By examining how youth was constructed and constituted within revolutionary discourse, policy, and the lived experience of young Cubans in the 1960s, Luke examines the conflicted (but ultimately successful) development of a revolutionary youth culture. She explores the fault lines along which the notion of youth was created—between the internal and the external, between discourse and the everyday, between politics and culture. Luke looks at how in the first decade of the Cuban Revolution a young leadership—Fidel, Raúl and Che—were complemented by a group of new protagonists from Cuba’s young generation. These could be literacy teachers, party members, militia members, teachers, singers, poets… all aiming to define and shape the Cuban Revolution. Together young Cubans took part in defining what it meant to be young, socialist and Cuban in this effervescent decade. The picture that emerges is one in which neither youth politics nor youth culture can alone help to explain the first decade of the Revolution; rather through the sometimes conflicted intersection of both there emerged a generation constantly to be renewed—a youth in Revolution.